Fashion
Michigan startup reimagines clothing labels to boost recycling
Less than 15 per cent of the 92 million tonnes of clothing and other textiles discarded annually are recycled, in part because they are so difficult to sort. Ordinary tags or tagless labels often don’t make it to the end of a garment’s life—they may be cut away or wear off. And tags on some counterfeit items may not provide an accurate account of the fabrics used in a garment, nor their source. Recycling, repair operations and counterfeit prevention could be more effective if a difficult-to-fake tag was woven into the fabric, invisible until read.
Photonic fibres could enable this capability. Each fibre can be customised to absorb specific wavelengths of light, ranging from ultraviolet to infrared, by varying the amount and thickness of acrylic and polycarbonate layers inside. While the materials are clear on their own, they bend and refract light when combined; creating optical effects that can look like colour—similar to the wings of a butterfly, the University of Michigan said in a press release.
Fibarcode, a University of Michigan spinout, is developing photonic-fibre barcodes woven into fabrics to improve recycling and prevent counterfeiting.
Supported by a $1.6 million NSF grant, it is launching pilot programmes and seeking partners.
The patented technology, co-invented by Brian Iezzi, encodes material and supply-chain data directly into textiles.
Unique combinations of absorbed wavelengths act like codes. After the scanner reads the code, it can find and quickly display associated information to help verify the garment’s fabric content and designer labels, as well as thread and fabric suppliers. Multiple unique photonic fibres can also be combined to help expand the total possible number of unique codes.
The grant will enable Fibarcode to launch its first pilot programme and partner with industry stakeholders and recycling centres. The company is actively seeking additional collaborators to accelerate the adoption of its technology across the supply chain.
Fibarcode was founded in 2024 by Brian Iezzi, a U-M doctoral graduate of the department of materials science and engineering. He co-invented and developed the technology in the lab of Max Shtein, professor of materials science and engineering and chemical engineering, as part of an earlier NSF-sponsored research project.
They both received entrepreneurial education and mentoring from the National Science Foundation Innovation Corps Hub: Great Lakes region, which is led by U-M and helps researchers extend their focus beyond the laboratory to increase economic and societal impact.
With the help of U-M Innovation Partnerships, Shtein and Iezzi secured patent protection, and Iezzi launched Fibarcode. Fibarcode is headquartered in Tennessee, in a two-year accelerator programme run by Oak Ridge National Laboratory. Iezzi and the University of Michigan have a financial interest in Fibarcode.
Fibre2Fashion News Desk (RR)
Fashion
UK GDP expected to grow 1.4% in 2026: Goldman Sachs Research
They predict that the labour market will keep weakening, but also anticipate a boost to the economy from a significant cooling of inflation and further rate cuts from the Bank of England (BoE).
Goldman Sachs Research expects ‘another mixed year’ for the UK economy, which is expected to grow at 1.4 per cent in 2026—up from around 1 per cent in 2025.
It expects the unemployment rate to rise to 5.3 per cent by March, and then stabilising.
Consumption is expected to grow at 1.3 per cent in 2026 versus 0.7 per cent in 2025.
The fiscal position looks less vulnerable than some other European nations.
The UK labour market weakened significantly in 2025 as slow economic growth and the increase in national insurance contributions weighed on employment. A recent rise in layoffs points to ‘further labour market softening ahead’, according to Moberly and Stehn.
Goldman Sachs Research expects the unemployment rate to rise to 5.3 per cent by March. But as growth picks up towards potential, it sees the unemployment rate stabilising for the remainder of this year, the report says.
Given rising slack in the job market, lower headline inflation, and a smaller increase in the national living wage, the company’s economists expect wage growth to normalise this year. Private sector regular pay growth slowed to 3.8 per cent from around 6 per cent over the last 12 months, and the team forecasts further cooling to 3.1 per cent by the end of 2026.
Consumer spending in the UK is low, and the household savings rate is elevated. “Real disposable income growth is likely to remain weak in coming quarters given wage growth moderation, elevated mortgage rates, and a larger fiscal drag on household incomes,” Moberly and Stehn write.
The team’s models suggest that the savings rate will likely decline this year as interest rates fall and consumption catches up with recent increases in real inflation-adjusted incomes.
Consumption is expected to grow at 1.3 per cent in 2026 versus 0.7 per cent last year.
The team anticipates further progress on inflation in the coming months given unwinding base effects. Goldman Sachs Research projects headline inflation to decelerate to 2.1 per cent in the second quarter this year.
The fiscal trajectory, political risk, and efforts to boost economic growth are likely to be key areas of focus this year, according to the company.
“Our analysis suggests that the UK’s fiscal position looks less vulnerable than some other European countries, notably France,” Moberly and Stehn add.
Fibre2Fashion News Desk (DS)
Fashion
Kanuk ventures beyond Québec, setting off from Italy to expand worldwide
Published
January 16, 2026
What an honour for Italy at Pitti Uomo 109! For the first time, Canadian clothing brand Kanuk is stepping beyond Québec to reach the rest of the world. President Elisa Dahan confirmed as much to FashionNetwork.com. “Yes, it’s true. If we exclude an episode in the United States a few years ago, this is the first time we are presenting ourselves outside our province. I mean truly outside Québec: we had never really begun to develop beyond Québec towards a global dimension- not even in the rest of Canada. And since we are a fashion brand rooted in outerwear, of course we’re starting with Italy.”
Kanuk, a play on the slang nickname for Canadians (Canucks), has the snowy owl as its emblem. “We chose it because it never migrates; it always stays in Québec, no matter the temperature. It feels tailor-made for the philosophy of comfortable, welcoming Canadian country living,” Dahan points out. “A bit like us so far: we were founded in 1974 in a small workshop in Montréal with the mission of creating outerwear suited to Québec’s particular climate and lifestyle, and today we offer a total look.”
With a lifestyle focus, Kanuk is inspired by the spirit of rural Canadian life- farm-to-table family traditions, a distinctive generational heritage, and outdoor pursuits- while applying uncompromising artisanal standards to production. In the Autumn/Winter 2026/27 Heritage Collection, featuring 30 men’s and 30 women’s styles in a range of colours, the brand expands its ready-to-wear with new jumpers, knit sets, wool pieces, corduroy outerwear, and increased use of Kanuk’s signature sherpa, designed to complement its parkas. The colour palette reflects the season’s defining landscapes: warm earth tones, leafy greens, deep browns, and the muted golds of Canada’s transforming trees.

With two mono-brand stores, one in Montréal and the second just opened in Québec City- “attracting strong tourist traffic,” according to the president- Kanuk sees e-commerce “performing very well and accounting for about a third of the business; but don’t forget that right now we are only distributed in about 30 major stores in Québec. The sky is the limit for what we can achieve from now on,” she smiles.
Elisa Dahan is very confident that Kanuk’s products will be highly appreciated in Europe, “because in Europe the weather starts one way during the day and can shift in the evening and at night- sometimes in the opposite direction- so you need functional versatility, style and lasting durability in what you wear: precisely Kanuk’s attributes, with its timeless pieces and 3-in-1 models with removable layers,” she says.

Kanuk is not only apparel but also accessories, including gloves, scarves, and a super-plush bag, once again featuring the snowy owl. These designs are intended especially for cold climates. Across both the product range and the Canadian brand’s revenue- which rose by double digits last fiscal year- menswear and womenswear are split evenly, 50/50. Accessories account for 10% of turnover.
After Pitti Uomo 109, where she forged many connections with buyers, agents, and distributors, Elisa Dahan aims over the next two to three years to expand the brand into a strong network of quality retailers across Europe. “I’m not interested in quantity; ours is a beautiful brand with a lot of potential, but it needs to be surrounded by the right brands; for me, location is the most important factor to get right, and the business results will follow,” says the Kanuk president, who is also open to launching pop-ups or temporary stores in winter resorts as well as summer destinations, in Italy and beyond.
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Fashion
Japan’s Fast Retailing names Francesco Risso as GU creative director
Alongside his appointment at GU, Risso, who helmed the UNIQLO and Marni collection in 2022, will develop a new collaboration line with UNIQLO, set to launch in 2026.
Further details on both initiatives will be announced at a later date.
Fast Retailing has appointed Francesco Risso as creative director of GU to strengthen the brand’s global presence.
Risso will lead GU’s creative direction, with his debut collection set for fall/winter 2026.
He will also develop a new collaboration line with Uniqlo launching in 2026, following his earlier Uniqlo and Marni project.
Italian-born designer Francesco Risso studied fashion in Florence, New York, and London. He spent a decade at Prada, developing a rigorous approach to narrative and craft while gaining extensive design experience. From 2016 to 2025 he served as Creative Director at Marni, shaping a boldly original vision for the house inspired by music, art, and cultural exploration. A passionate educator, Risso has held guest positions at the world’s top art and design schools.
Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (RM)
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