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Camille Miceli: “The Pucci woman wants to express who she is”

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Camille Miceli: “The Pucci woman wants to express who she is”


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September 24, 2025

Pucci’s artistic director, Camille Miceli, unveiled on Wednesday the essence of the house for FashionNetwork.com, while presenting the brand’s Spring/Summer 2026 collection at the height of Milan Fashion Week.

“Women use fashion to feel free, to dare. Pucci’s success comes from its strong personality; by wearing it, a woman shows who she is,” the designer summarised.

Pucci, S/S 2026 – FNW/EP

Entitled “Passepartout” – in homage to the television programme presented by Philippe Daverio from 2001 to 2011 – Pucci’s new collection has been unveiled through a campaign shot by Oliver Hadlee Pearch, capturing Naomi Campbell as she embodies the brand’s ultimate freedom and sensuality amid strobe lights that heighten the glamorous, glittering, statuesque beauty of the iconic supermodel.

“The first thing I work on is prints, looking through the brand’s archives. Usually I am very attracted to the 1970s, but for this collection I sought something cleaner. We work on colours and shapes, but we always respect the original designs,” Miceli said of her creative process.

“Among the key pieces in this collection are definitely the suits, which we worked on extensively; I find them very feminine. We continue to expand our offering, which already includes bags, footwear, eyewear, bijoux and lifestyle accessories.”

Pucci, S/S 2026
Pucci, S/S 2026 – FNW/EP

For Spring 2026, Pucci presented a collection for every occasion, with each look designed to turn heads. Archival prints were reinterpreted and more dynamic than ever. Labirinto (1969) is a rhythmic pattern of irregular shapes reminiscent of leopard spots in a black, beige and gold palette. Istrice (1957) alternates rounded and jagged lines in a groovy motif in shades of fuchsia, red and purple. Collane (1970) offers a vertical geometric play of circles and diamonds. Volute elongates into a motif as streamlined as it is evocative. Astro, with its spiral graphic, was among Emilio Pucci’s favourite prints for kaftans. Hawaii (1969) bursts like a solar emblem against a solid background.

In the campaign, Naomi sets the tone for the collection, dancing in a lustrous lurex-jersey Iride dress or a Labirinto knit dress and skirt in black and gold. Beyond the animal-print effect, the materials in the Passepartout collection absorbed and reflected the season’s prints, from sheer dresses in gleaming chiffon to winter-weight jacquards in various yarns and printed knits. A body-skimming tailored velvet suit was heightened by the kaleidoscopic Orchidee print. The palette moved from warm, intense black-and-gold tones towards cooler shades. Finally, poolside hues of turquoise and blue bathe the terry ensembles, designed for days in the sun.

Pucci, S/S 2026
Pucci, S/S 2026 – FNW/EP

From shoes to bags, surfaces and detailing spotlighted Pucci signatures. Contrasts of matt and glossy drew the eye to Marmo bags, baguettes and hobo bags, and to over-the-knee boots, while small day-to-night bags were reimagined in Labirinto nylon or vivid red, in bracelet-like shapes. The angular heel returned, with chains that adorn the foot. Jewellery expressed different personalities, from woven chains to creations resembling a curved raven — bold and eye-catching. Handmade leather flowers were offered as brooches and as charms for embossed bags and belts. The iconic scarves ranged from classic silk squares to slim styles embellished with gold chains.

Pucci, S/S 2026
Pucci, S/S 2026 – FNW/EP

Pucci rounded out its offering with lifestyle accessories such as a purple-and-red silk jewellery box in the Iride motif, an umbrella in the same shades that can be carried over the shoulder, and a neck pillow for relaxing poolside.

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Turkiye’s industrial production up 2.9% YoY, down 2.2% MoM in Sep 2025

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Turkiye’s industrial production up 2.9% YoY, down 2.2% MoM in Sep 2025



Turkiye’s industrial production increased by 2.9 per cent year on year (YoY) and decreased by 2.2 per cent month on month (MoM) in September this year, according to the Turkish Statistical Institute (Turkstat).

The industrial production index (IIP) for manufacturing increased by 2.7 per cent YoY and decreased by 2.3 per cent MoM in the month.

Turkiye’s industrial production rose by 2.9 per cent YoY and decreased by 2.2 per cent month on month (MoM) in September, according to the Turkish Statistical Institute.
The industrial production index for manufacturing increased by 2.7 per cent YoY and decreased by 2.3 per cent MoM in the month.
The index for durable consumer goods fell by 7.5 per cent YoY and by 1.2 per cent MoM.

The IIP for electricity, gas, steam and air conditioning supply increased by 5.3 per cent YoY and decreased by 2.4 per cent MoM in the month, a Turkstat release said.

The index for durable consumer goods decreased by 7.5 per cent YoY and by 1.2 per cent MoM.

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Diamond Lab moves closer to crowdfunding target, links with Maddox Gallery for Selfridges VIP opening

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Diamond Lab moves closer to crowdfunding target, links with Maddox Gallery for Selfridges VIP opening


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November 11, 2025

The Diamond Lab is having a busy few months and one of the reasons is that it has “opened its latest funding round to the public, following an overwhelming response from its community of clients and supporters”.

The Diamond Lab

The “ethical” fine jewellery brand said that after choosing to pivot from institutional investors to a community-led raise, it reached over £500,000 in pledges within two weeks of launching its private campaign. 

The brand is now on track to complete its £530,000 round at a £9.5 million valuation, closing on 1 December or sooner if the target is reached.

Funds raised will be used to accelerate marketing, digital growth, and inventory expansion as it “prepares for global scale — including entry into the Middle East market and strengthening its tech and operations infrastructure”.

And long-term, the brand said it “aims to become the global leader in ethical fine jewellery, combining innovation, sustainability, and design to make lab-grown luxury accessible to everyday consumers”.

Founder Jamie Patel said: “Our brand has always been built on community, so this approach felt right. It not only fuels our next stage of growth but also gives our clients, friends, and supporters the chance to invest and be part of our journey.”

The company is also busy on another front. It has joined forces with Maddox Gallery to create “a first-of-its-kind luxury immersive shopping experience” inside Selfridges’ VIP lounge running until 16 December.

Complete with food and drink, it’s been transformed into an “intimate collector’s salon, for a fusion of contemporary art and ethical diamonds this Christmas”. The company said that at the heart is a collection of “rare, never-before-seen lab-grown diamonds, including stones ranging from 20 to 70 carats, placed in a setting adorned with icons of pop, conceptual and photographic art from Andy Warhol, Banksy, David Yarrow, The Connor Brothers, Will Martyr, Mel Bochner, RETNA and Cooper, curated by Maddox”.

Visitors can “meet with experts, collaborating with in-house designers and art consultants to bring their bespoke jewellery vision to life”.

Each element of the concept has been conceived as a “multi-sensory experience that celebrates art, innovation and beauty”.

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BGMEA signs MoU with Bangladesh Business Chamber of Canada

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BGMEA signs MoU with Bangladesh Business Chamber of Canada



The Bangladesh Garment Manufacturers and Exporters Association (BGMEA) and the Bangladesh Business Chamber of Canada (BBCC) recently signed a memorandum of understanding (MoU) to foster cooperation, strengthen business ties and create new opportunities.

The agreement is expected to enhance collaboration in trade, investment, and knowledge sharing between the two organisations.

Bangladesh trade body BGMEA and the Bangladesh Business Chamber of Canada recently signed an MoU to foster cooperation, strengthen business ties and create new opportunities.
Both sides will strengthen networking and communication among members; facilitate knowledge exchange; jointly organise trade fairs, exhibitions; and promote Bangladesh’s apparel and textile products in Canada and North America.

The MoU will help BGMEA tap the immense potential of the Canadian and North American markets, association president Mahmud Hasan Khan was cited as saying by domestic media reports.

Both sides will strengthen networking and communication among members; facilitate knowledge exchange; jointly organise trade fairs, exhibitions; and promote Bangladesh’s apparel and textile products in Canada and North America.

They will enhance entrepreneurial and professional capabilities through training and skills development; promote investment opportunities in the apparel, textile and related sectors between the two countries; and encourage partnerships, joint ventures and collaborations.

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