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Chanel: Matthieu Blazy debuts with panache in Grand Palais

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Chanel: Matthieu Blazy debuts with panache in Grand Palais


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October 6, 2025

So, finally, the big one – fashion’s most anticipated debut at the richest fashion house in history – Matthieu Blazy’s opening show for Chanel, a bold, gutsy, ingenious, often beautiful and oddly risqué collection that was an undoubted hit.

Chanel – Spring-Summer2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

The omens felt right as soon as one entered the Grand Palais, where Blazy had built a truly magnificent set. Like the great planets in the solar system; giant fabric balls with interior illumination, the sun 15-meters in diameter. The catwalk a lacquered lunar landscape suggesting molten rock and lava. 
 
So epic was the staging, the 2,800 guests were encouraged to come an hour early to admire the space. The new universe of Chanel, before which the show began, unveiling a beguiling and intriguing collection.

Matthieu opened with suits, of course, but pants suits in gray flannel, in a quirky surprise, culled from pants that Coco borrowed from her great love, Boy Capel. Cut with mannish pants and officers’ mess jackets, they set the scene for a brave, often experimental display by Blazy.

Chanel – Spring-Summer2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

He sent out dozens of Chanel suits or split suits. Many with a new wrap skirt made with pockets and cut at the knee and left frayed generally. Made in both classic and unexpected materials: lighter semi-sheer bouclé wool, airy plaids, windowpane checks or stiff denim, while the famed four-pocket jackets were all finished with filigrees of gold or contrasting trim.
 
Surprisingly, he showed multiple skirts slung so low, underwear peaked up two inches. It seems unlikely that many of the well-heeled VICs in the audience will actually wear that idea, but its chutzpah was very appealing.
 
Blazy played artfully with many codes, like conceptual double-sized camellia brooches or Coco’s love of pearls, though used in densely woven necklaces. And referenced Mademoiselle’s obsession with wheat by embroidering a golden sheaf into an organza top. 
 
Even the little black dress, which Coco is credited with inventing, got a smart makeover – either finished with golden strings or ruched radically with side knots.
 

Chanel – Spring-Summer2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

For evening, Matthieu went into overdrive: dense fabric flowers and petals used in flamenco skirts, even if some of which flapped alarmingly. While the lacquered surface alarmed some models, with one taking a shoe off right in front of a movie star posse in the front row – Tilda Swinton, Pedro Almodovar, Penelope Cruz, chatting animatedly beside a silent Kendall Jenner.
 
All presented to a massive mash-up of music created jointly by Chanel’s long-time DJ Michel Gaubert and Belgian sound architect Le Motel. It included Isao Tomita’s electronic track “Venus, the Bringer of Peace”, The Corrs plaintiff hit “Runway” and spoken snippets from TV series “Dawson’s Creek”.
 
At the finale, the collection won Blazy a prolonged standing ovation, ignited when the Ethiopian-Canadian Awar Odhiang in the final look began clapping and beseeching the audience to rise.

Chanel – Spring-Summer2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

 
“Chanel is about love. The birth of modernity in fashion comes from a love story. This is what I find most beautiful. It has no time or space; this is an idea of freedom. The freedom worn and won by Gabrielle Chanel,” said Blazy.
 
Ironically, in a set that imitated the vacuum of outer space, the collection felt like a huge blast of fresh air into the lungs of the house of Chanel.

All told, very much a home-run hit show and pathbreaking collection that will be highly influential. And, one has to say, the most successful of the 15 designer debuts at important fashion houses in this unique series of fashion week.
 
One needs to recall, that the Franco-Belgian designer was an under-the-radar candidate for the biggest creative job in fashion. But after garnering rave reviews consistently in a three-year tenure at Italian luxury label Bottega Veneta, he nabbed the position. It is a major step-up in size. From a mid-sized provincial Italian house to Chanel — the world’s largest luxury fashion label with annual sales of around $20 billion.

Chanel – Spring-Summer2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

Chanel’s uber-discreet family owners, Alain and Gérard Wertheimer, clearly would like another long low-term career for Blazy at the house.

He is only the fourth creative director in the brand’s storied history. Coco Chanel founded the brand in 1910 and led it until 1973 when she died in the Ritz; Karl Lagerfeld who ruled supreme from 1983 until his death in 2019. Virginie Viard – Karl’s key assistant, by contrast, only lasted five years until June 2024.
 
In an uber busy week, on the day of the show, the brand also announced two new ambassadors: Oscar winner Nicole Kidman and rising star Ayo Edebiri, the award-winning American actor, director, and screenwriter, known for her standout roles in hit series “The Bear”.
 
Kidman wore a white oversized shirt – Boy Capel-style – and duck-egg blue pants to the show, attending it with her daughters.
 

Chanel – Spring-Summer2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

“From the unforgettable Baz Luhrmann film to her countless red carpet looks, Nicole has always been part of the history of the house. Free and ever-changing, she is for me the embodiment of the Chanel woman,” said Blazy. 
 
Edebiri recently wore Blazy creations from Chanel at the Venice Film Festival and the New York Film Festival.
 
“Ayo is all strength, but at the same time, she is vulnerable enough to always put herself out there. She writes, she acts, she directs… Nothing can stop her,” insisted Blazy.
 
While tourists in Paris could not help noticing this week’s new giant billboard in front of the Paris Opera: a beautiful Chanel high jewelry necklace from its No. 5 collection.  
 
Suddenly, the Chanel dream seems very alive and well again.
 

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War-linked energy shock pushing inflation higher in Europe: IMF expert

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War-linked energy shock pushing inflation higher in Europe: IMF expert



The energy shock that has hit Europe due to the Middle East conflict, though smaller than in 2022, is weighing on growth and pushing inflation higher, an expert at the International Monetary Fund (IMF) recently cautioned.

In a blog post, Alfred Kammer, director of the IMF’s European department, said his organisation sees growth slowing down in the continent. Initial data point already to weaker private investment and consumption.

The energy shock that has hit Europe due to the Middle East conflict, though smaller than in 2022, is weighing on growth and pushing inflation higher, an IMF expert recently cautioned.
IMF sees growth slowing down in the continent.
Initial data point already to weaker private investment and consumption.
Central banks must remain laser focused on keeping inflation expectations anchored, he wrote.

The outlook for euro area growth is projected at just 1.1 per cent in 2026, for the European Union it is 1.3 per cent; and this forecast comes with a high degree of uncertainty.

In a more severe scenario as described in the World Economic Outlook—a persistent supply shock compounded by tightening financial conditions—the EU could come close to recession with inflation approaching 5 per cent. No European country is spared, Kammer observed.

Policymakers face intense pressure—to act fast, visibly and for all, which results in policies that have more long-term downsides than short-term benefits, he wrote.

Targeted support is much more effective. Europe’s response to this shock should be shaped by two imperatives, he suggested. First, robust macroeconomic policy that is fit for a world with unpredictable and frequent shocks, and second, resilience built without wasting fiscal resources or getting in the way of markets.

The first imperative involves getting monetary and fiscal policy right. Central banks must remain laser focused on keeping inflation expectations anchored, the IMF expert wrote.

In the euro area, where inflation is close to target and medium-term expectations are broadly anchored, the European Central Bank has some scope to wait and observe the shock evolve before acting. IMF now expects a cumulative 50 basis point increase in the policy rate by the end of this year, maintaining a broadly neutral monetary stance in light of higher near-term inflation expectations, Kammer noted.

A rise in core inflation or increasing medium-term expectations would warrant a more restrictive stance, he wrote.

“Europe must reform under pressure. The current shock is not an argument for delay. It is all the more reason to push forward the reform agenda,” Kammer added.

Fibre2Fashion News Desk (DS)



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India, US to resume BTA talks today

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India, US to resume BTA talks today



India and the United States will today resume talks on the first phase of their bilateral trade agreement (BTA) in Washington, DC.

The text of the agreement was released on February 7.

India and the US will today resume talks on the first phase of their bilateral trade agreement in Washington, DC.
The three-day talks will discuss the situation that has evolved under the changed US tariff regime.
The two unilateral probes launched by the USTR against India may also be discussed at the meeting.
Darpan Jain, additional secretary in the department of commerce, is leading the Indian team.

Darpan Jain, additional secretary in the department of commerce, is leading the Indian team.

The three-day talks will discuss the situation that has evolved under the changed US tariff regime, according to Indian media reports.

Following the US Supreme Court decision against the sweeping tariffs imposed by President Donald Trump on several countries, the US administration imposed a 10-per cent tariff on all countries beginning February 24 for 150 days.

This led to a meeting between chief negotiators of both sides scheduled in February getting postponed to this month.

The two unilateral investigations launched by the US Trade Representative (USTR) against India may also be discussed at the meeting. India has rejected allegations made by the USTR in these two probes under its Section 301 of Trade Law and has called for termination of the probes as the initiation notice has failed to provide cogent rationale to substantiate the claims.

Fibre2Fashion News Desk (DS)



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Germany’s BOSS secures landmark Australian Open partnership

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Germany’s BOSS secures landmark Australian Open partnership



BOSS enters a new era in sport and culture, announcing a landmark partnership as the Official Lifestyle Outfitter of the Australian Open from 2027. From first serve to championship point, the brand will present elevated style on and off the court, combining sharp tailoring, sports-inspired looks, and standout hospitality moments – all on one of the world’s most prestigious sporting stages.

The partnership is rooted in a shared mindset: ambition, world-class performance, global relevance, and a bold confidence that defines both BOSS and the Australian Open. As a cornerstone of BOSS’s cultural strategy, the collaboration creates a powerful platform to connect with fans at scale, unlock new audiences, and showcase the full world of BOSS through its collections, ambassadors, and experiences.

BOSS will become Official Lifestyle Outfitter of the Australian Open from 2027, marking a key step in its sport and culture strategy.
The brand will dress up to 4,000 staff and elevate on- and off-court style through tailored looks, activations and merchandise, strengthening its global presence in tennis while redefining the tournament’s visual identity.

“We are absolutely excited to partner with the Australian Open, which is one of the most dynamic and globally followed sporting events worldwide,” stated Daniel Grieder, CEO of HUGO BOSS. “This collaboration is a natural fit for us, as it brings together two brands that share the same commitment to excellence, innovation, and creating extraordinary experiences. Tennis is part of BOSS’s DNA. The partnership therefore

marks an important step in our strategy to further drive the brand’s positioning at the intersection of sport, lifestyle, and global fan engagement.”

“The Australian Open has always been about more than just great tennis – it’s about atmosphere, innovation, and setting the benchmark for major sporting events worldwide,” Tennis Australia CEO Craig Tiley said. “BOSS is a global brand with impeccable credentials in sport and style, and together we will enhance how our tournament looks, feels, and connects with fans from around the world.”

In its new role as the tournament’s Official Lifestyle Outfitter, BOSS is set to transform the visual identity of the Australian Open like never before. Dressing up to 4,000 staff, officials, umpires, and ball kids, BOSS will make an unmistakable impact, setting its signature confident style from the very first moment. The result is a bold step change: a unified, elevated, and distinctly modern aesthetic that will be visible across every corner of Melbourne Park. A curated palette of refined shades, subtle nods to the brand’s tailoring expertise, and easy-wear silhouettes engineered for the Melbourne heat come together to signal a new era in tournament style – perfectly in tune with the fast-paced, high-energy spirit of the event.

BOSS branding will also be displayed around the venue, including inside the iconic Rod Laver Arena. Beyond the tournament’s courts, the collaboration will extend to exclusive replica teamwear, merchandise, and off-court capsules. Dedicated pop-up stores, immersive on-site fan activations, an elevated guest experience, and further special events will bring the BOSS attitude to every part of “The Happy Slam.” Online and in store, impactful storytelling and curated initiatives will also share the sunshine spirit of Melbourne with tennis fans around the globe.

In a powerful opening serve that ignites excitement and sets the tone for what’s to come, the brand has created bold visuals to accompany today’s announcement. Bridging the worlds of fashion and sport, the imagery reimagines tennis balls in tactile fabrics – from rich wool to soft alpaca – as a nod to BOSS’s roots in craft and tailoring.

The brand’s history in tennis dates back to the 1980s, when it embarked on a 15-year-long sponsorship of the Davis Cup, the world’s largest international team competition in men’s tennis. Most recently, BOSS has welcomed star players Taylor Fritz and Matteo Berrettini, as well as emerging talents Noma Noha Akugue and Ella Seidel, as brand ambassadors, and since 2022 has served as title sponsor of popular ATP 250 tournament the BOSS OPEN in Stuttgart. Through the Australian Open partnership, BOSS is cementing its presence in tennis at one of the world’s most prestigious tournaments and propelling its position as a leading global style authority at the intersection of sport and culture.

Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.

Fibre2Fashion News Desk (JP)



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