My kids also enjoyed Save the Bloogs, an obviously Lemmings-inspired platformer, where you use the pieces as ladders, bridges, and canons to guide the cute wee Bloogs away from impending death. Board Arcade is the only one that reuses pieces, with spaceships and robots adding physical controls to versions of classics like Snake and Asteroids.

Most of the games are marked as age 6 and up, and I’d expect young kids to love this. The dull digital pet Mushka is clearly aimed at wee ones. Sadly, a couple of the more interesting titles, international mystery Spycraft and strategy face-off Thrasos, are still marked as “coming soon.” The Tetris and Chess-inspired Strata is a bit more challenging and makes for a fun two- to six-player battle for territory. I also quite liked the sushi-themed Omakase, a head-to-head battle to build the best bento boxes.

The quality and depth of the launch titles vary, but they feel more like examples of what you could do with the tech than must-have games. It’s telling that the best of the bunch are clones. It will be interesting to see what third-party developers might come up with. While I applaud the lack of a subscription, it’s not yet clear how much the 10 new incoming titles will cost, when they will land, or how many more might follow. You’ll be able to download the titles digitally, and the physical component packs will be shipped.

Mixed Reception

I really like Board, but my teen kids (13 and 16) weren’t impressed. They both found Board’s games boring. Other family and friends had similarly mixed reactions. We play a lot of video games and board games, but I was the only one pushing Board over the holidays. It lacks that killer addictive hook that keeps you coming back for more. I suspect it would go down a lot better with younger kids (6 to 10).

Board is big, and I struggled to find a spot to store it. While it has survived mostly unscathed so far, I can’t help wondering about long-term durability, as the frantic nature of some games could lead some, especially younger kids, to be a bit rough with the screen. It has already sustained a faint scratch from a wayward cat claw, as one of my cats has the unfortunate habit of sitting on board games when we gather to play.

Plugged into my father’s 20-year-old Arcam amplifier, powering a pair of equally vintage Mordaunt Short floorstanding speakers, the Streamplayer works smoothly. It did require a 3.5mm to RCA cable (more in this below) but dad’s box of old cables is a tech treasure trove. On first listen I was impressed by the ease of it all, and switching between Qobuz and Spotify Lossless certainly didn’t offend. But when playing the same song side-by-side using a mid-range Cambridge Audio CD player, the difference was obvious.

Playing the album “Music from Big Pink” by The Band, and the power and scale from the CD version easily eclipsed that of the Streamplayer. Rick Danko’s bass lines soared and the layering of the instruments was wonderfully pronounced via CD, while they were noticeably subdued when streaming. Same speakers, same amplifier, very different DACs.

It’s by no means a disaster, and the streaming convenience—in lieu of a large CD collection—is difficult to argue with. Even with quality components, the performance is only ever going to be as good as the audio quality played.

Cables and Connectivity

Atonemo makes a big deal over being able to power “all” legacy speakers. Included in the box is a single 3.5mm to 3.5mm audio jack, giving the ability to plug into active speakers, old radios, cassette players, boomboxes, and anything with a 3.5mm aux-in port.

But to power analogue speakers, you will need a separate amplifier and alternative cables, whether that’s a 3.5mm to RCA or SPDIF RCA to 3.5mm jack cable. Atonemo told WIRED they toyed with the idea of including multiple cables in the box, but opted for the 3.5mm audio jack because most hi-fi people would have one already. They also plan to sell a range of cables to suit “all” legacy speakers. I think including a couple of cable options would have been a good idea, especially at launch, just to avoid any friction points with first-time installation, as not everyone has a box of old cables as comprehensive as my Dad.

Competition

Photograph: Chris Haslam

Atonemo isn’t the only option when it comes to breathing new life into older hi-fi components. The WiiM Mini Music Streamer ($89) is cheaper, offers AirPlay/Chromecast/Spotify Connect streaming capabilities and a XX DAC. Similarly the FiiO SR11 Desktop Streaming Music Receiver ($110) also copes with Apple Music, Spotify, Tidal, FiiO Music and PCM 768 kHz/32 Bit and DSD256 (DOP) quality. And for a further boost in audio quality plus one of the finest hi-res streaming multiroom platforms, the $379 Bluesound Node nano streamer is hard to ignore. There are also plenty of basic Bluetooth dongles available too if audio quality, or the ability to enjoy multi-room audio, isn’t important to you.

But what Atonemo has done well is remove any technical barriers to use. The app is incredibly simple—in a good way—with no bloat, or pretence it is doing anything other than facilitating streaming between your old speakers and a modern streaming platform.

Yes, it could (and probably should) squeeze in a better DAC, and a more comprehensive collection of cables, but these are deliberate omissions, not glaring mistakes. Anyone looking to tweak and tune, and generally nerd-out about bit rates, are already well served elsewhere.

“It’s no longer Officer Friendly out there,” Whitlock says. “This is not to give any excuse, but I can imagine there is a mindset within the field ICE agents and CBP where they really do think they’re under attack and being threatened. And no one is above the law, but I think it’s important for people to understand that there are going to be limited forms of trying to hold these officers accountable in practice.”

On the Scene

If you find yourself witnessing an immigration enforcement action, there are some things to keep in mind if you want to stick around.

“The goal is to be an observer and to document what is happening,” says Nathan-Pineau of the Immigrant Legal Resource Center. “The goal is not to go and try to intervene in the law enforcement action.”

Training materials from Siembra NC, a North Carolina–based grassroots organization working to defend its local communities from exploitation, say that the priority when ICE is present is letting agents know they are being observed and reminding people of their right to remain silent, while deescalating whenever possible and promoting safety. The group advises that if ICE operatives are conducting an arrest or traffic stop, responders should try to approach within their line of sight and identify themselves in the process.

Filming ICE behavior can let agents know they are being watched, potentially creating some accountability for their actions, as well as a digital evidence trail for any legal cases or proceedings that may occur at a later date. When interacting with federal agents as part of a group effort responding to ICE, Siembra NC recommends identifying yourself as a volunteer, and asking agents who they are, what they are doing, and what agency they work for. Then you can state that you will remain present to observe, while also recording any models of vehicles, license plates, and operatives at the scene.

“We always advise people that if the law enforcement officer that you are filming tells you to step back, you should step back and you should say it out loud—‘I’m stepping back, I’m stepping back.’ That way you’re recording that you’re complying with their order,” Nathan-Pineau says.

Multiple sources reiterated that recording federal agents has a dual purpose, because if your own behavior and that of the people around you is appropriate to the situation, this will be captured in your documentation as well as any officer misconduct. The fact remains, though, that peacefully filming interactions can be interpreted as aggressive or escalatory precisely because it is an accountability mechanism.

Proximity is one of the most important risks to assess when on the scene, says Xavier de Janon, director of mass self-defense at the National Lawyers Guild. “The closer people have been to federal agents or property, the more likely they’ve been charged, tackled, or arrested,” he says.

More and more, federal prosecutors are seeking criminal charges against people for allegedly assaulting federal officers, even if the cases ultimately don’t succeed and later get dropped. The NLG recently published a guide on how protesters and observers can assess risks related to the federal assault law.

Work From Home

Even if you can’t risk hitting the streets, there are other important ways to contribute to community safety efforts.

Civil liberties groups have been campaigning nationwide to ban real-time surveillance platforms and end lucrative contracts that feed information to ICE. You can contact the offices of your local officials and tell them to cancel surveillance contracts and stop information-sharing and other law enforcement cooperation that fuels ICE operations.