Tech
Google is training its AI tools on YouTube videos: These creators aren’t happy
Santa Ana, California-based entrepreneur Charlie Chang spent years posting finance videos on YouTube before he made a profit.
Today, Chang’s media business oversees more than 50 YouTube channels, along with other digital sites, and generates $3 million to $4 million in annual revenue, he said.
But lately, he’s been faced with a new concern: that YouTube’s moves in artificial intelligence will eat into his business.
“The fear is there, and I’m still building the channels, but I am preparing, just in case my channels become irrelevant,” Chang, 33, said. “I don’t know if I’m gonna be building YouTube channels forever.”
YouTube’s parent company, Google, is using a subset of the platform’s videos to train AI applications, including its text-to-video tool Veo. That includes videos made by users who have built their livelihoods on the service, helping turn it into the biggest streaming entertainment provider in the U.S.
The move has sparked deep tensions between the world’s biggest online video company and some of the creators who helped make it a behemoth. Google, creators say, is using their data to train something that could become their biggest competitor.
The schism comes at a pivotal time for Google, which is in a race with rivals including Meta, OpenAI and Runway for dominance in the market for AI-driven video programs. Google has an advantage due to YouTube’s huge video library, with more than 20 billion videos uploaded to its platform as of April.
Many creators worry such tools could make it easier for other people to replicate the style of their videos, by typing in text prompts that could produce images or concepts similar to what popular creators produce. What if AI-generated videos became more popular than their material? Creators say they can’t opt out of AI training and that Google does not compensate them for using videos for such purposes.
“It makes me sad, because I was a big part of this whole creator economy, and now, it’s literally being dismantled by the company that built it,” said Kathleen Grace, a former YouTube employee who is now chief strategy officer at Vermillio, a Chicago-based company that tracks people’s digital likenesses and intellectual property.
“I think they should be with pitchforks outside San Bruno.”
YouTube, founded in 2005, was built on creators posting content. At first, the user-generated videos were amateurish. But eventually, creators got more sophisticated and professional, doing more elaborate stunts and hiring staff to support their productions.
Key to YouTube’s early success was its investment in its video creators. The San Bruno, California-based company shares ad revenue with its creators, which can be huge. That business model has kept creators loyal to YouTube. As they grew their audiences, that in turn increased advertising revenue for both YouTube and creators.
Video creators are typically not employees of YouTube or Google. Many are independents who have built businesses by posting content, making money through ads, brand deals and merchandise.
The creator economy is a bright spot amid struggles in the entertainment industry. Last year, there were more than 490,000 jobs supported by YouTube’s creative ecosystem in the U.S., according to YouTube, citing data from Oxford Economics. YouTube has a greater share of U.S. TV viewership than Netflix and the combined channels of Walt Disney Co., according to Nielsen.
YouTube said it has paid more than $70 billion to creators, artists and media companies from 2021 to 2023.
The company has encouraged creators and filmmakers to use Google’s AI tools to help with brainstorming and creating videos, which could make them faster and more efficient. Some creators said they use AI to help hash out concepts, cut down on production costs and showcase bold ideas.
YouTube is also developing tools that will help identify and manage AI-generated content featuring creators’ likeness. Additionally, it made changes to its privacy policy for people to request removal of AI-generated content that simulates them on the platform, said company spokesman Jack Malon.
“YouTube only succeeds when creators do,” Malon said in a statement. “That partnership, which has delivered billions to the creator economy, is driven by continuous innovation—from the systems that power our recommendations to new AI tools. We’ve always used YouTube data to make these systems better, and we remain committed to building technology that expands opportunity, while leading the industry with safeguards against the misuse of AI.”
But already, creators say they are facing challenges from other people who are using AI to re-create their channels, cutting into their revenue and brand recognition.
“They’re training on things that we, the creators, are creating, but we’re not getting anything in return for the help that we are providing,” said Cory Williams, 44-year-old Oklahoma-based creator of Silly Crocodile, a popular animated character on YouTube.
In other cases, people are using AI to make deepfake versions of creators and falsely posing as them to message fans, said Vermillio’s Grace.
When people upload videos to YouTube, they agree to the company’s terms of service, which grants a royalty-free license to YouTube’s business and its affiliates.
But many creators said they were not aware YouTube videos were used to train Veo until they read about it in media reports. Melissa Hunter, chief executive of Family Video Network, a consulting firm for family-focused creators, said tools like Veo didn’t exist when she signed YouTube’s terms of service years ago.
Back in 2012, Hunter’s son (then 8 years old) wanted to start a YouTube channel together. Her son, now 22, is against AI for environmental reasons, so Hunter made those videos private. But Hunter said Google can still see those videos, and she’s concerned they were used to train Veo without her permission.
“It’s frustrating, and I don’t like it, but I also feel totally helpless to do anything,” Hunter said.
While there are other social media platforms such as TikTok and Instagram that also support content creators, YouTubers say they have already built large audiences on Google’s platform and are reluctant to leave.
“Creators are in a tough spot where this is the best platform to make money … to build real loyal fans,” said Jake Tran, 27, who makes documentary YouTube videos on money, power, war and crime. “So are you going to give up just because Google is using it to train their AI?”
Last year, Tran’s YouTube business made around $1 million in revenue. Tran is also founder of the Scottsdale, Arizona-based skin-care business, Evil Goods, and together, his businesses employ 40 to 45 part-time and full-time workers.
Other AI companies, including Meta and OpenAI, have come under fire by copyright holders who have accused them of training AI models on their intellectual property. Disney and Universal Pictures sued AI business Midjourney in June for copyright infringement.
Tech industry executives have said that they should be able to train AI models with content available online under the “fair use” doctrine, which allows for the limited reproduction of material without permission from the copyright holder.
Some legal experts think creators might have a case if they decided to take their issue to court.
“There’s room to argue that simply by agreeing to the terms of service, they have not granted a license to YouTube or Google for AI training purposes, so that might be something that could be argued in the lawsuit,” said Mark Lezama, a partner at law firm Knobbe Martens. “There’s room to argue on both sides.”
Eugene Lee, CEO of ChannelMeter, a data and payments company for the creator economy, said he believes the only way creators can win is by using AI, not by fighting against it.
“Creators should absolutely embrace it and embrace it early, and embrace it as part of their production process, script generators, thumbnail generators—all these things that will require human labor to do in a massive amount of time and resources and capital,” Lee said.
Nate O’Brien, a Philadelphia creator who oversees YouTube channels about finance, estimates that his revenue will be flat or decline slightly, in part because it’ll be more challenging to get noticed on YouTube.
“It’s just a numbers game there,” O’Brien said. “But I think generally a person making a video would still perform better or rank better than an AI video right now. In a few more years, it might change.”
To prepare for the growth of AI content, O’Brien has been experimenting with using AI for videos on one of his channels, asking his assistant to take a script based on an existing video he made on a different channel and using AI to voice it. While the views have not outpaced the human-created videos, the AI-generated videos are lower in production cost. One garnered 5,000 views, 27-year-old O’Brien said.
Some creators have opted to share their video libraries with outside AI companies in exchange for compensation. For example, Salt Lake City YouTube creator Aaron de Azevedo, who oversees 20 YouTube channels, said he shared 30 terabytes of video footage in a deal with an AI company for roughly $9,000.
“There’s a good chunk of change,” De Azevedo, 40, said. “It was good, paid for most of my wedding.”
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Tech
Apple’s Price-Friendly iPhone 17e Gets a MagSafe Upgrade
Apple’s first hardware launch of 2026—not counting the second-generation AirTag it debuted at the end of January—is the next iteration of the price-friendly iPhone: the iPhone 17e. The company announced the handset via an online press release, ahead of its “Special Apple Experience” in New York City this Wednesday.
While last year’s iPhone 16e was widely criticized for its questionable value—it replaced the iPhone “SE” models from yesteryear and jacked the price up from $429 to $599—the newer model in the series has some notable features that were missing in its predecessor, like Apple’s MagSafe technology and the Dynamic Island. The price remains firm at $599 despite the challenging economic environment and the memory shortage.
The iPhone 17e opens for preorder today and will be widely available on March 11.
E for Effort
Apple has stuck with the same 6.1-inch OLED display as the iPhone 16e, down to the same old-school notch design. That means you won’t get the sleek look of the Dynamic Island, which also doubles as a live notifications display. Thankfully, if you’re worried about durability, this iPhone has the same Ceramic Shield 2 front glass protecting the display as its pricier siblings, giving it a nice strength boost from the previous generation.
Apple did not upgrade the screen with its ProMotion refresh rate tech, as it’s stuck at 60 Hz. This capability is the number of times the screen refreshes with images—the higher the better, as your display will appear smoother, with interactions feeling more fluid. It’s something the company has offered in the iPhone Pro models, and finally enabled in 2025 with its entire iPhone 17 range, but you’ll have to upgrade for the luxury. It’s a shame, as most budget Android phones offer 120 Hz as standard, even devices as cheap as $200. That also means the iPhone 17e doesn’t have the option to enable an always-on display.
Arguably, the best upgrade is the addition of MagSafe, the magnetic ring that has been embedded in the back of mainline iPhones since the iPhone 12. Apple confusingly didn’t include it with the iPhone 16e despite a healthy accessory market that would have made the iPhone 16e a little more versatile. While the 16e still had basic wireless charging, with the iPhone 17e, you can take advantage of faster magnetic wireless charging at 15 watts (plus access to MagSafe accessories).
This iPhone is powered by the A19 chipset, which debuted on the iPhone 17, though there’s one less graphics core, so graphics performance is a small step below. That’s in line with what Apple did with the iPhone 16e and the iPhone 16 that came before. Apple didn’t share RAM details yet, but it’s likely that the iPhone 17e has 8 GB of RAM like its predecessor, whereas the rest of the iPhone 17 lineup has 12 GB.
Courtesy of Apple
Tech
A Former Top Trump Official Is Going After Prediction Markets
Mick Mulvaney wants to be clear: He really likes gambling. “You’re talking to the only former member of Congress who’s won a poker tournament in Las Vegas,” he tells WIRED. When he was representing South Carolina in the US House of Representatives, he pushed for the state to allow sports betting.
Because of his background, Mulvaney, a former Trump administration official, says he can tell when something is gambling—and that the sports contracts on prediction markets fit the bill. “You know the old saying, if it walks like a duck and quacks like a duck, it’s a duck?” he asks. “If it looks like a sports bet, if it sounds like a sports bet, if it pays off like a sports bet, if it’s on a sporting event—it’s a sports bet.”
Mulvaney, who was President Trump’s acting White House chief of staff from 2019 to 2020, is now leading a new advocacy coalition called Gambling Is Not Investing, which will lobby for prediction markets to be regulated by state gambling laws. He joins a number of other prominent Republicans calling for similar rules. Earlier this month, former New Jersey Governor Chris Christie and current Utah Governor Spencer Cox both spoke out against the current federal approach to regulating prediction markets. (Christie also used the “quack like a duck” line.)
These developments are part of a fierce political battle over how prediction markets are regulated. On the federal level, the Commodity Futures Trading Commission (CFTC) oversees these platforms, which are currently classified as derivatives markets. While a traditional sportsbook will offer customers a chance to place a bet on which team will win or lose a game, a prediction market will offer an “event contract” on the outcome. Critics view the difference as little more than a loophole, and state authorities from across the country are currently pursuing lawsuits against prediction market companies like Kalshi, alleging that they violate state gambling laws. (While these markets offer event contracts on a wide variety of topics, sporting events are their most popular offerings.) “I love the CFTC, but they’re not set up to do this,” says Mulvaney.
Recently, a group of 23 Democratic Senators sent the CFTC a letter urging it to allow these court cases to play out. It did not appear to go over well; CFTC head Michael Selig insists that prediction markets are correctly classified, and that his agency has jurisdiction over the industry. After Selig released a video promising to see those who “challenge our authority” in court, the CFTC even took the unprecedented step of filing a brief in support of the cryptocurrency platform Crypto.com, which faces a lawsuit from Nevada regulators over its prediction market offering.
During the Biden Administration, the CFTC took a notably different approach to prediction markets, even fining Polymarket $1.4 million for failing to register as a derivatives market and temporarily blocking it from operating in the US.
Now, though, the agency’s friendlier approach appears to dovetail with the White House’s interest in the industry. The Trumps have numerous ties to the prediction market world. Truth Social, the social media platform majority-owned by President Trump and his family, is planning its own prediction market offering, reportedly called Truth Predict. Donald Trump Jr is an advisor to both Kalshi and Polymarket, and his venture capital firm has invested in the latter.
But the launch of Gambling Not Investing demonstrates that there is a growing wing of the Republican party that feels the prediction markets need more guardrails. Its founding member organizations include a number of conservative consumer advocacy groups, including Moms for America, Consumer Action for a Strong Economy, and Frontiers of Freedom.
Mulvaney is hopeful that he can make his case to the current White House. “Their default position is going to be to regulate less, not more. And I respect that,” he says. “But I also know that in the first Trump administration, when there were common sense reasons to do some regulation, that we did that.”
Tech
When the Internet Goes Dark, the Truth Goes With It
Alaqad says that because traditional media outlets pick and choose what to show their audiences, losing on-the-ground journalists means losing parts of the truth. “When the people are being silenced and censored, and they don’t have a space for them to talk or a platform to express what’s happening, and for us to see what’s happening through their eyes, there will always be limitations [on] how much we know,” she says.
In every crisis, when communication breaks down, accountability is lost and injustice becomes easier to ignore. “Injustice is super loud,” Alaqad says. “Justice needs to be louder.”
Targeted
Journalists are also silenced permanently. Reporters Without Borders (RSF) wrote in December 2025 that 67 media professionals were killed that year, 43 percent of whom were killed in Gaza by Israeli armed forces. The total number of journalists killed in Gaza since October 7, 2023 has risen to over 220, according to the RSF. The UN estimate sits at more than 260.
“When we look at it within the framework of imposing a ban on the foreign press entering Gaza now, more than two years into that war, when they are restricting the free movement of journalists within Gaza and into Gaza, when we are talking about an unprecedented massacre of journalists, the targeting of media offices and the targeting of communication infrastructure just becomes another piece of that puzzle, which aims at imposing a media blackout,” Dagher says. Israel has repeatedly denied claims that it targets journalists or media infrastructure.
“Killing journalists means killing and silencing the truth,” Alaqad says. In her experience, this strategy works on multiple levels—killing journalists means fewer people reporting on the ground, but equally, it turns journalists into a threat to the people. “This is also sending a message to the people that all journalists are a threat, don’t talk to journalists, stay away from journalists,” she explains.
She recalls her mother begging her not to wear her press vest and helmet. Meant to signify neutrality and protect journalists in the field, instead, it made her feel like a target. “It’s supposed to protect, but on the contrary, it actually puts risk on your life and even on your beloved ones and the ones around you,” she explains.
Alaqad says it was not always this way. Early on, people would greet journalists, offer them food, and thank them for their work. “After a couple of months, when they’d seen journalists getting targeted, Palestinians started treating journalists differently,” she says.
To report in Gaza was to work inside a landscape where time itself was unstable and not guaranteed. Plans rarely extended beyond daylight. Conversations ended abruptly. Addresses became memorials overnight. “The only certainty in Gaza is uncertainty,” Alaqad says.
She recalls interviewing families and planning to return the next day, only to find that the people she spoke with had been killed in airstrikes.
She has since left Gaza, and is pursuing a master’s degree in media studies at the American University of Beirut. She received the Shireen Abu Akleh Memorial Endowed Scholarship, named for the Palestinian journalist killed by Israeli forces in May 2022.
Digital Truths
Going viral on social media helped her reach people, but it also put her at risk. “It showed millions of people around the world what’s happening in Gaza, but at what cost? Being in Gaza could cost you your life, especially as a journalist,” she says.
Despite the reach of digital reporting, she does not trust its permanence. Accounts disappear, posts are removed and videos are lost. What is available today may be gone tomorrow.
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