Fashion
Lab-grown diamonds robbing southern Africa of riches
By
AFP
Published
September 14, 2025
Botswana and southern African peers that built much of their prosperity on diamonds are scrambling for alternatives as cheaper, lab-grown stones threaten their economies.
Diamond-dependent Botswana is leading the way and launched a sovereign wealth fund this week to lay the “foundation for a more resilient, sustainable and diversified future beyond diamonds”.
It is exploring other avenues too, like boosting luxury wildlife tourism, launching into the medicinal cannabis market and exploiting its abundant sunshine for solar power.
President Duma Boko has even mooted taking a majority stake in industry giant De Beers and selling Botswana’s diamonds independently.
“Countries such as Angola, Namibia and South Africa are all exposed but not to the same degree as Botswana,” economist Brendon Verster at the Oxford Economics Africa think tank told AFP.
The stones are the country’s main source of income and account for about 30 percent of its gross domestic product (GDP) and 80 percent of its exports, according to the International Monetary Fund.
But, as consumers turn to cheaper diamonds created in China and India, the average price of a one-carat natural diamond is falling.
The price dropped from a peak of $6,819 in May 2022 to $4,997 by December 2024, according to the World Diamond Council.
Botswana, which is 70 percent desert, was lifted from poverty by the discovery of diamonds in the 1960s. It is already feeling the effects of the lab-grown competition.
– ‘Risks of economic collapse’ –
As its foreign reserves deplete, the government has turned to debt to fill the public coffers.
Government funds ran so low that the health system teetered on the verge of collapse in August, leading Boko to declare a state of emergency.
“If left unaddressed, there is a real risk of the situation becoming not just an economic challenge but a social time bomb,” he said in July.
Highlighting the fears, global ratings agency S&P on Friday dropped its long-term ratings on Botswana one notch to “BBB” and declared a negative outlook, citing the rapid expansion of the lab-diamond market.
Synthetic stones had captured “approximately 20 percent of the global market by value and up to 50 percent by volume in the US engagement ring segment in 2025,” it said in a statement.
Diversification is “essentially now or never”, Verster said.
“We don’t really see anything that would cause a monumental shift back in favour of natural diamonds to curb the rising popularity of synthetic diamonds.”
Also suffering is tiny Lesotho, where diamonds contribute up to 10 percent of its $2 billion GDP and the larger, vital textile market has been hit by US tariffs.
This month its biggest diamond mine, Letseng, said it would lay off a fifth of its workforce, citing “sustained pricing pressure” and “softer demand in key markets”.
The mine closures “could heighten risks of economic collapse”, independent economic analyst Thabo Qhesi told AFP, stressing an urgent need to explore other options, such as rare-earth resources.
In a bid to keep the sparkle alive, Angola, Botswana, Namibia, South Africa and the Democratic Republic of Congo pledged in June to allocate one percent of their annual diamond revenues to marketing natural diamonds.
The campaign would need to reframe their value as a coveted “luxury product”, former Bank of Botswana deputy governor Keith Jefferis told AFP.
“We see a significant opportunity to engage consumers in the story of responsibly sourced diamonds from Botswana,” De Beers, also taking part, told AFP.
The South Africa-British firm is meanwhile exploring the potential of synthetic diamonds in high-tech fields like quantum networks and semiconductors, as prices fall below $100 per carat.
For Botswanan ministry of minerals official Jacob Thamage, natural and lab-made diamonds “offer different value propositions to different consumers and therefore can and will coexist”.
In an upscale Johannesburg mall, behind fortified steel gates, a natural yellow diamond priced at over $50,000 stood as a symbol of exclusivity.
Just steps away, a lab-grown diamond valued at $115 was unguarded.
“We each have our target,” one jeweller said. “So long as everyone is happy.”
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Fashion
India’s IIP growth rate 4% in Sept 2025; IIP 152.8
The IIP stood at 152.8 compared to 146.9 in September 2024.
India’s growth rate of the index of industrial production (IIP) for September was 4 per cent, according to quick estimates by the National Statistics Office.
The figure remains unchanged from quick estimates of August 2025.
The IIP stood at 152.8 compared to 146.9 in September 2024.
The IIP growth rate for manufacturing in the month was 4.8 per cent, while the IIP for the sector was 154.3.
The IIP growth rate for manufacturing in the month was 4.8 per cent, while the IIP for the sector was 154.3.
Within the manufacturing sector, 13 out of 23 industry groups at National Industrial Classification (NIC) 2 digit-level have recorded a year-on-year (YoY) positive growth in September.
The indices stood at 143.3 for primary goods, 122 for capital goods, 169.4 for intermediate goods and 197.6 for infrastructure/construction goods for September, a ministry release said.
Further, the indices for consumer durables and non-durables stood at 146.5 and 141.5 respectively.
Fibre2Fashion News Desk (DS)
Fashion
India, EU review progress in FTA negotiations
Both sides reaffirmed their shared commitment to conclude the India-EU FTA by the end of 2025, following the clear direction from Prime Minister Narendra Modi and President of the European Commission Ursula von der Leyen during the College of Commissioners’ visit to New Delhi in February 2025. The engagement focused on achieving a mutually beneficial, balanced and equitable trade agreement, reflecting the depth of political trust and the strategic ties between India and the European Union, and at the same time respecting each other’s sensitivities and priorities.
Union Minister Piyush Goyal visited Brussels to advance India-EU FTA negotiations, holding productive talks with EU Commissioner Maros Sefcovic on outstanding issues.
Both sides reaffirmed their aim to conclude a balanced, mutually beneficial FTA by end-2025, addressing tariff, non-tariff, and regulatory concerns.
An EU technical team will visit India next week to build on the progress achieved.
India recognises the importance of ensuring that the FTA remains balanced in addressing both tariff and non-tariff barriers and creating transparent and predictable regulatory frameworks that accelerate trade for both partners in the coming years, the Ministry of Commerce and Industry said in a press release.
There was intensive engagement to explore possible landing zones on the outstanding issues. There was also a good discussion on India’s concerns on non-tariff measures and the new EU regulations. During the negotiations, Goyal emphasised the need for preferential treatment for India’s key asks, particularly those with respect to labour-intensive sectors. Both sides agreed to work closely to finalise the non-sensitive industrial tariff lines. They also agreed that issues related to steel, auto, CBAM, and other EU regulations still require further discussion, as these issues have higher sensitivities.
India looks forward to working closely with the European Union to transform this vision into reality through shared innovation, balanced, equitable, and meaningful trade, and a collective commitment to peace and prosperity. To advance the ongoing discussions, the EU technical team led by the director general for trade will visit India next week with the objective of achieving a constructive conclusion based on the potential solutions identified over the past two days, the release added.
Fibre2Fashion News Desk (RR)
Fashion
Swarovski brings its ‘Masters of Light’ exhibition to Los Angeles
Published
October 29, 2025
Swarovski’s traveling exhibition “Masters of Light” made its U.S. debut on Wednesday, at the Amoeba Music venue in Los Angeles.
Running until November 3, the exhibition celebrates the Austrian luxury house’s 130th anniversary and its heritage of creativity, craftsmanship, and cultural influence.
Curated by British fashion journalist and critic Alexander Fury, and presented under the creative direction of Swarovski global creative director Giovanna Engelbert, the latest chapter, Masters of Light — Hollywood, explores Swarovski’s deep ties to the entertainment industry and its role in shaping some of the most memorable moments in cinema and fashion history.
“We are delighted to bring the Masters of Light exhibition to Los Angeles as part of our 130 Years of Joy anniversary celebration,” said Alexis Nasard, Swarovski CEO.
“As the global epicenter of the music and film industry, this is the ideal setting to honor our intimate connection to Hollywood and our role in its most iconic moments. Swarovski continues to be a key protagonist in pop culture through the sparkle of our various activities and are proud to celebrate our legacy through this.”
Among the standout displays is the original gown worn by Marilyn Monroe when she famously sang “Happy Birthday” to U.S. President John F. Kennedy.
The exhibition also features the Pop Icons chamber, showcasing crystal-embellished outfits worn by performers including Beyoncé, Madonna, Tina Turner, and Lady Gaga.
Another section, Silver Screen Style, highlights Swarovski’s longstanding collaborations with Hollywood costume designers and filmmakers, while Mathemagical delves into the brand’s savoir-faire in crystal making and jewelry design, spotlighting couture pieces created by Engelbert for the Met Gala.
Adding a contemporary twist, Engelbert expands Swarovski’s narrative to include modern pop culture through displays of its iconic crystal figurines from Disney princesses to Marvel superheroes, and introduces a limited-edition collaboration with Erewhon, featuring exclusive products available during the exhibition.
“Since I joined as global creative director in 2020, my goal has been to spotlight this link between Swarovski and pop culture, fashion, stage, and screen,” explained Engelbert.
“It has been a dream working on this US premiere in the heart of Hollywood. There is no better location to showcase the stories and iconic pieces that have made us a staple of pop culture for 130 years and counting.”
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