Hollywood may finally need a “Bald British-Adjacent Men Identification Guide.”

During a recent appearance at New York’s 92NY, Stanley Tucci once again addressed one of the internet’s favourite celebrity mysteries: why everyone thinks he’s Mark Strong.

And honestly? Even Tucci has stopped fighting it.

“Mark Strong, always,” the actor admitted when asked which celebrity he’s constantly mistaken for. “We get complimented on each other’s performances. It’s really great.”

The Devil Wears Prada star had nothing but praise for his accidental celebrity twin, calling Strong “such a nice person” and “such a great actor.”

When moderator Josh Horowitz joked, “All attractive bald men do not look alike, folks,” Tucci instantly fired back with: “Apparently, we do.”

At this point, the confusion has become so legendary that even Mark Strong has leaned into it. Speaking previously on BBC’s The One Show, Strong revealed a fan once demanded he autograph a Stanley Tucci poster.

“She wouldn’t take no for an answer. So, I just signed it as him,” Strong confessed.

Plot twist? Tucci has apparently done the exact same thing.

Somewhere out there, there are probably dozens of signed posters nobody can fully verify.

Strong also admitted the comparisons may have intensified after his glasses-heavy Kingsman era, saying, “I suppose we look similar,” before adding that the mix-up unexpectedly turned them into friends.

Despite years of fan confusion, the two actors still haven’t shared the screen together – something the internet now seems emotionally invested in fixing immediately.

Until then, audiences will continue doing what they do best: confidently saying “Wait… which one is that again?” every time one of them appears onscreen.

The Eurovision Song Contest reached its sequin-drenched final on Saturday, with tight security and rainy weather failing to dent the enthusiasm of fans, or the opposition of critics who think Israel shouldn’t be invited to the party.

After a week’s buildup, acts from 25 countries are taking to the stage at the Wiener Stadthalle arena in Vienna to battle for the continent’s pop crown. Millions of viewers around the world will cast judgment on a fiery Finnish violinist, a Moldovan folk rapper, a Serbian metal band and many more at Eurovision’s 70th anniversary event.

The campy, colorful contest has been likened to the World Cup with songs instead of soccer. And like global sports, it often becomes entangled in politics. The contest has been clouded for a third year by calls for Israel to be excluded over its conflicts in Gaza and elsewhere, with five longtime participants – Spain, the Netherlands, Ireland, Iceland and Slovenia – boycotting in protest.

The show opened with a performance by last year’s winner, the operatically trained Austrian singer JJ, and an Olympics-style flag parade of the 25 finalists. Then it was on to performances by the musicians, who have just 3 minutes to win over millions of viewers who, along with national juries of music professionals, pick the winner.

A variety of performers 

First up was Denmark’s Søren Torpegaard Lund, among the contest favorites for the sultry “Før Vi Går Hjem” (“Before We Go Home”), followed by Germany’s Sarah Engels with the power ballad “Fire,” the first of doubtless several performances to make liberal use of jets of flame.

Israeli competitor Noam Bettan was cheered as he performed “Michelle,” a rock ballad in Hebrew, French and English. Earlier in the week, four people were ejected for trying to disrupt his semifinal performance. Then came “Dancing on the Ice,” a techno-ballad by Belgium’s Essyla.

Ukrainian singer Leléka offered the ethereal, beautiful “Ridnym,” and Australian star Delta Goodrem showed what a diva should be like with her slick midtempo ballad “Eclipse” – and a bravura performance that sees her raised into the air above a glittery piano. A European country would likely host for Australia next year if she wins.

Serbian metal band Lavina provided a dramatic change of pace with the angsty “Kraj Mene.”

Newcomers looking to grasp the eclectic essence of Eurovision and its interplay of pop and politics should look no further than two of the fan favorites to emerge during a week that saw two semifinals ahead of the grand finale.

Rapper Satoshi’s ebullient “Viva, Moldova” is a bouncy, pro-European song from a country moving toward the European Union after decades in Moscow’s orbit. Greek artist Akylas’ song “Ferto,” or “Bring It,” provides a playful take on conspicuous consumption in a country still scarred by the economic wounds of the 2008 financial crisis.

Both are likely to score highly with viewers, though national juries, which tend to be more impressed by technical excellence, may be less impressed. Winners are chosen by a mix of votes from the two, translated into points by a system confusing even to Eurovision fans. The act with the most points wins, and their country gets to host the competition next year.

Finland is the favorite in betting odds with “Liekinheitin,” or “Flamethrower,” a fiery duet between the singing of pop star Pete Parkkonen and the fiddling of classical violinist Linda Lampenius.

Eurovision can produce surprises

“Eurovision has never really been a contest for big stars. It’s largely been a contest for underdogs,” said Eurovision historian Dean Vuletic. “People like to see the underdog on stage. They like to the artist-in-the-making on stage or an artist from a smaller, poorer country on stage.”

Street protests opposing Israel’s inclusion over the conduct of its war against Hamas in Gaza have been smaller in Vienna than at the 2024 contest in Malmo, Sweden, and last year’s event in Basel, Switzerland.

Hundreds marched near the contest arena before Saturday’s final, some holding placards saying “Block Eurovision.” Pro-Palestinian groups also staged an outdoor concert on Friday under the banner “No stage for genocide.”

“Inviting Israel on such a beautiful stage as the Eurovision Song Contest stage is an affront to all the people who believe in humanity, who believe in love and togetherness,” said Congolese-Austrian artist Patrick Bongola, one of the organizers.

The five-nation boycott is a revenue and viewership blow to an event that organizers say was watched by 166 million people around the world last year. This year’s field of 35 contestants is the smallest since 2003.

Still, Eurovision is eyeing expansion, with a spinoff Eurovision Song Contest Asia due to take place in Bangkok in November.

Eurovision director Martin Green urged viewers to put politics aside and enjoy the “brilliant, wonderful, heartfelt show” that is the competition’s grand final.

Vuletic says political controversy is nothing new. The first Eurovision boycott was in 1969, ironically, by Austria, which refused to send a delegation to Spain under dictator Francisco Franco.

“We’ve seen very politicized editions of the contest in the recent past,” Vuletic said, including the 2009 contest in Russia, Azerbaijan’s turn as host in 2012, and the 2024 competition in Sweden, marred by protests and the expulsion of a competitor after a backstage altercation.

“All of them were very much mired in political controversy, yet Eurovision continues,” he said.

Eurovision is airing on national broadcasters in participating countries, on Peacock in the United States and on the Eurovision YouTube channel in many territories.

Viewers in participating countries can vote up to 10 times by phone or text message during and for a short time after the show, but aren’t allowed to vote for their own country’s act. Viewers in the U.S. and other nonparticipating countries can vote online at www.esc.vote.

Boeing shares fell by 4 percent after the United States (U.S.) President Donald Trump revealed that China agreed to buy 200 jets, an amount much less than expected. The type of planes and when they will be delivered remains unclear.

Earlier reports suggested that talks were ongoing between Chinese and the U.S. officials for a potential sale of about 500 Boeing jets.

Following the meeting between President Xi and Trump on Thursday, the U.S. president told Fox News, “One thing he agreed to today, he’s going to order 200 jets … 200 big ones.”

Soon after the announcement was made, the planemaker’s shares fell by 4.1 percent during market trading.

Reports suggest that China is negotiating a major deal to buy jets from European planemaker Airbus.

According to Reuters, data from Boeing reveals that Chinese placed 127 orders on average every year from 2005 till 2017; however, following the escalating geopolitical tensions and trade war between the two greatest economies of the world, the Chinese order has reduced to on average 51 per year since 2018.

China is the world’s second-biggest aviation market and Boeing’s competitors have been striving to secure deals.

Considering the population and growing demand of air travel in China, it needs to buy at least 1,000 new jets this year, according to some analysts.

According to market projections by both Boeing and Airbus, the country will require at least 9,000 new jetliners by 2045.