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Milan menswear: Dsquared2, Setchu, Paul Smith, and Corneliani

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Milan menswear: Dsquared2, Setchu, Paul Smith, and Corneliani


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January 18, 2026

In a busy, but chilly 24 hours, Milano Moda Uomo ranged from the mountain party animal style at Dsquared2 or fisherman’s inspired moods at Setchu, to Paul Smith’s archive revival and Corneliani’s AI-influenced display.

Dsquared2: Rocky Mountain ravers

Dsquared2’s invitation this season was a ski pass, though one imagined that it mainly gained guests entry into an après-ski bar or an after-hours club and not an actual mountain slope.

Dsquared2 – Fall-Winter2026 – 2027 – Menswear – Italie – Milan – ©Launchmetrics/spotlight

The backdrop was a wild snow-capped Canadian Rockies, the show’s star was “Heated Rivalry” star Hudson Williams, pouting as he walked down the snow-white runway in a denim jacket with frayed seams, black faded jeans and the first of a great series of new futuristic cowboy boots finished with ski bindings.
 
Designers Dean and Dan Caten blended slopes and sex with high-shine latex bodystockings worn with faux-fur trapper coats or studded corsets. In a cunning love, the Dsquared2 duo frosted denim jeans, loon pants, jackets or huge Klondike coats. Along with a great series of humungous glistening puffers – ideal to wear for a party to celebrate a gold medal winner in next month’s Milan Cortina Winter Olympic Games. 

Dsquared2 – Fall-Winter2026 – 2027 – Menswear – Italie – Milan – ©Launchmetrics/spotlight

No wonder they entitled this fall 2026 collection, “Game On”. 
 
Many models donning retro-futurist goggles and winter shades in a collab’ with Carrera, often completed with a Dsquared2 x Carrera elastic band.
 
Despite the chilly theme, the model sizzled – especially two young shirtless beef cakes with pneumatic drill tummies, who were later called on to carry Dean and Dan on their shoulders as they took their ovation at the noisy finale. The Canadian twins looked like they were in heaven.
 
Setchu: From Greenland to Normandy
One of the most fertile designers in fashion today is Satoshi Kuwata, whose staged his third-ever runway show in his new home, a revamped atelier on Via Privata Rezia, in northwest Milan.

Setchu – Fall-Winter2026 – 2027 – Menswear – Italie – Milan – ©Launchmetrics/spotlight

 
For next season, Kuwata again sought inspiration in his favorite hobby – fishing. For the uninitiated, he’s maintaining a rich tradition among distinguished designers – seeing as Oscar de la Renta and John Rocha share a similar rod casting obsession.
 
And, thanks to winning the 2023 LVMH Prize, this Japan-born and Milan-based designer was able to indulge a life-long dream – flying to Greenland to fish the world’s best cod fish. 
 
“I know Greenland is very in the news now, but I went there before this current trendy boom began,” he cautioned in a pre-show briefing
 
Noted for his fabric innovations, Satoshi dreamed up a remarkable silk and wool jacquard that looked uncannily like sealskin. Seen on a fall-away blouse and skirt in this co-ed show.

Setchu – Fall-Winter2026 – 2027 – Menswear – Italie – Milan – ©Launchmetrics/spotlight

Blending east and west, he also played on traditional hooded top from icy northern Japan, and woven reed shoes from the sunnier south.
 
Blending East-meets-West with samurai-style duffle coats or ruched bankers suits – Tokyo financier-meets-Oxford rockstar.
 

Paul Smith: Archival energy

Sir Paul Smith’s love affair with Milan continues, as he enjoyed greeting fresh eyes to witness this latest archive-inspired collection.

Paul Smith – Fall-Winter2026 – 2027 – Menswear – Italie – Milan – ©Launchmetrics/spotlight

An indie Anglo-classic-with-a-twist collection by the designer, who personally opened the show with a witty monologue, talking into the microphone from the top floor of the thee-floor showroom.
 
“Fashion is getting more and more mass produced. Can you believe it, hmmmm,” lamented Sir Paul, in opening megaphone-like remarks, noting that his design team was inspired by his company archive of over 6,000 looks. Their ideas, in turn, inspire him.
 
Twisting classics so much so that several blazers were made literally inside out, showing exposed stitching and shoulder pads. A collection whose tailoring was very much in sync with the wider silhouettes that are dominating the current season. Cutting jackets so they hung away from the body and trousers flat front and very wide.

Paul Smith – Fall-Winter2026 – 2027 – Menswear – Italie – Milan – ©Launchmetrics/spotlight

Plus, in a season of iridescence, the cast donned shiny trousers and corporal’s military shirts made in active sport nylon. However, when the wind blows down from the Alps as it did today, the cast could wrap up in the fabric of the season Donegal tweed-style flecked woollens – made into flap pocket weekend jackets and soft-collared coats. Several models matching mini tricorne hats.
 
Backed up by Ryuichi Sakamoto’s “Riot in Lagos”, it made for a jolly moment. Winning Sir Paul an extended applause as he descended two floors in a long tour of the twisting catwalk.
 

Corneliani: AI meets Milan

Using AI, Corneliani’s creative director Stefano Gaudioso Tramonte commissioned a novel film that played on iconic cinematic moments. Its title: “The Gentleman“.

Corneliani fall/winter 2026/2027
Corneliani fall/winter 2026/2027 – Courtesy

Presented inside a Renaissance courtyard, it made for a great backdrop to his latest collection for the house – a neat blend of debonair with practical style. Presented on a dozen models, before a select group of editors, sat on 1930s cinema seats.
 
Amid all the drizzle of chilly Saturday, the windowpane, patch pocket trench coats looked ideal, as did the mohair-mix overcoats with peak collars. 
 
Made in a color mix of mauve, mud, pale gray, chocolate and more mauve.
 

Corneliani fall/winter 2026/2027 collection
Corneliani fall/winter 2026/2027 collection – Courtesy

“We have staged our last shows with music and with dance in the past two seasons. This season, we used AI to express those magic moment in cinema, and fashion’s special relationship with the silver screen,” he explained.
 
Inside the palazzo, one was also impressed by a very now sheepskin matelassé jerking, worn with a high roll neck merino wool sweater.  Or a precise brushed suede mud-hued blazer worn with a Nehru-collar shirt in faded bronze.
 
But in the end, the heart of Corneliani will always be its classy suiting. Made more attractive by Stefano’s relaxed interpretation of masculine style. Call it ‘Modern Gentleman’.

Copyright © 2026 FashionNetwork.com All rights reserved.



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China boosts offshore wind capacity to speed up low-carbon transition

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China boosts offshore wind capacity to speed up low-carbon transition



China is developing several advanced offshore wind projects, fast-tracking its energy transition.

The country’s total wind power installed capacity hit 650 million kW at the end of February 2026—up by 22.8 per cent year on year (YoY), data from the National Energy Administration show.

China is developing several advanced offshore wind projects, fast-tracking its energy transition.
Its cumulative offshore wind installed capacity has surpassed 47 million kW, leading the world for five consecutive years.
China is now shifting its focus to deeper, more distant waters.
It has also developed a robust, clustered offshore wind industrial supply chain, with key hubs in coastal provinces.

Its cumulative offshore wind installed capacity has surpassed 47 million kW, leading the world for five consecutive years.

Generally, projects with water depths exceeding 50 metres are categorised as deep-sea offshore wind, and those over 65 kilometres from the shore as far-offshore wind.

China is now shifting its focus to deeper, more distant waters, where winds are stronger and more stable, but pose greater operational challenges.

In south China’s Guangdong Province, a major offshore wind farm project developed by China Huadian Corporation, situated off the coast of Yangjiang City, has started full-scale construction.

Located up to 89 km offshore, it will generate 1.6 billion kWh of clean power annually and reduce carbon emissions by 1.26 million tonnes upon completion, a state-controlled media outlet reported.

Meanwhile, in east China’s Shandong Province, the country’s deepest operational offshore wind farm has achieved full grid connection. The 504,000-kW project, developed by China Huaneng Group, operates in waters ranging from 52 to 56 metres deep, approximately 70 km offshore.

In south China’s Hainan Province, a pilot wind project has also commissioned its first grid-connected turbines, which are expected to generate 150 million kWh of clean power per year.

China has also developed a robust, clustered offshore wind industrial supply chain, with key hubs in coastal provinces like Guangdong, Jiangsu, Shandong and Fujian, covering turbine manufacturing, auxiliary equipment, construction and installation, and operation and maintenance services.

In Shantou, Guangdong Province, local authorities are exploring diversified utilisation models for offshore wind to build a world-class high-end offshore wind equipment cluster.

Key components for wind turbines, including generators, gearboxes, and bearings, are produced and assembled seamlessly within the industrial cluster, reducing long-distance transportation costs and the risk of damage.

The city also boasts a key offshore wind innovation hub, equipped with a training centre and an advanced wind turbine testing platform, which provides professional technical support and performance testing services for the global offshore wind industry.

In Yancheng, east China’s Jiangsu Province, China’s largest offshore wind industrial cluster has taken shape, with a complete supply chain. Its total wind turbine production capacity accounts for over 40 per cent of the national total, and blade production accounts for about 20 per cent of the country’s output.

During the 15th Five-Year Plan period (2026-2030), China aims at further developing large-scale offshore wind bases across the Bohai Sea, the Yellow Sea and the East China Sea, and steadily scale up deep-sea wind development.

The country targets over 100 million kW of cumulative offshore wind capacity by 2030.

Fibre2Fashion News Desk (DS)



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Sweden’s H&M & Stella McCartney return with nostalgic 2026 collection

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Sweden’s H&M & Stella McCartney return with nostalgic 2026 collection



H&M is proud to reveal all the looks in the upcoming Stella McCartney H&M collection. The collection will launch on 7 May, some twenty years after H&M’s first partnership with the acclaimed designer and campaigner. The first Stella McCartney H&M partnership – H&M’s second ever design collaboration – launched in November 2005. This new Stella McCartney H&M collection builds on that legacy. It reflects on the highlights of the house’s 25-year history, bottling McCartney’s pioneering and rule-breaking vision into a range of apparel and accessories.

The collection unites past and present, combining beloved current signatures, such as oversized shirting, sweeping trenches and sharp tailoring, with playful iconic hits from McCartney’s early archive, including bejewelled prints and slogan tops.

H&M unveils its new Stella McCartney collaboration, launching May 7, marking 20 years since their first partnership.
Blending archive-inspired designs with modern signatures, the collection features tailored pieces, statement prints and accessories.
With a strong focus on recycled and organic materials, it reflects McCartney’s legacy of innovation, sustainability and timeless style.

“I see this collection as a journey through my fashion history. It is a true mix of current classics and some of my old favourites that showcase my first forays into fashion and the development of my signatures. It’s playful, strong, sparkling, joyful, refined.” Stella McCartney.

Other key items in the collection include rib knitted dresses and tops with McCartney’s signature Falabella chain at the neck, and a long white gown with a cape-like sleeve that loops into the hem, giving the look of a sweeping circle of fabric. Also available are sparkling partywear, separates and denims, as well as mesh dresses and tops in a bold archival cherry-print. Offering an extra dose of nostalgia is a white mini tee embellished with studs reading ‘Rock Royalty’.

The accessories range is strong, and rich in bags. There will be six styles to choose from, including small, branded shoulder bags, giant totes and a timeless chocolate-toned bag with a chain-detail strap. This is one of several pieces in the collection that incorporate the Falabella chain, including necklaces and earrings, crafted in recycled metal in mixed tones, and loafers with chain detailing on the front.

The collection is defined by an approach to materials that prioritizes recycled content, organic cottons, wool certified to the RWS Standard and innovative usage of feedstock for coated materials, such as industrial corn and recycled vegetable oil.

Unveiled today is the collection’s campaign, shot by Sam Rock in London, and starring Renee Rapp, Angelina Kendall and Adwoa Aboah. The mood is playful yet effortless, nostalgic yet forward-thinking. Across the campaign, &Stella becomes the tagline for this special collaboration. Reinterpreted in myriad forms – &Here &Now &Me &You – it becomes a message about connection, care, and a way of being that speaks both this moment, and to the past, present, and future.

“Stella has always had a bold vision for fashion, and this collection tracks her journey from a young, rule-breaking voice to a master of timeless design. Every single piece in the collection is desirable and tells a unique and bold story.” – Ann-Sofie Johansson.

Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.

Fibre2Fashion News Desk (JP)



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North India cotton yarn steady despite continued push by spinners

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North India cotton yarn steady despite continued push by spinners



The Delhi cotton yarn market remained stable, though demand from downstream industries was weak at elevated price levels. Garment demand in both domestic and export markets also remained sluggish. A trader from Delhi market told Fibre*Fashion, “Spinning mills are selling cotton yarn at an additional margin of at least ** per cent. They have a cushion of advance orders from other countries. Mills have export orders for the next ** months, so they do not need to sell in the domestic market. They are selling cotton yarn domestically at higher prices than export realisations.”

In Delhi, ** count combed knitting yarn was traded at ****;****** (~$*.***.**) per kg (GST extra), while ** count combed yarn was priced at ****;****** (~$*.***.**) per kg. Meanwhile, ** count carded yarn was traded at ****;****** (~$*.***.**) per kg and ** count carded at ****;****** (~$*.***.**) per kg, according to market sources.



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