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Sloane Street celebrates Frieze Week with art focus, coincides with Erdem, Toteme store launches

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Sloane Street celebrates Frieze Week with art focus, coincides with Erdem, Toteme store launches


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October 9, 2025

This month, London’s recently remodelled Sloane Street becomes the epicentre for an open-air gallery becoming Frieze Week’s first official destination partner.

Sloane Street

Celebrated as a “cornerstone of the international cultural calendar”, Frieze Week transforms London annually this month (10-19 October) into “a city-wide celebration of art and culture, extending the energy of the fairs in Regent’s Park across the capital”.

So Sloane Street will stage ‘Modern Nature’, a curated trail coinciding with Frieze London and Frieze Masters 2025, and with new fashion store openings from Erdem and Scandinavia’s Toteme during the week.

The trail, curated by Frieze Studios, features outdoor pieces from artists Marc Quinn, Maya Rose Edwards, William Farr, James Jessiman and Ro Robertson, bringing “reflections on our relationship with nature to the iconic street”, while also celebrating the street’s transformation into an “elegant green boulevard”.

To support the event, many of Sloane Street’s boutiques, including Harvey Nichols, Louis Vuitton, Cartier, and Diptyque, will host in-store presentations and live demonstrations from artists and creatives such as Jackie Blue, Gary Card and Zoe Paul.

Hugh Seaborn, chief executive of the street’s landlord, Cadogan, said: “October is an exciting month for Sloane Street, building on its elegant transformation into a more beautiful, greener and pedestrian friendly boulevard to reinforce its position as one of the world’s leading luxury destinations.

“The arrival of further international flagships alongside this major cultural partnership with Frieze demonstrates the Street’s global appeal and our ambition to create a destination that celebrates luxury, creativity and community.”

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US CBP shifts compliance burden of USTR port fees to ship operators

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US CBP shifts compliance burden of USTR port fees to ship operators



The US Customs and Border Protection (CBP) recently said vessel operators subject to the US Trade Representative’s (USTR) port fees beginning October 14 that target Chinese-built, -owned or -operated ships will be responsible for paying the fees prior to their arrival.

The burden for determining if a vessel owes these fees falls squarely on vessel operators, not CBP, a notice from the US agency said.

US Customs and Border Protection has said vessel operators subject to the USTR port fees from October 14 that target Chinese-built, -owned or -operated ships will be responsible for paying the fees prior to arrival.
The burden for determining if a vessel owes these fees falls squarely on vessel operators.
The payments will be made through the treasury department website, and not at the port of entry.

If fees are not paid ahead of arrival at US ports, the ships will not be allowed to load or unload cargo until proof of payment has been verified by CBP.

The payments will be made directly through the website of the Department of the Treasury, and not at the port of entry, according to a statement on the CBP’s cargo systems messaging service.

Vessel operators will have to complete a form on pay.gov and select the type of fee they will pay. CBP recommends the payment be initiated at least three business days prior to the vessel’s arrival.

Chinese ship owners or operators will pay $50/nt while Chinese-built ships that are not subject to exemptions will be charged $18/nt.

Fibre2Fashion News Desk (DS)



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Alice + Olivia reopens Madison Avenue flagship

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Alice + Olivia reopens Madison Avenue flagship


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October 9, 2025

Alice + Olivia by Stacey Bendet has reopened its Madison Avenue flagship, unveiling a new design vision that blends fashion, discovery, and community.

Alice + Olivia reopens Madison Avenue flagship. – Alice + Olivia

The transformation was designed in collaboration with Jess and Jonathan Nahon of Sugarhouse Design + Architecture to create an environment that is unmistakably on brand. 

“Working with Sugarhouse, we created a space that feels iconic and timeless, but also completely new. It’s about giving our customers an elevated experience that surprises, delights, and inspires,” said Stacey Bendet, founder, creative director and CEO of Alice + Olivia.

Outside, the facade is characterized by a cherry-red mosaic painted in Benjamin Moore’s Heritage Red and adorned with solid brass floral medallions handcrafted in France.

Inside, layers of color, pattern, and texture unfold in an imaginative display. Hand-gilded moldings, unlacquered brass and bronze rails, and a turquoise limewash backdrop create a visual rhythm framing the brand’s ready-to-wear collections. Centerpieces include a turquoise leather-top table by Mexico City artisan Mike Díaz, a vintage Verner Panton Clover Leaf sofa in cerulean mohair, and a working bar clad in indigo marble and hand-painted rose tiles.

Beyond its design, the Madison Avenue flagship will act as a cultural hub. Notably, this fall, the boutique will debut curated vintage pieces and an exclusive line of jewelry designed by Stacey Bendet, both available only at this location. It will also serve as a platform for collaborations with brands including BROdenim and Farmer’s Daughter, as well as trunk shows featuring emerging designers and limited-edition collections. 

The Madison Avenue flagship is a part of more than 30 free-standing boutiques across major U.S. and international cities, including New York, London, Mykonos, Hong Kong, and Singapore, as well as online at aliceandolivia.com. 

The brand is also carried in over 800 department and specialty stores worldwide, including Saks Fifth Avenue, Neiman Marcus, Bergdorf Goodman, Lane Crawford, Harvey Nichols, and Harrods.

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Benetton Group rejigs corporate structure to kick off label’s relaunch

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Benetton Group rejigs corporate structure to kick off label’s relaunch


Translated by

Nicola Mira

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October 9, 2025

Italian fashion group Benetton continues its corporate reorganisation process designed to optimise its relaunch, having completed a first restructuring phase. According to Italian financial daily MF-Milano Finanza, which was able to glean some of Benetton’s internal documents, the group based in Ponzano Veneto “has created seven newcos (all based at Benetton’s corporate hub in Castrette) among which, following a complex partial double demerger and spin-off operation, various assets and corporate functions have been divided up.”

A still from Benetton’s Fall/Winter 2025 campaign, created in collaboration with digital artist Rick Dick

Seven new companies, which will become operational next January, have been created following the group’s internal reorganisation. Benetton Group has become the coordinating holding company and will always have the final say on financial, legal and auditing decisions. In July, Benetton indicated that the group’s corporate structure would be revised, with some units turning into separate companies, though they would still remain under the group’s direct control.
 
The current reorganisation has brought to an end the first phase of Benetton’s relaunch plan under new CEO Claudio Sforza, who replaced Massimo Renon in June 2024. Sforza has jettisoned a vertically integrated business model, deciding to close the production sites Benetton had in Tunisia, Serbia and Croatia, while in Italy, the workers formerly based at the Ponzano Veneto headquarters were moved to the nearby Castrette di Villorba factory. At the same time, several hundred employees voluntarily left the group, encouraged also by the incentives offered. By the end of 2025, the group expects to have approximately 700 employees, as opposed to 1,100 in summer 2024. Benetton is also ditching unprofitable stores around the world. Approximately 500 of them are being closed down, bringing the number of stores operated by the group to nearly 3,000.

Benetton’s goal is to further reduce its losses, which in 2024 amounted to €100 million (more than 57% lower than in 2023) and to become profitable again some time in 2026 or 2027. The group doesn’t have much to be cheerful about in 2025, coincidentally the year in which it celebrates its 60th anniversary, having been founded in 1965 by Luciano, Gilberto, Giuliana and Carlo Benetton.
 
MF-Milano Finanza reported that Benetton is open to the use of third-party suppliers, and is willing to consider both corporate spin-offs and industrial collaborations with select entities.

Benetton

A partial demerger from Benetton Group resulted in the creation of the Retail Omnia Network (RON) and Property 347 companies. RON incorporates all of Benetton’s directly owned Italian stores (currently part of Retail Italia Network) and the stores run by the group’s foreign subsidiaries. Benetton Group still retains direct control of its retail business in Turkey, India, Korea, and Japan.
 
Property 347 will take over Villa Minelli, the group’s former headquarters, Benetton Fabrica, and other properties and land between Ponzano Veneto and Villorba, regarded as heritage assets to be preserved rather than destined to operational use. As a result of the partial demerger, RON and Property 347 will remain, as Benetton Group, under the direct control of Schema Eta, formerly Benetton S.r.l., whose board comprised, until April 2024, several members of the Benetton family, including founder Luciano Benetton.
 
As a result of the demerger and spin-off operation, Benetton Group now controls five other new companies: Green 347, Benetton Operations, Benetton Distribution, Benetton Logistics and Benetton E-commerce. 
 
Benetton Operations, under CEO Vincenzo Meles, will take charge of the group’s operational activities, including design, product development, marketing and communications. Benetton Distribution, under CEO Nicola Capone, will oversee the retail distribution business, including Benetton’s franchised stores, while Benetton E-commerce and Benetton Logistics (the latter led by Matteo Miele) will take care of e-tail and warehousing and logistics respectively.

A still from Benetton’s Fall/Winter 2025 campaign, created in collaboration with digital artist Rick Dick
A still from Benetton’s Fall/Winter 2025 campaign, created in collaboration with digital artist Rick Dick

CEO Sforza has ambitious plans for Benetton E-commerce, since he reportedly regards the group’s online sales as too low at 13% of total revenue, compared to a global benchmark that is close to 35%. Benetton is keen to accelerate e-tail growth, and is aiming for online sales to account for 20%-25% of total revenue, as the group stated last April in a communiqué gleaned by FashionNetwork.com.
 
Finally, the Green 347 company, named after the colour and corresponding Pantone code of the group’s original logo, directly overseen by Sforza like Benetton E-commerce and Benetton Logistics, will manage the group’s trademarks, Benetton, Sisley, Playlife and Killer Loop.

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