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The 23 Best Shows on Amazon Prime Right Now

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The 23 Best Shows on Amazon Prime Right Now


While Netflix is busy pumping out more series than any one person could watch (probably), some of the best shows are on Amazon Prime Video. Trouble is, navigating the service’s labyrinthine menus can make finding the right series a pain. We’re here to help. Below are our favorite Amazon series—all included with your Prime subscription.

For more viewing picks, read WIRED’s guide to the best movies on Amazon Prime, the best movies on HBO’s Max, and the best movies on Netflix.

If you buy something using links in our stories, we may earn a commission. This helps support our journalism. Learn more.

Bat-Fam

Batman: a grim defender of the night waging a one-man war on crime. Also Batman: a cool dad who keeps taking in strays. It’s a contrast comic book fans have come to love over the decades, and now it’s bleeding into wider media with Bat-Fam. Picking up after 2023’s holiday movie Merry Little Batman, Bruce Wayne (voiced by Luke Wilson) helps guide his son Damien (Yonas Kibreab) into the family business as “Little Batman,” while taking in adoptive daughter Claire—formerly the supervillain Volcana, de-aged to 12. Plus, with loyal butler Alfred, his niece Alicia, the meddling ghost of Damien’s grandfather Ra’s al Ghul, and former scientist Man-Bat all passing through, Wayne Manor is starting to get crowded! Charming, funny, and heartfelt, this animated comedy juggles all the best bits of bat-lore for a brighter look at the Dark Knight.

The Girlfriend

When working-class Cherry Laine (Olivia Cooke) meets wealthy Danny Sanderson (Laurie Davidson), sparks fly—until she meets his mother, Laura (Robin Wright). Overbearing and with an unhealthy level of control over her son’s life, Laura is set on destroying anyone who comes between them. Or maybe … Laura is a caring mother, alert to Cherry’s suspicious behavior, and desperate to save her son from a con artist—or worse. In this twisty psychological thriller, based on a novel by Michelle Frances, you can never quite tell who to trust, which is almost the best part, second only to the sensational chemistry between Wright and Cooke as they alternately try to charm, outwit, or destroy each other. Exploring themes of class, power, and control, The Girlfriend is six episodes of brilliantly tense drama.

Butterfly

Years ago, David Jung (Daniel Dae Kim) and Juno Lund (Piper Perabo) formed the private intelligence organization Caddis, reshaping global security from the shadows. Then, Lund ripped the operation out from under Jung—and took his daughter Rebecca (Reina Hardesty) with it, raising her to become an unstoppable assassin. Reunited in the aftermath of a hit on a Russian ambassador in Seoul, David and Rebecca find themselves on the run across South Korea, unsure if they can even trust each other, and with Caddis hot on their heels. A blend of next-level action choreography and family drama exploring themes of abandonment, Butterfly is an explosive twist on bring-your-kid-to-work day.

Ballard

A spin-off from Bosch, one of Prime’s biggest hits, Ballard is another creation of crime author Michael Connelly, seeing detective Renée Ballard (Maggie Q, Designated Survivor) stepping up as head of a newly formed cold-case unit. Left with no budget and no official support, Ballard hastily assembles a team of volunteers that includes her retired former partner Thomas Laffont (John Carroll Lynch) and disillusioned former cop Zamira Parker (Courtney Taylor). They soon find that diving into forgotten cases can mean unearthing secrets powerful people want to keep buried. A blend of crime-of-the-week cases and season-long mysteries make Ballard both a cozy procedural and a riveting longer-form drama, buoyed by a fantastic cast—including Titus Welliver reprising his role as Connellyverse staple Harry Bosch.

The Second Best Hospital in the Galaxy

If about 300 seasons of Grey’s Anatomy hasn’t scratched your medical drama itch, then a visit to The Second Best Hospital in the Galaxy might be just the treatment you need. Riffing on the hospital procedural genre and giving it a sci-fi twist, the show follows alien medics Dr. Sleech (Stephanie Hsu) and Dr. Klak (Keke Palmer) as they tackle the wildest diseases and injuries the universe can throw at them—from an anxiety-eating brain worm to a shape-shifting STI—all while navigating messy relationships and personal drama. See, just like Grey’s. Created by Russian Doll writer Cirocco Dunlap—bringing that show’s Natasha Lyonne along as the voice of occasionally invisible Nurse Tup—this Saharan-dry adult animated comedy will cure what ails you.

Overcompensating

Benny is so deep in the closet, he’s found Narnia. And rather than using his freshman year of college as a chance to find himself, he’s maintaining the illusion of heterosexuality by throwing himself into a campus life of partying, drinking, and chasing girls. The consequences, for Benny and his new best friend Carmen (Wally Beram), will be severe … but hilarious. Created by comedian Benito Skinner, who also stars as Benny, Overcompensating is a foul-mouthed and ferociously funny college comedy that’s almost painfully authentic in its depiction of the fine line between self-exploration and weapons-grade cringe.

Mobile Suit Gundam GQuuuuuuX

Prime Video doesn’t tend to pick up as much anime as rival Netflix does, but when it does, it’s often something big. Mobile Suit Gundam GQuuuuuuX (it’s pronounced “gee-kwux,” before you ask), takes things back to the very beginning of the iconic mecha franchise and asks a simple question: What if the bad guys, the “space Nazis” of the Principality of Zeon, won a crucial war? Don’t worry if you can’t tell a beam saber from a core fighter though—this alternate reality focuses on brand new character Amate Yuzuriha, a high school student thrust into a world of mounting military tensions after an experimental Gundam crashes into the space colony where she lives. GQuuuuuux also marks a creative high for Gundam, with Evangelion studio Khara bringing its dynamic style of animation to the series, but beyond the phenomenally flashy visuals, this has some real emotional depth, using a science fiction lens to explore how people can find hope and fight for freedom, even in the darkest of timelines. Weekly episodes drop on Tuesdays.

Reacher

Amazon has a way with action thrillers focused on military tough guys who answer to “Jack R.” First there was Jack Ryan, who also makes an appearance in this guide. Then there was Reacher, the sharp adaptation of Lee Child’s Jack Reacher novels, now in its third season. Alan Ritchson (Titans, Fast X) stars as the physically imposing Reacher, a former military policeman now drifting from town to town, trying to live a quiet life but unable to avoid conflict. Season one found him accused of a murder he didn’t commit, before season two drew him into a vast conspiracy. The newly arrived third—based on the seventh novel, Persuader—sees him up against his biggest threat yet: Paulie, an even bigger hulk of muscle (played by 7′2″ Olivier Richters). Sure, Reacher is also working undercover for the DEA and tracking down an old enemy, but three seasons in, the show is confident enough to play to its pulpy strengths, with top-tier fight choreography and surprisingly sharp dialog helping it punch above its weight.

Invincible

Mark Grayson inherited the incredible powers and abilities of his father, Omni-Man—only to learn dear old dad wasn’t a paragon of justice but the vanguard for an alien invasion. The newly dropped third season of Invincible finds Mark not only still struggling to escape his father’s shadow, guiding his younger brother to use his own burgeoning powers responsibly, but also drowning in a world of murky politics, pushed toward darker, tougher choices to keep Earth safe. A brilliantly animated adaptation of the hit Image comic book by writer Robert Kirkman and artists Cory Walker and Ryan Ottley, Invincible’s more mature take on superheroes allows it to do something Marvel and DC characters rarely do: grow up.

The Man in the High Castle

This adaptation of sci-fi master Philip K. Dick’s novel about a world in which the Nazis won the Second World War was one of Amazon’s first forays into original content. The world-building is stunningly done—a divided, alternate-reality 1960s America never seemed so plausible—but be warned: There might be just a touch too much present-day resonance for some viewers.

The Rig

Back for its second season, sci-fi thriller The Rig finds the surviving crew of isolated North Sea oil rig Kinloch Bravo forcibly relocated to The Stac, an even more remote facility in the Arctic. While most are desperate for answers and a way home, the team’s loyalties are tested as the sinister Pictor corporation seeks to use them to unearth something ancient and powerful from the sea floor. While The Rig doesn’t even aspire to subtlety when it comes to its ecological metaphors (one character even says, “If you keep punching holes in the Earth, eventually the Earth’s going to punch back”), it’s all brilliantly shot to make use of both the claustrophobic settings and the terrifying expanses and underwater pressures of the ocean. With the material elevated by a phenomenal cast of Game of Thrones and Line of Duty veterans, including Iain Glen and Rochenda Sandall—and bolstered further by the addition of the always-watchable Alice Krige in season 2—The Rig is far more than the guilty pleasure it might otherwise be.

Cross

Aldis Hodge steps into the shoes of Washington, DC homicide detective Alex Cross in Prime’s new series based on James Patterson’s long-running series of crime novels. However, unlike the streamer’s other thrillers Bosch and Reacher, Cross doesn’t directly adapt any of Patterson’s books—a risky move, but one that largely pays off, allowing this eight-episode first season to chart an unpredictable journey as Cross faces off against a twisted murderer who models each of his kills on another serial killer. Already renewed for a second season, Cross is a strong addition to Prime’s roster of crime dramas.

The Legend of Vox Machina

Bawdy, gory, and absolutely not for kids, The Legend of Vox Machina follows the eponymous adventurers’ guild—consisting of gunslingers, druids, and the requisite horny bard—as they grow from a motley crew of usually-drunk mercenaries into unexpected heroes for the realm of Exandria. The newly arrived third season continues the team’s battle against the Chroma Conclave, a horrifyingly powerful collective of dragons. It’s a quest that sends them on a small diversion to Hell itself. Adapting the hit Critical Role—the livestreamed Dungeons & Dragons sessions of some of the biggest voice actors in animation and gaming—this exquisitely animated fantasy takes things in unexpected directions that keep things fresh for new or returning viewers alike. A love letter to D&D that’s also unafraid to poke fun at the classic RPG, it’s one of the most original adult animated shows on Prime.

The Lord of the Rings: The Rings of Power

Tapping into The Lord of the Rings creator J. R. R. Tolkien’s sprawling history of Middle-earth, The Rings of Power is set millennia before the events of the core books (or films, which is really where the visual language of this adaptation comes from), detailing the major events of Tolkien’s Second Age. While the first season was a slow burn, dwelling on the fractious politics of the era, the second ratchets up the pace considerably. From Galadriel (Morfydd Clark) trying to prevent the ascension of Dark Lord Sauron (Charlie Vickers) to the long-awaited introduction of fan-favorite character Tom Bombadil (Rory Kinnear), the new season feels far richer and deeper than before. It remains a feast for the eyes too, with the stratospheric budget apparent in every frame, from quiet moments in luxuriant shires to cinematic battles between armies of Orcs and Elves. For sheer high fantasy spectacle, there’s little else to rival this streaming right now.

Batman: Caped Crusader

The first new solo Batman animated series in a decade, Caped Crusader harkens back to Batman: The Animated Series from the 1990s, with showrunner Bruce Timm returning to the Dark Knight and Hamish Linklater voicing Bruce Wayne/Batman in an ode to the late, great Kevin Conroy. Unlike rival ‘90s revival X-Men ’97, though, this isn’t a continuation but rather a wholly distinct take allowing for fresh interpretations of the iconic hero’s rogues’ gallery and allies—look out for drastically different takes on the Penguin and Harley Quinn in particular. Leaning heavily into a 1930s aesthetic that evokes Batman’s earliest comic book origins, this manages to be nostalgic and provocative at once—a fantastic outing that takes DC’s original urban vigilante back to his gritty pulp noir roots.

The Boys

Superheroes are meant to represent hope and optimism—the best of us, given outsize form. In The Boys, adapted from the darkly satirical comic by Garth Ennis and Darick Robertson, they’re a reflection of humanity’s worst—greed and unrestrained power, marketed to a gullible public by vested corporate interests, operating without restraint and leaving a trail of bodies in their wake. Enter Billy Butcher (Karl Urban) and his associates The Boys, gleefully dispatching “Supes” who’ve gone too far, often in extraordinarily violent ways. Unfortunately, the newly dropped fourth season finds the team in disarray, fractured by Butcher’s own lies, right as the world needs them most. Arch-manipulator Victoria Neuman (Claudia Doumit) is close to the Oval Office, while the sadistic, psychotic Homelander (Antony Starr) is planning a superhuman uprising. Probably Amazon’s goriest show, The Boys stands as a pertinent examination of the abuses of power, all wrapped in superhero drag.

Fallout

Maybe the end of the world is the secret sauce to making a great video game adaptation—between The Last of Us and now this spectacular interpretation of Bethesda’s postapocalyptic RPG series, we’re living in an unexpected golden era for the form. Yet unlike HBO’s bleak but beautiful world, Fallout taps into the source material to craft an apocalypse with a very different feel, one dripping in cracked Americana, black comedy, razor-sharp social satire, and just a little bit of camp. Its greatest strength, though, lies in how it doesn’t directly adapt any one of the core Fallout games. Instead, it perfectly channels their tone and feel, focusing on a core trio—naive Lucy (Ella Purnell), born and raised in a subterranean vault; driven Maximus (Aaron Moten), a recruit in an army seeking technology from the old world; and the Ghoul (Walton Goggins), a centuries-old bounty hunter mutated into a nigh-immortal zombie when the bombs fell—to showcase just how brilliantly twisted this nuclear wasteland really is.

Three-Body

No, you’re not on the Netflix list—Prime Video has its own distinct adaptation of Cixin Liu’s The Three-Body Problem. This take, originally released for Chinese audiences back in 2023, faithfully adapts Liu’s award-winning novel of humanity’s first contact with an almost unknowable alien species and the impact that their impending arrival on Earth has on humanity. Hopping between time periods, a galactic mystery unfurls after nanotech specialist Wang Miao (Luyi Zhang) is called in by detective Shi Qiang (Hewei Yu) to investigate a global spate of suicides among scientists, with the ominous phrase “Physics doesn’t exist” being the only link between the deaths. Although Three-Body is a bit softer than Netflix’s 3 Body Problem when dealing with some aspects of the story—notably anything related to China’s Cultural Revolution—a hearty 30-episode run allows for far more space to explore Liu’s complex themes and vast roster of characters. The pacing may take some getting used to for viewers more accustomed to western TV, and it’s subtitled-only, but this C-drama is out of this world.

Mr. and Mrs. Smith

You likely know the concept from the name alone—a married couple operate as undercover agents, blurring the lines between their personal and professional relationship. Unlike the 2005 Brad Pitt/Angelina Jolie movie, though, 2024’s Mr. and Mrs. Smith does far more with the concept. Donald Glover (who cocreated this reboot) and Maya Erskine offer much more developed takes on the mysterious characters of “John” and “Jane” Smith over the course of this eight-episode series, exploring their true identities, why they signed up for their dangerous careers, and whether their growing feelings for each other are just part of the roles they’re playing. It’s all backed up with plenty of Mission: Impossible–style action, of course, but it’s the sparkling chemistry between the show’s leads that will leave you thinking, “Brangelina who?”

Jack Ryan

There’s no shortage of screen adaptations of Tom Clancy’s Jack Ryan books, but John Krasinski’s turn as the CIA desk jockey turned field agent gets far more room to breathe than its predecessors. The prestige political thriller charts Ryan’s rise from analyst to operative—and beyond—over four perfectly crafted seasons. The final season caps Ryan’s career with his biggest challenge yet, investigating the convergence of a drug cartel and a terrorist organization set to create an unstoppable criminal enterprise, all while juggling the CIA’s possible involvement in a political assassination in Nigeria. While the show hasn’t been without controversies—season two attracted condemnation from Venezuela’s government for supposedly condoning a US invasion of the country; big yikes there—its sharp writing, incredible performances, and cinematic action make it compelling viewing.

I’m a Virgo

A surrealist comedy with the sharp political and social edge viewers have come to expect from creator and director Boots Riley (Sorry to Bother You), I’m a Virgo follows Cootie (Jharrel Jerome), a regular 19-year-old who just happens to be 13 feet tall. Raised in secrecy by Aunt Lafrancine (Carmen Ejogo) and Uncle Martisse (Mike Epps), Cootie is thrust into the limelight when his larger-than-life existence is inevitably discovered. Experiencing friendships and the outside world for the first time, gentle giant Cootie has to navigate everything from romance to the public’s reaction to a giant Black man wandering around Oakland. Oh, and did we mention Cootie’s idol, The Hero, a real-life superhero with an authoritarian streak that would put some of the worst offenders on The Boys to shame? Told you this was surreal. Do yourself a favor and watch the behind-the-scenes episodes too, tucked under Prime Video’s “Explore” tab, for Riley’s insight into each episode.

The Underground Railroad

Based on the Pulitzer Prize–winning novel by Colson Whitehead, this limited series from Moonlight director Barry Jenkins sticks pretty closely to the premise of the book. It’s a work of historical fiction that takes the idea of the Underground Railroad—the network of smugglers who helped escaped slaves flee the South—and reimagines it as an actual subway system with trains and secretive station agents.

The Marvelous Mrs. Maisel

What is a New York lady to do when she finds out her husband is having an affair with his dim-witted secretary? If Mrs. Maisel is anything to go by, the answer is to head to a dingy watering hole in your nightgown, do a little standup comedy, and get hauled away by the police after flashing the entire audience. Set in the 1950s, this fast-talking fashionista hides her new life as a comedian from her family and ex while battling sexism, bad crowds, and big competition. Rachel Brosnahan stars as Midge Maisel in this subtle nod to Joan Rivers’ career. With four seasons and a host of awards and nominations to its name, The Marvelous Mrs. Maisel is one of Amazon’s sharpest comedies.



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A Single Strike Won’t Shut Off the Gulf’s Desalination System

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A Single Strike Won’t Shut Off the Gulf’s Desalination System


Across the region, facilities tied to water and power—including desalination plants—have been damaged or exposed to risk as Iranian strikes extend beyond traditional targets.

A single strike, however, is unlikely to shut off the gulf’s water supply. The system is designed to absorb isolated disruption, but sustained or multisite attacks would begin to strain supply far more quickly.

“In the Gulf, desalination is built with enough breathing room that losing one plant doesn’t immediately show up at the tap,” says Rabee Rustum, professor of water and environmental engineering at Heriot-Watt University Dubai.

In Kuwait, Iranian drone attacks have damaged two power and desalination facilities and ignited fires at two oil sites. Other sites, including Fujairah in the UAE, have been identified as potentially exposed.

“Striking desalination plants would be a strategic move, but it would also come very close to, and in some cases cross, a red line,” says Andreas Krieg, senior lecturer at the School of Security Studies at King’s College London.

Water infrastructure, Krieg explains, occupies a distinct category. “Water infrastructure is not just another utility. In places that depend on desalination, it underpins civilian survival, public health, hospital function, sanitation, and basic state legitimacy.”

Krieg notes that international humanitarian law gives special protection to civilian objects and to objects indispensable to the survival of the civilian population. “Which is precisely why attacks on water systems carry such grave legal and moral weight,” Krieg adds.

The incidents highlight a structural reality: Desalination is central to water supply in the gulf, and disruption carries immediate implications for daily life.

How the System Absorbs Disruption

At first glance, desalination appears vulnerable. Shut down a plant, and supply is reduced. In practice, the system is designed with layers of redundancy.

Plants operate across multiple locations, allowing output to be redistributed if one facility slows down. Water is also stored at different points across the network, including central reservoirs and building-level tanks, creating a buffer that delays disruption.

According to a statement to WIRED Middle East by Veolia, an environmental services provider whose technologies account for nearly 19 percent of desalination capacity in the region, “the region’s water supply is diversified thanks to a network of numerous facilities distributed along the coastline.”

The company adds that distribution systems are interconnected, allowing plants to “support and substitute for one another when necessary,” helping maintain continuity of service.

In the UAE, storage capacity typically covers around one week, while in other parts of the region it may be limited to two to three days, Veolia says.

In practice, this means the system can absorb disruption for a limited period. Once reserves are depleted, water supply depends on whether plants can continue producing enough water to meet demand.

The System That Produces Water

Unlike most regions, the Gulf does not rely on rivers or rainfall. It depends on a network of desalination plants along its coastline that convert seawater into potable water on a continuous basis.

Seawater is drawn into treatment facilities, filtered and processed either through reverse osmosis—forcing it through membranes to remove salt and impurities—or through thermal methods that evaporate and condense water. The resulting supply is distributed through pipelines, stored in reservoirs, and delivered to homes, hospitals, and industry.

This is not a flexible system. It is designed to operate continuously, producing water at a scale that sustains cities, industrial activity, and essential services. Gulf states produce roughly 40 percent of the world’s desalinated water, operating more than 400 plants across the region.

Dependence varies by country but is high everywhere. In the UAE, desalination accounts for 41 to 42 percent of total water supply, while in Kuwait, it provides around 90 percent of drinking water, and in Saudi Arabia, approximately 70 percent.

When Disruption Becomes Visible

For residents, disruption would not be felt immediately—water would continue to flow.

Rustum explains that buildings are supported by internal storage and pumping systems, meaning early changes in supply may not be apparent. In many cases, water pressure remains stable, even as the wider system adjusts.



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Border Patrol Agents Sold Challenge Coins With ‘Charlotte’s Web’ Characters in Riot Gear

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Border Patrol Agents Sold Challenge Coins With ‘Charlotte’s Web’ Characters in Riot Gear


US Border Patrol agents are raising money by selling coins that commemorate last year’s wave of immigration enforcement “operations” across the country, along with other merchandise. The funds are for nonprofit organizations that list Border Patrol buildings as their address in IRS paperwork. At least two of the organizations have dedicated US Customs and Border Protection email addresses.

The front side of one coin for sale reads, “NORTH AMERICAN TOUR 2025,” along with the acronyms for US Border Patrol and the acronym for “fuck around and find out”—a phrase that was initially popularized by the far-right group the Proud Boys and has been used by various Trump officials. In the center, the coin depicts a gas mask, a riot control smoke grenade, and a pepper ball launcher. On the other side, the coin appears to have a portrait of Border Patrol’s now retired commander-at-large, Gregory Bovino, with his arm raised in a salute, along with the text “COMING TO A CITY NEAR YOU!” It lists seven cities, many of which actually saw federal enforcement surges in 2025: Chicago, Los Angeles, Memphis, Phoenix, Portland, Charlotte, and Atlanta.

The coin is for sale by Willcox Morale Welfare and Recreation, a nonprofit that the IRS most recently declared tax-exempt during the Biden administration and whose address on IRS paperwork matches that of the Willcox Border Patrol Station in Arizona. A request for comment sent to Willcox MWR’s dedicated CBP email address went unanswered.

Employees of the Department of Homeland Security, the parent agency for Border Patrol, are allowed to start private, not-for-profit employee associations within DHS, so long as they get formally recognized by the agency and follow certain rules. According to DHS policies, officially recognized groups can fundraise using government property and create merchandise with the agency’s name and logos–but they have to receive advance approval from the agency.

Willcox MWR is just one of several groups across the country that cater to Border Patrol agents and refer to themselves as MWRs, a reference to the US military’s “morale, welfare and recreation” programs. The groups tend to throw holiday events and retirement parties, and sometimes raise money for the families of agents going through hard times, including those not getting paid during the current shutdown.

Many MWRs also sell customized medallions known as “challenge coins” that commemorate specific teams or events. While anyone, including CBP alumni, can design and sell coins, current DHS employees are not supposed to use government resources to sell ones that use the agency’s seals or logos without permission, or ones that the agency considers inappropriate or unprofessional.

CBP did not provide comment about its relationship to Willcox MWR or any other nonprofit mentioned in this story, nor whether the agency had green-lit the “North American Tour” coin design, ahead of publication.

Under Willcox MWR’s Facebook post about the “North American Tour” coin, someone named Juan Diego commented, “Sign up SDC BK5 MWR for 10.”

“Shoot us an email,” someone managing the Willcox MWR account replied, giving out what appeared to be a dedicated cbp.dhs.gov email address for the group.

SDC BK5 MWR, also a registered nonprofit, lists an address on its website that matches that of a government facility in Chula Vista, California. It says on its site that it was started by San Diego Sector Border Patrol agents and sells custom merchandise “designed to raise funds for morale and relief efforts.”

Diego did not respond to a request for comment.

The SDC BK5 MWR website has listings for over 200 different products in addition to the North American Tour coin. One of those listings was a “Chicago Midway Blitz” challenge coin in the shape of a gas mask that doubles as a bottle opener. Embossed around the edges of the coin are the names of several municipalities and neighborhoods caught up in DHS’s immigration enforcement surge of the same name last fall. Like the North American Tour coin, it features the US Border Patrol logo and the acronym for “fuck around and find out.” Opponents of the Trump administration’s immigration enforcement activity in Illinois are unamused.



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One of Our Favorite 360 Cams Is 35 Percent Off

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One of Our Favorite 360 Cams Is 35 Percent Off


Tired of taking your action camera on an adventure, only to get home and find out you missed the action with a bad angle? One option is to switch to a 360-degree action cam, so you can capture all of the action and then edit down to just the good stuff later. One of our favorite options, the DJI Osmo 360, is currently available for just $390 on Amazon, a $209 discount from its usual price, and it comes with a selfie stick and an extra battery.

The DJI Osmo 360 achieves its impressive all-around video quality by leveraging a pair of 1/1.1-inch sensors, larger than some other offerings, and by supporting 10-bit color. You can really see that in the camera’s output, with colors that are vivid and bold, to the point that you may need to dial them back a bit in post if you want something more natural. With support for up to 50 frames per second at 8K when recording in 360 degrees, or 120 fps at 4K when shooting with only one sensor, you’ll have plenty of material to work with. In our testing, it ran for just shy of two hours at 30 fps, which is also around the time the internal storage had filled up anyway.

If you plan on catching any serious discussions with your Osmo 360, you’ll be pleased to know it connects directly to DJI’s line of wireless lavalier microphones, including the excellent and frequently discounted DJI Mic 2 and Mic Mini. If you want to mount it to something other than the included 1.2-meter selfie stick, it has both DJI’s magnetic attachment system and a more traditional ¼”-20 tripod mount. The DJI Mimo app lets you control the camera and adjust any settings, and there’s even a simple editor for on-the-fly production. For desktop users, DJI Studio has even more in-depth settings and editing options, in case you don’t want to pay for Premiere.

The DJI Osmo 360 is one of our favorite action cameras, and is particularly appealing at the discounted price point, but make sure to check out our full review for more info, or head over to our full roundup to see what else is available.



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