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The 23 Best Shows on Amazon Prime Right Now

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The 23 Best Shows on Amazon Prime Right Now


While Netflix is busy pumping out more series than any one person could watch (probably), some of the best shows are on Amazon Prime Video. Trouble is, navigating the service’s labyrinthine menus can make finding the right series a pain. We’re here to help. Below are our favorite Amazon series—all included with your Prime subscription.

For more viewing picks, read WIRED’s guide to the best movies on Amazon Prime, the best movies on HBO’s Max, and the best movies on Netflix.

If you buy something using links in our stories, we may earn a commission. This helps support our journalism. Learn more.

Bat-Fam

Batman: a grim defender of the night waging a one-man war on crime. Also Batman: a cool dad who keeps taking in strays. It’s a contrast comic book fans have come to love over the decades, and now it’s bleeding into wider media with Bat-Fam. Picking up after 2023’s holiday movie Merry Little Batman, Bruce Wayne (voiced by Luke Wilson) helps guide his son Damien (Yonas Kibreab) into the family business as “Little Batman,” while taking in adoptive daughter Claire—formerly the supervillain Volcana, de-aged to 12. Plus, with loyal butler Alfred, his niece Alicia, the meddling ghost of Damien’s grandfather Ra’s al Ghul, and former scientist Man-Bat all passing through, Wayne Manor is starting to get crowded! Charming, funny, and heartfelt, this animated comedy juggles all the best bits of bat-lore for a brighter look at the Dark Knight.

The Girlfriend

When working-class Cherry Laine (Olivia Cooke) meets wealthy Danny Sanderson (Laurie Davidson), sparks fly—until she meets his mother, Laura (Robin Wright). Overbearing and with an unhealthy level of control over her son’s life, Laura is set on destroying anyone who comes between them. Or maybe … Laura is a caring mother, alert to Cherry’s suspicious behavior, and desperate to save her son from a con artist—or worse. In this twisty psychological thriller, based on a novel by Michelle Frances, you can never quite tell who to trust, which is almost the best part, second only to the sensational chemistry between Wright and Cooke as they alternately try to charm, outwit, or destroy each other. Exploring themes of class, power, and control, The Girlfriend is six episodes of brilliantly tense drama.

Butterfly

Years ago, David Jung (Daniel Dae Kim) and Juno Lund (Piper Perabo) formed the private intelligence organization Caddis, reshaping global security from the shadows. Then, Lund ripped the operation out from under Jung—and took his daughter Rebecca (Reina Hardesty) with it, raising her to become an unstoppable assassin. Reunited in the aftermath of a hit on a Russian ambassador in Seoul, David and Rebecca find themselves on the run across South Korea, unsure if they can even trust each other, and with Caddis hot on their heels. A blend of next-level action choreography and family drama exploring themes of abandonment, Butterfly is an explosive twist on bring-your-kid-to-work day.

Ballard

A spin-off from Bosch, one of Prime’s biggest hits, Ballard is another creation of crime author Michael Connelly, seeing detective Renée Ballard (Maggie Q, Designated Survivor) stepping up as head of a newly formed cold-case unit. Left with no budget and no official support, Ballard hastily assembles a team of volunteers that includes her retired former partner Thomas Laffont (John Carroll Lynch) and disillusioned former cop Zamira Parker (Courtney Taylor). They soon find that diving into forgotten cases can mean unearthing secrets powerful people want to keep buried. A blend of crime-of-the-week cases and season-long mysteries make Ballard both a cozy procedural and a riveting longer-form drama, buoyed by a fantastic cast—including Titus Welliver reprising his role as Connellyverse staple Harry Bosch.

The Second Best Hospital in the Galaxy

If about 300 seasons of Grey’s Anatomy hasn’t scratched your medical drama itch, then a visit to The Second Best Hospital in the Galaxy might be just the treatment you need. Riffing on the hospital procedural genre and giving it a sci-fi twist, the show follows alien medics Dr. Sleech (Stephanie Hsu) and Dr. Klak (Keke Palmer) as they tackle the wildest diseases and injuries the universe can throw at them—from an anxiety-eating brain worm to a shape-shifting STI—all while navigating messy relationships and personal drama. See, just like Grey’s. Created by Russian Doll writer Cirocco Dunlap—bringing that show’s Natasha Lyonne along as the voice of occasionally invisible Nurse Tup—this Saharan-dry adult animated comedy will cure what ails you.

Overcompensating

Benny is so deep in the closet, he’s found Narnia. And rather than using his freshman year of college as a chance to find himself, he’s maintaining the illusion of heterosexuality by throwing himself into a campus life of partying, drinking, and chasing girls. The consequences, for Benny and his new best friend Carmen (Wally Beram), will be severe … but hilarious. Created by comedian Benito Skinner, who also stars as Benny, Overcompensating is a foul-mouthed and ferociously funny college comedy that’s almost painfully authentic in its depiction of the fine line between self-exploration and weapons-grade cringe.

Mobile Suit Gundam GQuuuuuuX

Prime Video doesn’t tend to pick up as much anime as rival Netflix does, but when it does, it’s often something big. Mobile Suit Gundam GQuuuuuuX (it’s pronounced “gee-kwux,” before you ask), takes things back to the very beginning of the iconic mecha franchise and asks a simple question: What if the bad guys, the “space Nazis” of the Principality of Zeon, won a crucial war? Don’t worry if you can’t tell a beam saber from a core fighter though—this alternate reality focuses on brand new character Amate Yuzuriha, a high school student thrust into a world of mounting military tensions after an experimental Gundam crashes into the space colony where she lives. GQuuuuuux also marks a creative high for Gundam, with Evangelion studio Khara bringing its dynamic style of animation to the series, but beyond the phenomenally flashy visuals, this has some real emotional depth, using a science fiction lens to explore how people can find hope and fight for freedom, even in the darkest of timelines. Weekly episodes drop on Tuesdays.

Reacher

Amazon has a way with action thrillers focused on military tough guys who answer to “Jack R.” First there was Jack Ryan, who also makes an appearance in this guide. Then there was Reacher, the sharp adaptation of Lee Child’s Jack Reacher novels, now in its third season. Alan Ritchson (Titans, Fast X) stars as the physically imposing Reacher, a former military policeman now drifting from town to town, trying to live a quiet life but unable to avoid conflict. Season one found him accused of a murder he didn’t commit, before season two drew him into a vast conspiracy. The newly arrived third—based on the seventh novel, Persuader—sees him up against his biggest threat yet: Paulie, an even bigger hulk of muscle (played by 7′2″ Olivier Richters). Sure, Reacher is also working undercover for the DEA and tracking down an old enemy, but three seasons in, the show is confident enough to play to its pulpy strengths, with top-tier fight choreography and surprisingly sharp dialog helping it punch above its weight.

Invincible

Mark Grayson inherited the incredible powers and abilities of his father, Omni-Man—only to learn dear old dad wasn’t a paragon of justice but the vanguard for an alien invasion. The newly dropped third season of Invincible finds Mark not only still struggling to escape his father’s shadow, guiding his younger brother to use his own burgeoning powers responsibly, but also drowning in a world of murky politics, pushed toward darker, tougher choices to keep Earth safe. A brilliantly animated adaptation of the hit Image comic book by writer Robert Kirkman and artists Cory Walker and Ryan Ottley, Invincible’s more mature take on superheroes allows it to do something Marvel and DC characters rarely do: grow up.

The Man in the High Castle

This adaptation of sci-fi master Philip K. Dick’s novel about a world in which the Nazis won the Second World War was one of Amazon’s first forays into original content. The world-building is stunningly done—a divided, alternate-reality 1960s America never seemed so plausible—but be warned: There might be just a touch too much present-day resonance for some viewers.

The Rig

Back for its second season, sci-fi thriller The Rig finds the surviving crew of isolated North Sea oil rig Kinloch Bravo forcibly relocated to The Stac, an even more remote facility in the Arctic. While most are desperate for answers and a way home, the team’s loyalties are tested as the sinister Pictor corporation seeks to use them to unearth something ancient and powerful from the sea floor. While The Rig doesn’t even aspire to subtlety when it comes to its ecological metaphors (one character even says, “If you keep punching holes in the Earth, eventually the Earth’s going to punch back”), it’s all brilliantly shot to make use of both the claustrophobic settings and the terrifying expanses and underwater pressures of the ocean. With the material elevated by a phenomenal cast of Game of Thrones and Line of Duty veterans, including Iain Glen and Rochenda Sandall—and bolstered further by the addition of the always-watchable Alice Krige in season 2—The Rig is far more than the guilty pleasure it might otherwise be.

Cross

Aldis Hodge steps into the shoes of Washington, DC homicide detective Alex Cross in Prime’s new series based on James Patterson’s long-running series of crime novels. However, unlike the streamer’s other thrillers Bosch and Reacher, Cross doesn’t directly adapt any of Patterson’s books—a risky move, but one that largely pays off, allowing this eight-episode first season to chart an unpredictable journey as Cross faces off against a twisted murderer who models each of his kills on another serial killer. Already renewed for a second season, Cross is a strong addition to Prime’s roster of crime dramas.

The Legend of Vox Machina

Bawdy, gory, and absolutely not for kids, The Legend of Vox Machina follows the eponymous adventurers’ guild—consisting of gunslingers, druids, and the requisite horny bard—as they grow from a motley crew of usually-drunk mercenaries into unexpected heroes for the realm of Exandria. The newly arrived third season continues the team’s battle against the Chroma Conclave, a horrifyingly powerful collective of dragons. It’s a quest that sends them on a small diversion to Hell itself. Adapting the hit Critical Role—the livestreamed Dungeons & Dragons sessions of some of the biggest voice actors in animation and gaming—this exquisitely animated fantasy takes things in unexpected directions that keep things fresh for new or returning viewers alike. A love letter to D&D that’s also unafraid to poke fun at the classic RPG, it’s one of the most original adult animated shows on Prime.

The Lord of the Rings: The Rings of Power

Tapping into The Lord of the Rings creator J. R. R. Tolkien’s sprawling history of Middle-earth, The Rings of Power is set millennia before the events of the core books (or films, which is really where the visual language of this adaptation comes from), detailing the major events of Tolkien’s Second Age. While the first season was a slow burn, dwelling on the fractious politics of the era, the second ratchets up the pace considerably. From Galadriel (Morfydd Clark) trying to prevent the ascension of Dark Lord Sauron (Charlie Vickers) to the long-awaited introduction of fan-favorite character Tom Bombadil (Rory Kinnear), the new season feels far richer and deeper than before. It remains a feast for the eyes too, with the stratospheric budget apparent in every frame, from quiet moments in luxuriant shires to cinematic battles between armies of Orcs and Elves. For sheer high fantasy spectacle, there’s little else to rival this streaming right now.

Batman: Caped Crusader

The first new solo Batman animated series in a decade, Caped Crusader harkens back to Batman: The Animated Series from the 1990s, with showrunner Bruce Timm returning to the Dark Knight and Hamish Linklater voicing Bruce Wayne/Batman in an ode to the late, great Kevin Conroy. Unlike rival ‘90s revival X-Men ’97, though, this isn’t a continuation but rather a wholly distinct take allowing for fresh interpretations of the iconic hero’s rogues’ gallery and allies—look out for drastically different takes on the Penguin and Harley Quinn in particular. Leaning heavily into a 1930s aesthetic that evokes Batman’s earliest comic book origins, this manages to be nostalgic and provocative at once—a fantastic outing that takes DC’s original urban vigilante back to his gritty pulp noir roots.

The Boys

Superheroes are meant to represent hope and optimism—the best of us, given outsize form. In The Boys, adapted from the darkly satirical comic by Garth Ennis and Darick Robertson, they’re a reflection of humanity’s worst—greed and unrestrained power, marketed to a gullible public by vested corporate interests, operating without restraint and leaving a trail of bodies in their wake. Enter Billy Butcher (Karl Urban) and his associates The Boys, gleefully dispatching “Supes” who’ve gone too far, often in extraordinarily violent ways. Unfortunately, the newly dropped fourth season finds the team in disarray, fractured by Butcher’s own lies, right as the world needs them most. Arch-manipulator Victoria Neuman (Claudia Doumit) is close to the Oval Office, while the sadistic, psychotic Homelander (Antony Starr) is planning a superhuman uprising. Probably Amazon’s goriest show, The Boys stands as a pertinent examination of the abuses of power, all wrapped in superhero drag.

Fallout

Maybe the end of the world is the secret sauce to making a great video game adaptation—between The Last of Us and now this spectacular interpretation of Bethesda’s postapocalyptic RPG series, we’re living in an unexpected golden era for the form. Yet unlike HBO’s bleak but beautiful world, Fallout taps into the source material to craft an apocalypse with a very different feel, one dripping in cracked Americana, black comedy, razor-sharp social satire, and just a little bit of camp. Its greatest strength, though, lies in how it doesn’t directly adapt any one of the core Fallout games. Instead, it perfectly channels their tone and feel, focusing on a core trio—naive Lucy (Ella Purnell), born and raised in a subterranean vault; driven Maximus (Aaron Moten), a recruit in an army seeking technology from the old world; and the Ghoul (Walton Goggins), a centuries-old bounty hunter mutated into a nigh-immortal zombie when the bombs fell—to showcase just how brilliantly twisted this nuclear wasteland really is.

Three-Body

No, you’re not on the Netflix list—Prime Video has its own distinct adaptation of Cixin Liu’s The Three-Body Problem. This take, originally released for Chinese audiences back in 2023, faithfully adapts Liu’s award-winning novel of humanity’s first contact with an almost unknowable alien species and the impact that their impending arrival on Earth has on humanity. Hopping between time periods, a galactic mystery unfurls after nanotech specialist Wang Miao (Luyi Zhang) is called in by detective Shi Qiang (Hewei Yu) to investigate a global spate of suicides among scientists, with the ominous phrase “Physics doesn’t exist” being the only link between the deaths. Although Three-Body is a bit softer than Netflix’s 3 Body Problem when dealing with some aspects of the story—notably anything related to China’s Cultural Revolution—a hearty 30-episode run allows for far more space to explore Liu’s complex themes and vast roster of characters. The pacing may take some getting used to for viewers more accustomed to western TV, and it’s subtitled-only, but this C-drama is out of this world.

Mr. and Mrs. Smith

You likely know the concept from the name alone—a married couple operate as undercover agents, blurring the lines between their personal and professional relationship. Unlike the 2005 Brad Pitt/Angelina Jolie movie, though, 2024’s Mr. and Mrs. Smith does far more with the concept. Donald Glover (who cocreated this reboot) and Maya Erskine offer much more developed takes on the mysterious characters of “John” and “Jane” Smith over the course of this eight-episode series, exploring their true identities, why they signed up for their dangerous careers, and whether their growing feelings for each other are just part of the roles they’re playing. It’s all backed up with plenty of Mission: Impossible–style action, of course, but it’s the sparkling chemistry between the show’s leads that will leave you thinking, “Brangelina who?”

Jack Ryan

There’s no shortage of screen adaptations of Tom Clancy’s Jack Ryan books, but John Krasinski’s turn as the CIA desk jockey turned field agent gets far more room to breathe than its predecessors. The prestige political thriller charts Ryan’s rise from analyst to operative—and beyond—over four perfectly crafted seasons. The final season caps Ryan’s career with his biggest challenge yet, investigating the convergence of a drug cartel and a terrorist organization set to create an unstoppable criminal enterprise, all while juggling the CIA’s possible involvement in a political assassination in Nigeria. While the show hasn’t been without controversies—season two attracted condemnation from Venezuela’s government for supposedly condoning a US invasion of the country; big yikes there—its sharp writing, incredible performances, and cinematic action make it compelling viewing.

I’m a Virgo

A surrealist comedy with the sharp political and social edge viewers have come to expect from creator and director Boots Riley (Sorry to Bother You), I’m a Virgo follows Cootie (Jharrel Jerome), a regular 19-year-old who just happens to be 13 feet tall. Raised in secrecy by Aunt Lafrancine (Carmen Ejogo) and Uncle Martisse (Mike Epps), Cootie is thrust into the limelight when his larger-than-life existence is inevitably discovered. Experiencing friendships and the outside world for the first time, gentle giant Cootie has to navigate everything from romance to the public’s reaction to a giant Black man wandering around Oakland. Oh, and did we mention Cootie’s idol, The Hero, a real-life superhero with an authoritarian streak that would put some of the worst offenders on The Boys to shame? Told you this was surreal. Do yourself a favor and watch the behind-the-scenes episodes too, tucked under Prime Video’s “Explore” tab, for Riley’s insight into each episode.

The Underground Railroad

Based on the Pulitzer Prize–winning novel by Colson Whitehead, this limited series from Moonlight director Barry Jenkins sticks pretty closely to the premise of the book. It’s a work of historical fiction that takes the idea of the Underground Railroad—the network of smugglers who helped escaped slaves flee the South—and reimagines it as an actual subway system with trains and secretive station agents.

The Marvelous Mrs. Maisel

What is a New York lady to do when she finds out her husband is having an affair with his dim-witted secretary? If Mrs. Maisel is anything to go by, the answer is to head to a dingy watering hole in your nightgown, do a little standup comedy, and get hauled away by the police after flashing the entire audience. Set in the 1950s, this fast-talking fashionista hides her new life as a comedian from her family and ex while battling sexism, bad crowds, and big competition. Rachel Brosnahan stars as Midge Maisel in this subtle nod to Joan Rivers’ career. With four seasons and a host of awards and nominations to its name, The Marvelous Mrs. Maisel is one of Amazon’s sharpest comedies.



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A neural blueprint for human-like intelligence in soft robots

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A neural blueprint for human-like intelligence in soft robots



A new artificial intelligence control system enables soft robotic arms to learn a wide repertoire of motions and tasks once, then adjust to new scenarios on the fly, without needing retraining or sacrificing functionality. 

This breakthrough brings soft robotics closer to human-like adaptability for real-world applications, such as in assistive robotics, rehabilitation robots, and wearable or medical soft robots, by making them more intelligent, versatile, and safe.

The work was led by the Mens, Manus and Machina (M3S) interdisciplinary research group — a play on the Latin MIT motto “mens et manus,” or “mind and hand,” with the addition of “machina” for “machine” — within the Singapore-MIT Alliance for Research and Technology. Co-leading the project are researchers from the National University of Singapore (NUS), alongside collaborators from MIT and Nanyang Technological University in Singapore (NTU Singapore).

Unlike regular robots that move using rigid motors and joints, soft robots are made from flexible materials such as soft rubber and move using special actuators — components that act like artificial muscles to produce physical motion. While their flexibility makes them ideal for delicate or adaptive tasks, controlling soft robots has always been a challenge because their shape changes in unpredictable ways. Real-world environments are often complicated and full of unexpected disturbances, and even small changes in conditions — like a shift in weight, a gust of wind, or a minor hardware fault — can throw off their movements. 

Despite substantial progress in soft robotics, existing approaches often can only achieve one or two of the three capabilities needed for soft robots to operate intelligently in real-world environments: using what they’ve learned from one task to perform a different task, adapting quickly when the situation changes, and guaranteeing that the robot will stay stable and safe while adapting its movements. This lack of adaptability and reliability has been a major barrier to deploying soft robots in real-world applications until now.

In an open-access study titled “A general soft robotic controller inspired by neuronal structural and plastic synapses that adapts to diverse arms, tasks, and perturbations,” published Jan. 6 in Science Advances, the researchers describe how they developed a new AI control system that allows soft robots to adapt across diverse tasks and disturbances. The study takes inspiration from the way the human brain learns and adapts, and was built on extensive research in learning-based robotic control, embodied intelligence, soft robotics, and meta-learning.

The system uses two complementary sets of “synapses” — connections that adjust how the robot moves — working in tandem. The first set, known as “structural synapses”, is trained offline on a variety of foundational movements, such as bending or extending a soft arm smoothly. These form the robot’s built‑in skills and provide a strong, stable foundation. The second set, called “plastic synapses,” continually updates online as the robot operates, fine-tuning the arm’s behavior to respond to what is happening in the moment. A built-in stability measure acts like a safeguard, so even as the robot adjusts during online adaptation, its behavior remains smooth and controlled.

“Soft robots hold immense potential to take on tasks that conventional machines simply cannot, but true adoption requires control systems that are both highly capable and reliably safe. By combining structural learning with real-time adaptiveness, we’ve created a system that can handle the complexity of soft materials in unpredictable environments,” says MIT Professor Daniela Rus, co-lead principal investigator at M3S, director of the MIT Computer Science and Artificial Intelligence Laboratory (CSAIL), and co-corresponding author of the paper. “It’s a step closer to a future where versatile soft robots can operate safely and intelligently alongside people — in clinics, factories, or everyday lives.”

“This new AI control system is one of the first general soft-robot controllers that can achieve all three key aspects needed for soft robots to be used in society and various industries. It can apply what it learned offline across different tasks, adapt instantly to new conditions, and remain stable throughout — all within one control framework,” says Associate Professor Zhiqiang Tang, first author and co-corresponding author of the paper who was a postdoc at M3S and at NUS when he carried out the research and is now an associate professor at Southeast University in China (SEU China).

The system supports multiple task types, enabling soft robotic arms to execute trajectory tracking, object placement, and whole-body shape regulation within one unified approach. The method also generalizes across different soft-arm platforms, demonstrating cross-platform applicability. 

The system was tested and validated on two physical platforms — a cable-driven soft arm and a shape-memory-alloy–actuated soft arm — and delivered impressive results. It achieved a 44–55 percent reduction in tracking error under heavy disturbances; over 92 percent shape accuracy under payload changes, airflow disturbances, and actuator failures; and stable performance even when up to half of the actuators failed. 

“This work redefines what’s possible in soft robotics. We’ve shifted the paradigm from task-specific tuning and capabilities toward a truly generalizable framework with human-like intelligence. It is a breakthrough that opens the door to scalable, intelligent soft machines capable of operating in real-world environments,” says Professor Cecilia Laschi, co-corresponding author and principal investigator at M3S, Provost’s Chair Professor in the NUS Department of Mechanical Engineering at the College of Design and Engineering, and director of the NUS Advanced Robotics Centre.

This breakthrough opens doors for more robust soft robotic systems to develop manufacturing, logistics, inspection, and medical robotics without the need for constant reprogramming — reducing downtime and costs. In health care, assistive and rehabilitation devices can automatically tailor their movements to a patient’s changing strength or posture, while wearable or medical soft robots can respond more sensitively to individual needs, improving safety and patient outcomes.

The researchers plan to extend this technology to robotic systems or components that can operate at higher speeds and more complex environments, with potential applications in assistive robotics, medical devices, and industrial soft manipulators, as well as integration into real-world autonomous systems.

The research conducted at SMART was supported by the National Research Foundation Singapore under its Campus for Research Excellence and Technological Enterprise program.



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DHS Opens a Billion-Dollar Tab With Palantir

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DHS Opens a Billion-Dollar Tab With Palantir


The Department of Homeland Security struck a $1 billion purchasing agreement with Palantir last week, further reinforcing the software company’s role in the federal agency that oversees the nation’s immigration enforcement.

According to contracting documents published last week, the blanket purchase agreement (BPA) awarded “is to provide Palantir commercial software licenses, maintenance, and implementation services department wide.” The agreement simplifies how DHS buys software from Palantir, allowing DHS agencies like Customs and Border Protection (CBP) and Immigration and Customs Enforcement (ICE) to essentially skip the competitive bidding process for new purchases of up to $1 billion in products and services from the company.

Palantir did not immediately respond to a request for comment.

Palantir announced the agreement internally on Friday. It comes as the company is struggling to address growing tensions among staff over its relationship with DHS and ICE. After Minneapolis nurse Alex Pretti was shot and killed in January, Palantir staffers flooded company Slack channels demanding information on how the tech they build empowers US immigration enforcement. Since then, the company has updated its internal wiki, offering few unreported details about its work with ICE, and Palantir CEO Alex Karp recorded a video for employees where he attempted to justify the company’s immigration work, as WIRED reported last week. Throughout a nearly hourlong conversation with Courtney Bowman, Palantir’s global director of privacy and civil liberties engineering, Karp failed to address direct questions about how the company’s tech powers ICE. Instead, he said workers could sign nondisclosure agreements for more detailed information.

Akash Jain, Palantir’s chief technology officer and president of Palantir US Government Partners, which works with US government agencies, acknowledged these concerns in the email announcing the company’s new agreement with DHS. “I recognize that this comes at a time of increased concern, both externally and internally, around our existing work with ICE,” Jain wrote. “While we don’t normally send out updates on new contract vehicles, in this moment it felt especially important to provide context to help inform your understanding of what this means—and what it doesn’t. There will be opportunities we run toward, and others we decline—that discipline is part of what has earned us DHS’s trust.”

In the Friday email, Jain suggests that the five-year agreement could allow the company to expand its reach across DHS into agencies like the US Secret Service (USSS), Federal Emergency Management Administration (FEMA), Transportation Security Administration (TSA), and the Cybersecurity and Infrastructure Security Agency (CISA).

Jain also argued that Palantir’s software could strengthen protections for US citizens. “These protections help enable accountability through strict controls and auditing capabilities, and support adherence to constitutional protections, especially the Fourth Amendment,” Jain wrote. (Palantir’s critics have argued that the company’s tools create a massive surveillance dragnet, which could ultimately harm civil liberties.)

Over the last year, Palantir’s work with ICE has grown tremendously. Last April, WIRED reported that ICE paid Palantir $30 million to build “ImmigrationOS,” which would provide “near real-time visibility” on immigrants self-deporting from the US. Since then, it’s been reported that the company has also developed a new tool called Enhanced Leads Identification & Targeting for Enforcement (ELITE) which creates maps of potential deportation targets, pulling data from DHS and the Department of Health and Human Services (HHS).

Closing his Friday email to staff, Jain suggested that staffers curious about the new DHS agreement come work on it themselves. “As Palantirians, the best way to understand the work is to engage on the work directly. If you are interested in helping shape and deliver the next chapter of Palantir’s work across DHS, please reach out,” Jain wrote to employees, who are sometimes referred to internally as fictional creatures from The Lord of the Rings. “There will be a massive need for committed hobbits to turn this momentum into mission outcomes.”



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ICO wins appeal over data protection obligations in Currys cyber attack | Computer Weekly

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ICO wins appeal over data protection obligations in Currys cyber attack | Computer Weekly


The Court of Appeal (CoA) has ruled in favour of the Information Commissioner’s Office in an appeal against a previous decision regarding the data protection responsibilities of businesses that arose after a 2018 cyber attack on DSG Retail – which now operates as Currys Group Ltd – the parent organisation of former UK electronics retail brands including Carphone Warehouse, Dixons and PC World.

DSG fell victim to a major cyber attack during a nine-month period in 2017 and 2018. The incident saw cyber criminals install malware on the firm’s point-of-sale (PoS) devices that was used to steal personal data including the credit and debit card details of millions of customers, and in a small number of cases their names, postcodes and contact details.

In January 2020 the ICO levied a £500,000 fine on DSG under the Data Protection Act of 1998 (DPA) after its investigation found the retailer had failed to patch software systems, install firewalls, segregate its networks, conduct routine security testing, or protect personal data. The fine was lower than that mandated under the General Data Protection Regulation (GDPR) because the breach took place before it came into effect.

In previous appeals to the First Tier Tribunal (FTT) and Upper Tribunal (UT), DSG argued that the seventh data protection principal (DPP7) of the DPA under which it was fined was not applicable to the incident.

It said that while the attackers did obtain full 16-digit card numbers, expiry dates and cardholder names in a limited number of cases, in most cases the cards were protected by electromagnetic verification (EMV) – chip-and-pin – so the attackers could only obtain the 16-digit card numbers and expiry dates, and no names.

As such, it said it did not need to take ‘appropriate technical and organisational measures’ (Atoms) to secure the EMV data because it was not ‘personal data’ in the hands of a third-party. It argued that the question over the applicability of DPP7 to said data needed to be considered from the point of view of the third-party – that is to say, the hackers.

The FTT initially dismissed this argument, but the UT supported it, prompting the ICO to seek permission to appeal last year. At the time, information commissioner John Edwards said the DPA was clear that organisations must put Atoms in place to protect personal data regardless of whether it was pseudonymised.

“We have seen many cases where people have been affected when malicious actors have accessed, deleted or encrypted pseudonymised personal data, for example when medical or financial data is compromised,” he said.

Today’s decision, handed down by Lord Justice Warby, supports Edwards’ view, concluding that when an individual to whom data relates may is identifiable to a data controller, the data controller must safeguard that data against unauthorised or unlawful processing whether or not the person processing it can use it to identify the individual.

The ICO welcomed the CoA ruling, saying it clarified an important point of data protection law in reinstating a clear interpretation of the legal responsibilities of organisations to keep personal data safe.

“I have concluded that the UT’s reasons for adopting a narrow interpretation of the statutory wording, though careful and thorough, are not in the end compelling,” wrote Warby in his judgement.

“They lead to some surprising conclusions. In my judgment, a broader construction is more consistent with the language of the statute and its parent Directive, the identifiable purposes of the data protection legislation, and with the few decided cases that have any significant bearing on this issue. I would therefore allow the appeal.”

“Today’s judgment is a significant victory, bringing much-needed clarity for people affected by cyber attacks as well as industry,” said ICO general counsel Binnie Goh.

“We welcome the CoA’s confirmation that organisations must protect all personal data they process, regardless of how it might be used or exploited by hackers. This recognises that even if hackers can’t identify people individually from stolen datasets, cyber attacks can and do still cause real harm.

“With the rising threat of cyber crime, this decision strengthens our ability to take robust action in the future and sends a clear message to all organisations: you have a protective duty to safeguard the personal data you hold,” said Goh.

Computer Weekly has contacted Currys Group Ltd for a response, and this article will be updated should one be received.

The case will return to the FTT at a later data to reapply the CoA’s new interpretation to the facts of the DSG incident.



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