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Gul Plaza’s smoke signals

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Gul Plaza’s smoke signals


Fire department workers walk past the site, following a massive fire that broke out in the Gul Plaza shopping centre in Karachi on January 20, 2026. — Reuters

Again, I feel compelled to write about a big blaze in a big city. It is not the Gul Plaza fire, and the city I am referring to is not Karachi.

Though it is the Gul Plaza fire that has prompted me to recall another event that I think is relevant to what has happened to Karachi in the wake of a terrifying tragedy.

Also, the story I want to talk start off this week is not about the Baldia factory fire in Karachi in 2012, which was more gruesome than the Gul Plaza fire. Over 250 workers were burnt to death in the big blaze that actually was an act of arson, and the date they chose was ominous: September 11 – 9/11, as they put it in the United States.

So, what big fire in which big city?

Well, the fire became known as the Triangle Shirtwaist Factory fire and the incident occurred in March 1911, more than a century ago, in the city of New York. As many as 146 garment workers, most of them immigrant women, died when the factory, situated on the eighth floor of a building, caught fire. Many of those who lost their lives had jumped from that height.

Naturally, the entire city was shocked by an event that was unbearably heartrending. My intention here is to provide some glimpses of how the city and its people responded to their deadliest industrial disaster. Many thousands had watched the bodies lying on the road in pools of blood. It was something that the city cannot forget and commemorative events are held even now.

Let me quote some words from a Google account of the funeral procession: “In a profound display of solidarity, an estimated 350,000 to 400,000 people took part in a funeral march in the pouring rain for the unidentified victims”.

Just try to make a mental image of what that scene would look like.

A commission was created and over 30 new labour laws were promulgated. But the real response was evident in the domain of art and culture. The Triangle Shirtwaist Factory fire inspired documentary films and television productions and music and dance and literature. Even until recent years, it has figured in feature films and novels. That tragedy still touches hearts and agitates minds.

As I stated at the outset, I had invoked the fire disaster of New York of 1911 earlier in this space. Then, I compared it with the Baldia fire to underline the differences the two tragedies had evoked in their respective cities. In some ways, the Baldia fire had raised more complex issues about governance and the state’s power structure. Consequently, it called for drastic changes and readjustments at many different levels.

But what happened after the Baldia fire? A human tragedy of such great magnitude — the miserable death of over 250 workers — was, it seems, quickly forgotten. The affected families and a number of labour unions and social activists certainly took up the cause of the innocent victims and the issue was intermittently raised in the media. Still, the conscience of the city, in a collective sense, did not awaken.

The question now is: what will be the consequences of the Gul Plaza disaster? In the immediate context, the event and its gory details that have continued to unfold have been extensively covered by the media. Reports indicate widespread outrage across different sections of society. There is a steady focus on lapses on the part of the provincial and local agencies that have led to such a dreadful loss of life and property.

At the same time, it is felt that a calamity of this kind is always waiting to happen due to the poor state of the entire infrastructure and the blatant violations of relevant legal obligations across all spheres of public life. Footprints of corruption are evident on every path.

As it is, Karachi has long been teetering at a breaking point. It is generally recognised as the engine of growth for the entire country. But it cannot remain so for long if its public utilities are not repaired and improved. The city’s public institutions are visibly in a state of decay.

While the catastrophic fire in Gul Plaza has lessons that the city’s concerned administrators must address in earnest, it has also provided a new scope for divisive politics. An attempt is being made to revive old animosities and exploit popular anger for partisan purposes.

All this would suggest that the Gul Plaza fire is unlikely to become a catalyst for change in the context of how Karachi is governed. Apparently, it will be business as usual. But when I chose to cite the example of the Triangle Shirtwaist Factory fire of New York, I also had the behaviour of the general public and of the intelligentsia in mind.

Where are the concerned citizens of Karachi, and what kind of sense of belonging do they have for this city? What was their involvement with the Baldia fire in 2012 and how do they relate now to the mass bereavement caused by the Gul Plaza fire? Do the citizens of Karachi constitute, in moral and psychological terms, less of a community than, say, the New Yorkers?

I do not know what to do with these and other questions. It may be said that it is pointless to compare, for instance, New York and Karachi in terms of how they have responded to particular events. It is possible to argue that we live in separate worlds.

Let us, thus, content ourselves with the life we are living in Karachi. We have seen that the Gul Plaza fire has dominated the media this week and what is being revealed is very disturbing. At the same time, we are also exceptionally busy with our social activities, this being the season of festivals and festivities.


The writer is a senior journalist. He can be reached at: [email protected]


Disclaimer: The viewpoints expressed in this piece are the writer’s own and don’t necessarily reflect Geo.tv’s editorial policy.



Originally published in The News





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King Charles health update leaves Prince William worried: ‘upsetting’

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King Charles health update leaves Prince William worried: ‘upsetting’


Prince William appears to be growing worried for his cancer-stricken father King Charles after the latest health update causes major concerns in the Palace.

The Prince of Wales, who has been receiving more significant duties from the Palace, is fully aware of his royal in the family but he also deeply cares for his father.

King Charles, along with Queen Camilla, were joined by the Prince and Princess of Wales for Nigeria’s State Banquet last week, and William had expressed his concerns about the monarch’s health at the time.

However, he was quickly shut down by Camilla. According to an insider cited by Closer, William “did not feel Charles was well enough” for the engagements.

“William wants his father to slow down and take a proper step back,” the source said. However, every time William had brough it up, there’s a sense that Camilla “is encouraging Charles to continue his duty, especially at a time the family is receiving so much criticism”.

The heir to the throne believes that his father will improve if he is allowed to take proper rest.

“It’s very upsetting for him because he can see how quickly his father Charles is deteriorating and he feels totally helpless to do anything about it,” the source noted, adding that Camilla “blocks him at every turn”.

Meanwhile, King Charles is “incredibly proud” and he wants to continue as long as he possibly can. Even though William admires the trait in his father but he believes there has to be a line.





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Zayn Malik shares personal video message on ‘Mind of Mine’ 10th anniversary

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Zayn Malik shares personal video message on ‘Mind of Mine’ 10th anniversary


Zayn Malik celebrates one decade of debut album ‘Mind of Mine’

Zayn Malik is celebrating 10 years of his debut solo album Mind of Mine with a heartfelt message.

Earlier this week, the former One Direction star took to his Instagram Stories to post a short video of himself sharing the milestone with his supporters.

Clad in a black leather jacket the Dusk Till Dawn hitmaker expressed his gratitude for all the love all this time.

“Zayn here,” he began in the brief clip. “It’s been exactly 10 years since the release of Mind of Mind, so I thought I’d just do a little video just to say thank you so much for all the support.”

Zayn Malik shares personal video message on ‘Mind of Mine 10th anniversary

“Love you guys,” the Die For Me singer continued. “It means the world.”

He wrapped up the personal video message, joking, “hopefully I don’t look too old,” flashed a bright smile and waved at his admirers.

For the unversed, Zayn, now 32, released Mind of Mine, his debut solo studio album on March 25, 2016.

It came out exactly one year after his departure from the boy band, consisting of Liam Payne (late), Harry Styles, Niall Horan and Louis Tomlinson.

The lead single, Pillowtalk, debuted at number one in both the UK and US, making Zayn the first British male artist to achieve this with a debut single.

He dropped Like I Would as the second official single, which leaned more toward an uptempo, dance-pop sound.

A collaboration, titled Wrong, with American singer Kehlani served as the final single from the album.

Moreover, a notable track is Intermission: Flower, a Sufi devotional sung in Urdu, reflecting Zayn’s British-Pakistani heritage.





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Antonio Banderas opens up on ethnic stereotyping in Hollywood

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Antonio Banderas opens up on ethnic stereotyping in Hollywood


Antonio Banderas opens up on ethnic stereotyping in Hollywood

Antonio Banderas has spoken candidly about the ethnic stereotyping he faced when he first arrived in Hollywood, recalling being told bluntly that his Hispanic background limited him to villainous roles, and explaining why breaking out of that box still means so much to him.

“They said, you are here, like the blacks and the Hispanics, to play the bad guys,” the Oscar-nominated actor told The Times

The irony of what came next is something he clearly savours. 

“The problem was a few years later I had a mask, hat, sword and cape and the bad guy was Captain Love, who was blond and had blue eyes.”

That role was, of course, Zorro, the gutsy hero Banderas played in The Mask of Zorro in 1998 and The Legend of Zorro in 2005. 

But it was a cat, not a swordsman, that he considers the most culturally significant step forward. 

Puss in Boots, the character he first voiced in Shrek 2 in 2004, reached an audience that nothing else could quite match. 

“Even more important is Puss in Boots, because it’s for young kids. They see a cat that has a Spanish, even an Andalusian accent and he’s a good guy.”

He has now voiced the character across five films, including the critically lauded Puss in Boots: The Last Wish in 2022, which earned an Oscar nomination. 

However, the 65-year-old confirmed last year that he has not yet been approached for Shrek 5, due in cinemas on 30 June 2027. 

“I’m not so far, and I’m not being called for that,” he told Parade

Puss in Boots did very well. Number two got a nomination for the Oscar, and the movie behaved beautifully at the box office. But I am totally satisfied with the five Puss in Boots that I did. I don’t know what is going to happen in the future. Maybe they [will] call me tomorrow.”





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