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Hollywood Is Losing Audiences to AI Fatigue

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Hollywood Is Losing Audiences to AI Fatigue


An insurrectionist robot unleashed by a mad inventor in Fritz Lang’s Metropolis. HAL 9000 sabotaging a manned mission to Jupiter in 2001: A Space Odyssey. Skynet, the self-aware global defense network that seeks to exterminate humanity throughout the Terminator franchise.

Hollywood has never wanted for audacious depictions of artificial intelligence or the ways in which it could alter the fate of our species. But the rapid integration of AI into the studio system and our now unavoidable interactions with it have severely compromised the genre, not to mention film as a medium.

On the one hand, it’s perfectly understandable that screenwriters and studios would return to the subject of AI in recent years, particularly since it provokes such fierce debate within the industry. (A major cause of the 2023 labor strikes was the threat that AI posed to creative jobs.) Still, the novelty faded fast.

Consider M3GAN, a campy horror flick about an artificially intelligent doll who starts killing people, released just a week after the debut of ChatGPT in 2022: It was a surprise box-office smash. Last year’s sequel? A critical and commercial flop. Mission: Impossible—Dead Reckoning (2023) introduced a rogue AI called The Entity as a final adversary for Ethan Hunt and crew. The resolution of its cliff-hanger ending and blockbuster finale for the spy saga, Mission: Impossible—The Final Reckoning (2025), underperformed its predecessor, and neither quite justified their expense.

The latest AI-themed bomb is Mercy, a crime thriller starring Chris Pratt as an LAPD detective strapped into a chair who has 90 minutes to pull enough evidence from security cameras and phone records to convince a stern judge bot (Rebecca Ferguson) that he didn’t kill his wife—or else face instant execution. Despite releasing in January, one reviewer has already declared it “the worst movie of 2026,” and judging by its mediocre ticket sales, many US moviegoers decided as much from the trailer alone. It’s almost as if nobody cared whether a fictional software program might be capable of sparing a life when real health insurance claims are being denied by algorithms already.

For those few who did see it, Mercy fell far short of its dystopian premise, failing to grapple with the ethics of such a surveillance state and its medieval-modern justice system in favor of cheap relativism. Spoiler: Pratt’s character and the AI ultimately team up to stop the real bad guys as the bot begins to show signs of unrobotic emotion and doubt, which manifest as glitches in the program. By the end, Pratt is delivering a true groaner of a we’re-not-so-different speech to the holographic Ferguson. “Human or AI, we all make mistakes,” he says. “And we learn.”

While the naive belief in AI’s progress toward enlightenment feels dated on arrival, you are also reminded of how prophetically cynical something like Paul Verhoeven’s RoboCop, now almost 40 years old, was in addressing a future of cybernetic fascism. Contrary to that kind of pitch-black, violent satire, the current trend seems to be propagandistic narratives about how AIs are scary at first but secretly good. (See also: Tron: Ares, Disney’s wildly misguided attempt to leverage an old IP for the era of large language models, another cinematic train wreck of 2025.)

In fact, the insistence on some inborn value or honor to artificial intelligence may be the driving force behind the new Time Studios web series On This Day…1776. Conceived as a blow-by-blow account of the year the American colonies declared independence from the British crown, it consists of short YouTube videos generated in part by Google DeepMind (though actual actors supply voiceovers). The project has drawn serious attention and scorn because acclaimed director Darren Aronofsky served as executive producer via his creative studio Primordial Soup, launched last year in a partnership with Google to explore the applications of AI in filmmaking. It probably doesn’t help that Aronofsky and company are valorizing the country’s founders in the same aesthetic that has defined the authoritarian meme culture of Donald Trump’s second term.



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Netflix Says if the HBO Merger Makes It Too Expensive, You Can Always Cancel

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Netflix Says if the HBO Merger Makes It Too Expensive, You Can Always Cancel


There is concern that subscribers might be negatively affected if Netflix acquires Warner Bros. Discovery’s streaming and movie studios businesses. One of the biggest fears is that the merger would lead to higher prices due to less competition for Netflix.

During a US Senate hearing Tuesday, Netflix co-CEO Ted Sarandos suggested that the merger would have an opposite effect.

Sarandos was speaking at a hearing held by the US Senate Judiciary Committee’s Subcommittee on Antitrust, Competition Policy, and Consumer Rights, “Examining the Competitive Impact of the Proposed Netflix-Warner Brothers Transaction.”

Sarandos aimed to convince the subcommittee that Netflix wouldn’t become a monopoly in streaming or in movie and TV production if regulators allowed its acquisition to close. Netflix is the largest subscription video-on-demand provider by subscribers (301.63 million as of January 2025), and Warner Bros. Discovery is the third (128 million streaming subscribers, including users of HBO Max and, to a smaller degree, Discovery+).

Speaking at the hearing, Sarandos said: “Netflix and Warner Bros. both have streaming services, but they are very complementary. In fact, 80 percent of HBO Max subscribers also subscribe to Netflix. We will give consumers more content for less.”

During the hearing, Democratic senator Amy Klobuchar of Minnesota asked Sarandos how Netflix can ensure that streaming remains “affordable” after a merger, especially after Netflix issued a price hike in January 2025 despite adding more subscribers.

Sarandos said the streaming industry is still competitive. The executive claimed that previous Netflix price hikes have come with “a lot more value” for subscribers.

“We are a one-click cancel, so if the consumer says, ‘That’s too much for what I’m getting,’ they can cancel with one click,” Sarandos said.

When pressed further on pricing, the executive argued that the merger doesn’t pose “any concentration risk” and that Netflix is working with the US Department of Justice on potential guardrails against more price hikes.

Sarandos claimed that the merger would “create more value for consumers.” However, his idea of value isn’t just about how much subscribers pay to stream but about content quality. By his calculations, which he provided without further details, Netflix subscribers spend an average of 35 cents per hour of content watched, compared to 90 cents for Paramount+.

The Netflix stat is similar to one provided by MoffettNathanson in January 2025, finding that in the prior quarter, on average, Netflix generated 34 cents in subscription fees per hour of content viewed per subscriber. At the time, the research firm said Paramount+ made an average of 76 cents per hour of content viewed per subscriber.

Downplaying Monopoly Concerns

Netflix views Warner as “both a competitor and a supplier,” Sarandos said when subcommittee chair Republican senator Mike Lee of Utah asked why Netflix wants to buy WB’s film studios, per Variety. The streaming executive claimed that Netflix’s “history is about adding more and more” content and choice.

During the hearing, Sarandos argued that streaming is a competitive business and pointed to Google, Apple, and Amazon as “deep-pocketed tech companies trying to run away with the TV business.” He tried to downplay concerns that Netflix could become a monopoly by emphasizing YouTube’s high TV viewership. Nielsen’s The Gauge tracker shows which platforms Americans use most when using their TVs (as opposed to laptops, tablets, or other devices). In December, it said that YouTube, not including YouTube TV, had more TV viewership (12.7 percent) than any other streaming video-on-demand service, including second-place Netflix (9 percent). Sarandos claimed that Netflix would have 21 percent of the streaming market if it merged with HBO Max.



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The Best Super Bowl TV Deals

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The Best Super Bowl TV Deals



Upgrade your viewing setup before inviting your friends over to watch the big game.



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Measles Is Causing Brain Swelling in Children in South Carolina

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Measles Is Causing Brain Swelling in Children in South Carolina


Some children affected by measles in the ongoing South Carolina outbreak have developed a serious complication of the disease called encephalitis, or swelling of the brain, state epidemiologist Linda Bell said on Wednesday.

The South Carolina measles outbreak began in October with a handful of infections. As of February 3, cases have climbed to 876, with 700 of those being reported since the beginning of the year. The surge could mean another bad year of measles for the United States, which had more than 2,267 cases—the highest in 30 years—in 2025. Declining vaccination rates across the country are driving the resurgence.

Encephalitis is a rare but severe complication of measles that can lead to convulsions and cause deafness or intellectual disability in children. It usually occurs within 30 days of an initial measles infection and can happen if the brain becomes infected with the virus or if an immune reaction to the virus causes inflammation in the brain. Among children who get measles encephalitis, 10 to 15 percent die.

It’s not known how many children in South Carolina have developed this serious complication. Under state law, measles cases must be reported to the South Carolina Department of Public Health, but measles hospitalizations and complications do not need to be disclosed.

“We don’t comment on the outcomes of individuals, but we do know that inflammation of the brain, or encephalitis, is a known complication of measles,” Bell told reporters during a media briefing on Wednesday. “Anytime you have inflammation of the brain, there can be long-term consequences, things like developmental delay and impacts on the neurologic system that can be irreversible.”

The department is aware of 19 measles-related hospitalizations in the state, including some due to pneumonia, which occurs in about one in 20 children with measles and is the leading cause of death for children who get measles.

Bell also said that several pregnant women who were exposed to the virus required administration of immune globulin, a concentrated solution of antibodies. It provides temporary protection against measles for unvaccinated individuals. Measles exposure during pregnancy can cause preterm birth or miscarriage.

A rarer type of brain swelling called subacute sclerosing panencephalitis, or SSPE, can occur years after a measles infection. In September, the Los Angeles County Department of Public Health reported the death of a school-age child due to SSPE. The child was originally infected with measles as an infant before they were old enough to receive the measles vaccine, the first dose of which is recommended for children between 12 and 15 months old.

After recovering from the initial measles illness, the child developed SSPE, in which the virus remains dormant in the brain before triggering an inflammatory response that destroys brain tissue over time. The condition usually appears seven to 10 years after a person appears to recover from the initial measles infection. An estimated two in 10,000 people who get measles eventually develop SSPE.

The measles, mumps, and rubella (MMR) vaccine is the best way to prevent measles and serious complications associated with it.

Over 7,000 more doses of the MMR vaccine were given statewide in South Carolina this January compared to January 2025, a 72 percent increase. In Spartanburg County, the center of the outbreak, over 1,000 more doses were given this January compared to January 2025, a 162 percent increase. So far, January was the best month for measles vaccination during the outbreak, Bell said.



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