Fashion
ICE cotton futures rise on weaker US dollar, trade deal hopes
ICE December cotton futures settled at 64.56 cents per pound, up 0.36 cent. The contract has recorded a cumulative gain of 82 points over the last three trading sessions. Other contracts also settled higher, ranging between 5 and 36 points in the previous session.
ICE cotton futures extended gains on October 27, 2025, supported by a weaker US dollar and renewed optimism over a potential US–China trade deal that could boost agricultural demand.
The December contract settled at 64.56 cents per pound, up 0.36 cent.
However, the prolonged US government shutdown has delayed key USDA reports, slowing market information flow and tempering sentiment.
Total trading volume on ICE was reported at 52,963 contracts, indicating active market participation. Cleared contracts on the previous Friday stood at 31,106, reflecting moderate settlement activity before the weekend. The average daily volume for the previous week was 34,799 contracts, showing an increase in the current week’s trading levels.
ICE data showed that, as of October 24, 2025, the deliverable No. 2 cotton contract inventory stood at 17,552 bales, unchanged from the previous day’s level.
The US dollar weakened against both the euro and the Australian dollar on Monday, as optimism over a potential trade deal boosted risk appetite and reduced demand for the greenback. A weaker dollar makes dollar-denominated cotton cheaper for holders of other currencies, providing additional export competitiveness for US cotton.
Market participants noted that optimism over a potential trade deal involving agricultural commodities is lending renewed support to cotton futures. Analysts said that all indicators point to a trade deal that includes agriculture, which would be a major positive for cotton demand.
However, ongoing trade tensions between major economies continue to weigh on the broader demand outlook for cotton despite the improving sentiment.
On the Chicago Board of Trade (CBOT), soybean futures rose to a four-month high on Monday, as traders anticipated that China might soon resume purchasing US farm products.
Meanwhile, the ongoing US government shutdown, now in its fourth week, has delayed the release of several key economic and agricultural reports, including the USDA’s WASDE, further slowing cotton market information flow.
As of this morning (Indian Standard Time – IST), ICE December 2025 cotton was trading at 64.73 cents per pound (up 0.17 cent), cash cotton at 62.06 cents (up 0.36 cent), the March 2026 contract at 66.18 cents (up 0.11 cent), the May 2026 contract at 67.43 cents (up 0.13 cent), the July 2026 contract at 68.55 cents (up 0.10 cent), and the October 2026 contract at 68.31 cents (up 0.21 cent). A few contracts remained unchanged from their previous closing levels, with no trades recorded so far today.
Fibre2Fashion News Desk (KUL)
The ColorJet Pavilion at ITMA Asia + CITME Singapore was inaugurated by Shri Rohit Kansal, Additional Secretary, Ministry of Textiles, Government of India. The event was graced by the presence of the Ambassador of India to Singapore, Dr. Shilpak Ambule along with several distinguished dignitaries and industry leaders.
Rohit Kansal, Additional Secretary, Ministry of Textiles, inaugurated the ColorJet Pavilion at ITMA Asia Singapore 2025, joined by Indian ambassador Dr. Shilpak Ambule.
He praised India’s textile innovation and ColorJet’s role in sustainability and technology.
ColorJet launched the Fabjet Pro, a wide-format digital printer showcasing eco-conscious, high-performance solutions.
During the inauguration ceremony, Shri Rohit Kansal and other dignitaries delivered impactful speeches highlighting the importance of Indian technology and sustainable practices in textile printing.
During his visit, “Shri Rohit Kansal applauded the remarkable progress of the Indian textile ecosystem, highlighting how the industry has evolved to make a strong mark globally. He emphasized India’s growing contributions across the textile value chain—from spinning and processing to digital printing- reflecting the nation’s technological strength and innovation-driven growth.”
He also commended ColorJet for its outstanding contribution to the Indian textile industry, recognizing the company’s continuous efforts toward advancing technology, promoting sustainability, and positioning India as a leader in digital textile innovation.
“It was an absolute honor to have Shri Rohit Kansal, Additional Secretary, Ministry of Textiles, Government of India, inaugurate the ColorJet Pavilion at ITMA Asia Singapore. His visit and words of encouragement reaffirm our commitment to driving innovation, sustainability, and technological excellence in the textile printing industry. At ColorJet, we take immense pride in representing Indian technology on such a global platform and showcasing how ‘Make in India’ solutions are setting new benchmarks in performance and environmental responsibility” Said Mr. Arun Varshney, Vice President and Business head ColorJet Group
At the event, ColorJet unveiled its latest innovation — the Fabjet Pro, a wide-format digital textile printer that exemplifies the company’s dedication to sustainability, advanced technology, and wider-width productivity. The launch reinforces ColorJet’s vision to deliver eco-conscious, high-performance printing solutions that cater to the evolving needs of the global textile industry.
Visit ColorJet at ITMA Asia Singapore 2025 – Booth H6-D304, Hall 6 | October 28–31, 2025 – to experience live demonstrations, technological innovations, and sustainable textile printing solutions in action.
Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (HU)
In ****, the average export price stood at $**.** per kg, compared to $**.** per kg in **** and $**.** per kg in ****, according to *fashion.com/market-intelligence/texpro-textile-and-apparel/” target=”_blank”>sourcing intelligence tool TexPro. This consistent rise reflects the industry’s ongoing move towards value-added garments such as sportswear, uniforms, and functional apparel, backed by growing investments in automation, digital printing, and sustainable production practices.
According to *fashion.com/market-intelligence/texpro-textile-and-apparel/” target=”_blank”>TexPro, the Philippines exported apparel worth $***.*** million during January–July ****, compared to $***.*** million in **** and $***.*** million in ****, marking a two-year contraction from $***.*** million in ****. The decline in shipment values mirrors global demand weakness, tighter inventory management by Western retailers, and a continued shift of basic apparel sourcing to lower-cost ASEAN and South Asian producers.
“Maria Grazia Chiuri is one of the greatest creative talents in fashion today, and I am delighted that she has chosen to return to Fendi to continue expressing her creativity within the LVMH group, after sharing her bold vision of fashion. Surrounded by the Fendi teams and in a city that is dear to her, I am convinced that Maria Grazia will contribute to the artistic renewal and future success of the Maison, while perpetuating its unique heritage,” says Bernard Arnault, Chairman and CEO of LVMH Group.
“I’m thrilled to welcome Maria Grazia into the team. The role of a creative director is no longer to simply design beautiful clothes but to curate a culture and hold a mirror to the world we live in. Her talent and vision will be instrumental in fortifying FENDI’s heritage, shaping the future talent in the house and deepening our commitment to Italian craftsmanship,” states Ramon Ros, FENDI’s Chairman and CEO.
Fendi has appointed Maria Grazia Chiuri as its new chief creative officer.
Returning to the Maison where she began her career, Chiuri will lead its artistic direction while strengthening Italian craftsmanship.
Bernard Arnault and Ramon Ros praised her vision and cultural influence.
Chiuri’s debut collection for Fendi, Fall/Winter 2026–2027, will be presented in Milan next February.
“I return to FENDI with honour and joy, having had the privilege of beginning my career under the guidance of the House’s founders, the five sisters. FENDI has always been a forge of talents and a starting point for many creatives in the industry, thanks to the extraordinary ability of these five women to foster and nurture generations of vision and skill.
I am grateful to Mr. Arnault for entrusting me with the task of helping to write a new chapter in the history of this extraordinary women-founded company,” states Maria Grazia Chiuri, FENDI’s Chief Creative Officer.
Maria Grazia will present her first collection, FENDI Fall/Winter 2026-2027, in Milan next February
Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (RM)
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