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The 47 Best Shows on Netflix Right Now

Streaming services are known for having award-worthy series but also plenty of duds. Our guide to the best TV shows on Netflix is updated weekly to help you know which series you should move to the top of your queue. They aren’t all surefire winners—we love a good less-than-obvious gem—but they’re all worth your time, trust us.
Feel like you’ve already watched everything on this list that you want to see? Try our guide to the best movies on Netflix for more options. And if you’ve already completed Netflix and are in need of a new challenge, check out our picks for the best shows on Hulu and the best shows on Disney+. Don’t like our picks or want to offer suggestions of your own? Head to the comments below.
Wednesday
After spending the summer honing her psychic powers by tracking down serial killers, Wednesday Addams (Jenna Ortega) returns to Nevermore Academy—but this school year is more of an Addams Family reunion. With her mother, Morticia (Catherine Zeta-Jones), drawn into an onsite committee role by suspicious new principal Barry Dort (Steve Buscemi), brother Pugsley (Isaac Ordonez) joining the school after developing electric powers, and eccentric Grandmama (Joanna Lumley) turning up, Wednesday barely has a chance to investigate a new string of murders or a conspiracy surrounding a shady psychiatric hospital. The perils of the show’s protracted three-year gap between seasons is hard to overlook in places—Pugsley now towers over Wednesday, explained as a growth spurt, and you’ll almost certainly need to rewatch the first season to remember what’s going on—but this is a welcome return for Netflix’s spooky, ooky teen drama.
Love, Death + Robots
Developed by Deadpool director Tim Miller, Love, Death + Robots is one of Netflix’s most exciting animated offerings—an anthology series where the only common thread is each episode’s unique interpretation of that eponymous trio of themes. Now in its fourth season, viewers are treated to wild concepts that include psychic street gangs in a postapocalyptic future (400 Boys), a re-creation of the Red Hot Chili Peppers’ Live at Slane Castle performance of “Can’t Stop” in marionette form (directed by David Fincher, no less), and, in a rare hybrid of live action and CGI, a priest (played by Rhys Darby) meeting an alien envoy that thinks God has been reborn as an Earth dolphin. Wildly experimental, Love, Death + Robots constantly juggles animation styles and genres and practically vibrates off the screen with sheer visual energy. You never know what you’re going to get with this show—and that’s half the fun.
Sneaky Pete
Just released from prison, Marius (Giovanni Ribisi) steals the identity of former cellmate Pete Murphy in order to hide from the dangers of his old life. On the run from a vicious gangster played by Bryan Cranston (who also jointly created the show), Marius nestles in with Pete’s motley crew of estranged family. They’re delighted to be reunited with their long-lost relative, but he finds taking over another man’s life might be even more dangerous than the past he’s running from. Originally an Amazon Prime series, this three-season drama can now be binged in its entirety on Netflix.
Grace and Frankie
The brainchild of Friends cocreator Marta Kauffman, this sharp sitcom sees Jane Fonda and Lily Tomlin as the titular Grace and Frankie, longtime acquaintances forced into living together after their husbands leave them late in life—for each other. The show follows this contemporary odd couple as they deal with their ex-husbands’ coming out, their adult children’s drama, and each other’s maddening personalities, all while building a genuine friendship and trying to prove to themselves and the world that age is just a number. Taking cues from Arrested Development, Grace and Frankie‘s chief comedic currency is awkwardness, as their two extended families—the rich, business-minded Hansons and the borderline hippy Bergsteins—bring their neuroses and baggage to bear while navigating adult familial relationships. Think of it as a modern-day Golden Girls—just with more swearing and drug use.
Sakamoto Days
Taro Sakamoto used to be the worst of the worst, a hitman par excellence, his lethal skills making him a legendary figure in the criminal underworld. Then he fell in love, got married, and retired to run a convenience store with his wife Aoi and their daughter Hana. Unfortunately, he didn’t exactly leave his old job on the best of terms, and now a cadre of killers are out for the billion yen bounty on his head. Luckily, Sakamoto’s lost none of his skills—even though he’s let himself go in other areas—but can he protect his family without breaking Aoi’s strict “no killing” rule? Based on the manga by Yuto Suzuki, this comedy action anime is a blast. Now into its second season, with new episodes dropping each Monday, it’s appointment viewing you won’t want to miss.
Sweet Tooth
Based on the comic book by Jeff Lemire, Sweet Tooth kicks off 10 years after “The Sick,” a viral pandemic that killed most of the population and led—somehow—to babies being born with part-human, part-animal characteristics. The series follows Gus (Christian Convery), a half-deer hybrid boy who leaves the wilderness in search of his mother, and “Big Man” Tommy Jeppard (Nonso Anozie), a grizzled traveler who becomes his reluctant guide, protecting him from surviving humans who hate and fear the hybrids. Over the course of three seasons, Gus and Jeppard are drawn into conflict with scientist Aditya Singh (Adeel Akhtar), whose research into the origins of The Sick sees him take on an almost religious obsession with Gus, all while tensions mount between the increasingly diverged species of humans and hybrids. Part sci-fi, part fantasy, part mystery, Sweet Tooth offers viewers a postapocalyptic dystopia unlike any other.
Squid Game
The Korean sensation that became a global phenomenon, Squid Game’s blend of Hunger Games’ shocking elimination battles and Parasite’s condemnation of exploitative capitalism turned it into one of Netflix’s biggest-ever hits. It started off simply enough—hundreds of desperate people recruited to compete in a series of playground games with a deadly twist, the survivor winning a ₩45.6 billion ($35.8 million) jackpot. But now, with its third and final season, the stakes are higher than ever, and even perennial survivor Seong Gi-hun (Lee Jung-jae) might not be able to win this round. Intense, brutal, and frequently graphic, Squid Game remains gripping to the very end.
Trainwreck
Little else is as fascinating as a real-life disaster born of sheer hubris. The strange mix of “saw that one coming” and “get the popcorn,” as you watch events unfold makes for captivating viewing. That’s the special sauce for Trainwreck, Netflix’s series of documentaries exploring some of the biggest, well, train wrecks of recent history. From the crack-cocaine-fueled tenure of Toronto’s disgraced mayor Rob Ford to the avoidable errors that saw a luxury cruise liner turned into an infamous “poop cruise,” each installment is a fascinating exploration of how badly things can go wrong when the wrong people are in charge. Netflix oddly categorizes each Trainwreck as its own movie, but it’s really a loosely connected anthology, and while some cases require their own multi-episode arcs to excavate the wreckage (shoutout to Woodstock ’99), there’s no particular starting point—simply pick your favorite screw-up and just try to look away.
The Survivors
Years ago, Kieran Elliott (Charlie Vickers) survived a storm that trapped him in a sea cave, but his brother Finn and friend Toby died in the rescue attempt. Fifteen years later, he returns to his hometown with his partner Mia (Yerin Ha) and their baby Audrey for a memorial, finding that everyone from neighbors to his own mother still blame him for the tragedy. While those deaths still haunt the small town community, they may also have obscured another tragedy—teenager Gabby Birch went missing the same night. Now, out-of-town investigator Bronte (Shannon Berry), the only person who still cared about the long-cold case, has wound up dead herself, and everyone in Kieran’s life seems to be connected. Adapted from the novel by Jane Harper, this Australian murder mystery from Glitch creator Tony Ayres is a darkly compelling miniseries.
Glitch
To those in the northern hemisphere, this Australian supernatural drama might be one of the best-kept secrets of the past decade. Centered on a small town in Victoria, an entire community is shaken when seven people rise from their graves, seemingly in perfect health but with no memory of who they are or how they died. As police sergeant James Hayes (Patrick Brammall) and local doctor Elishia McKellar (Genevieve O’Reilly) try to contain and examine “The Risen,” Hayes’ world is rocked when he learns his own late wife Kate is among them. Over the course of three seasons and 18 episodes, the reasons for the dead’s return is teased out, starting with simply “how” and “why” but building up to something that questions the rules of reality. A fantastic ensemble cast and brilliant pacing make this a must-see.
Dept. Q
Edinburgh police detective Carl Morck (The Crown‘s Matthew Goode) used to be one of the best—until his arrogance got his partner paralyzed and a uniformed officer killed, and saw him narrowly survive a bullet through his own neck. After returning to work following a lengthy period of mandatory leave, Morck finds himself heading up the new Department Q—an underfunded, under-staffed operation in the precinct’s dank basement, dedicated to solving the iciest of cold cases. Gathering a team of misfits, including Rose (Leah Byrne), eager to please but recovering from a breakdown, Akram (Alexej Manvelov), a Syrian refugee, and Morck’s still-bedbound partner James (Jamie Sives), the department has a lot to prove—but solving the disappearance of Merritt Linguard (Chloe Pirrie) might be a good start. Based on the novels by Danish author Jussi Adler-Olsen, Dept. Q is a brilliant blend of Scandi noir and gritty British crime drama.
Sirens
First The White Lotus, then The Perfect Couple, and now Sirens—Meghann Fahy is making a career out of starring in shows where we get to see awfully rich people doing awfully bad things to each other. Here, she plays down-on-her-luck Devon, drawn into the luxurious world her sister Simone (Milly Alcock, imminently Supergirl) inhabits by proxy, working as an assistant to billionaire’s wife Michaela (Julianne Moore). It’s never clear how willingly Simone got involved with the charismatic Michaela, who may be a mentor or cult leader or something else entirely, nor how overprotective or paranoid Devon is, but the hook of this glossy, dark comedy is in finding out.
The Eternaut
Juan Salvo (Ricardo Darín) was settling in for a card game with his friends. Then the snow started falling—unusual enough for Buenos Aires in the summer, and downright terrifying when everyone touched by the freak weather event drops dead. But as Salvo desperately tries to find his daughter and ex-wife among the few survivors, an even deeper horror emerges. Adapted from a beloved Argentinian comic book by Héctor Germán Oesterheld and Francisco Solano López, The Eternaut offers a unique piece of postapocalyptic drama, focusing on grounded, authentic characters before spinning off into wilder sci-fi directions.
Blood of Zeus
This adult animated take on Greek mythology returns for its third and final season, bringing the odyssey of demigod Heron—son of Zeus and mortal woman Electra—to a brutal conclusion. After years of manipulation, power plays, and betrayals, the season picks up with the Olympian gods and their Titan predecessors lined up against each other, the fate of the world hanging on the outcome of the ultimate family feud. Heron and his estranged brother Seraphim may be the only ones able to bring peace—so it’s rather inconvenient that Heron is dead. From start to finish, Blood of Zeus has impressed with smart writing that offers compelling twists on the classic myths, all brought to life with top-tier animation and phenomenal voice acting, and it doesn’t disappoint as it reaches its finale. One of Netflix’s best animated series.
You
Based on the novels of Caroline Kepnes, You is an often deeply disturbing series. During the first season, bookstore manager Joe Goldberg (Penn Badgley) falls in deranged-love-at-first-sight with aspiring author Guinevere Beck (Elizabeth Lail). In subsequent ones, he relocates to Los Angeles, where heiress Love Quinn (Victoria Pedretti) became the focus of his attention, and then to London, where he poses as an unassuming university professor before meeting his match in Kate Galvin (Charlotte Ritchie). At each turn, the globe-hopping saga of murderous obsession has become more and more unsettling. In the fifth and final season, Joe returns to New York with his new wife, Kate, but the darkness and brutality that’s followed him around the world is never far behind. Often shocking, You is a gripping thriller that hits the same sinister sweet spot as early (read: good) seasons of Dexter.
The Four Seasons
Three couples—lovebirds Kate and Jack (Tina Fey and Will Forte), glamorous Danny and Claude (Colman Domingo and Marco Calvani), and fraying Nick and Anne (Steve Carrell and Kerri Kenney-Silver)—have known each other since college, maintaining their decades-long friendship with a series of regular vacations together. But when Nick finally splits with Anne—who was about to surprise him with a vow renewal—the group’s dynamic completely changes. It sounds like the premise for a depressing drama, but The Four Seasons is instead a surprisingly life-affirming comedy, bolstered by fantastic performances across-the-board. A loose adaptation of the 1981 movie of the same name, this eight-episode miniseries—cocreated by Fey—sometimes takes things in more farcical, physical comedy directions, but maintains a charming sense of warmth and humanity throughout.
Black Mirror
Black Mirror returns with six new episodes that continue to explore humanity’s complicated relationship with technology. Although the new, seventh season includes a couple of rare sequels to previous Black Mirror episodes, the anthology format means every episode remains accessible. That means you can jump right in with the heartbreaking “Eulogy,” where Paul Giamatti’s Phillip dives through his own fractured memories of a lost lover. Or you can start with the sinister “Plaything,” in which a gaming journalist gets murderously obsessed with a strange life-sim game, partly inspired by series creator Charlie Brooker’s own background. (In a very meta twist, you can play the game for real.) Whether you’re a longtime fan or this is your first encounter with poignant tech dystopias, all of Black Mirror awaits your viewing.
North of North
Young Inuk woman Siaja (Anna Lambe, True Detective: Night Country) married straight out of high school, then spent years trapped in the shadow of her shallow, selfish husband, Ting—the golden boy of their small town of Ice Cove, nestled far in the Arctic Circle. A brush with death—and possibly the goddess Nuliajuk—gives her the push to make a fresh start, but an explosive breakup in a community of only 2,000 people means Siaja’s personal life is now everyone’s business. Netflix’s first Canadian original series, this sharp sitcom is packed with warmth and humor, while its on-location shooting in Iqaluit (the real-life capital of the Arctic Canadian territory of Nunavut) delivers breathtaking natural beauty along with the laughs.
Devil May Cry
Building on the success of Castlevania, Netflix’s take on Capcom’s Devil May Cry series continues the streamer’s strong track record of animated video game adaptations. For those who’ve never picked up a controller, the series follows half-demon devil hunter Dante, a stylish slayer with a penchant for slicing up hell’s worst offenders. This eight-episode spectacular sees Dante (voiced by Johnny Yong Bosch) clashing with the horrific White Rabbit (Hoon Lee), a twisted monster aiming to tear down the barrier between Earth and hell. Animation fans will also appreciate one of the final performances from the venerable, sadly-passed Kevin Conroy as the villainous US Vice President Baines. Devil May Cry may be unashamedly in love with its own early 2000s origins—as evidenced by a soundtrack filled with songs from the likes of Limp Bizkit and Papa Roach—but this slickly animated action masterpiece is a hellishly good time.
Adolescence
A quiet English town. 6 am. Police raid the house of Jamie Miller on suspicion of murdering an innocent girl. Jamie is 13 years old. A shocking mini-series, this isn’t a whodunit, but a whydunit. Its four episodes—each masterfully shot in a single real-time take—explore how boys are radicalized online to hate women, and the horrifying effects it has. The powerhouse cast includes cocreator and writer Stephen Graham (Bodies, A Thousand Blows) as Jamie’s father Eddie, Ashley Walters (Bulletproof) as Detective Boscombe, the arresting officer and investigator of Jamie’s crime, and Erin Doherty (The Crown) as the psychologist evaluating Jamie. Each brings this incredibly difficult material to life, but it’s newcomer Owen Cooper as Jamie who most astounds, turning from petrified to cheeky to vitriolic in a terrifying heartbeat. Adolescence is harrowing but important viewing.
Pantheon
Originally an AMC+ show, both seasons of Pantheon are now available on Netflix. Good timing too, since its nightmarish scenario of digitally uploaded human consciousnesses and exploration of the impact such technology would have on society feels worryingly prescient. With plot threads weaving between isolated Maddie Kim, whose dead father may have been reborn as an “Uploaded Intelligence,” Caspian Keyes, a genius teenager whose entire life is a Truman Show–style lie, and Vinod Chanda, an engineer investigating UI, this hard sci-fi outing—based on the short fiction of Ken Liu—offers a dark examination of virtual immortality. A uniquely brilliant adult animated series.
Zero Day
Cards on the table: A significant part of the appeal here is seeing the iconic Robert De Niro in his first major English-language TV role (he previously appeared in the Argentinian Nada, aka Nothing). He doesn’t disappoint with his performance as former US president George Mullen—pulled out of retirement to oversee a commission investigating a colossal cyberattack that left thousands of Americans dead and the terrifying warning that “this will happen again”—commanding the screen with his trademark gravitas. Director Lesli Linka Glatter wrings great drama from the whodunit of it all (Russians? hackers? hedge fund bros?), but with Mullen handed unprecedented powers to track down the culprits, the real nail-biting moments come from its suddenly timely explorations of abuses of power. With a powerhouse cast that includes Angela Bassett, Lizzy Caplan, and Jesse Plemons, Zero Day is an engaging political thriller, and at six episodes it makes for a great binge-watch.
Apple Cider Vinegar
Influencers have been known to hawk nonsense diets and spurious “wellness” regimens, but few have ever done it like Belle Gibson, the real-life Australian influencer who went as far as faking brain cancer for attention. And while she hailed alternative diets and whole foods for keeping her nonexistent illness at bay—launching an app and cookbook in the process—actual cancer sufferers paid the price for her extreme narcissism and greed. This dramatized limited series—“a true-ish story … based on a lie,” as Netflix puts it—makes for uncomfortably gripping viewing as it charts the rise and fall of Gibson (Kaitlyn Dever, with a flawless Aussie accent) and her rivalry with Milla Blake (Alycia Debnam-Cary), a fellow influencer and actual cancer patient. Better than doomscrolling reels on Instagram or TikTok, and a reminder that everyone should be a lot more skeptical of anything influencers are shilling on social media.
The Night Agent
Special agent Peter Sutherland (Gabriel Basso) is back, and the stakes have never been higher. While the first season of The Night Agent wove a compelling spy drama out of the idea of a mole at the heart of America’s intelligence services, the newly arrived second season takes a more global approach—Sutherland hunts down a stolen chemical weapon project, drawing him back into the orbit of tech savant and sometime love interest Rose Larkin (Luciane Buchanan), while Iranian diplomatic aide Noor Taheri (Arienne Mandi) offers secrets to the CIA in return for asylum, and a deposed Eastern European dictator aims to manipulate everything from behind bars. Sure, the show’s mix of politics and spook work won’t surprise genre diehards, but it weaves together its many influences—and many more plot threads—into a supremely entertaining thriller.
Asura
The four Takezawa sisters are close but have little in common. Eldest Tsunako (Rie Miyazawa) is already a widow; repressed Takiko (Yû Aoi) and rebellious Sakiko (Suzu Hirose) are always at each other’s throats; and second-born Makiko (Machiko Ono) tries to balance keeping the peace with being a housewife and mother to her own two children. Yet when Takiko learns that their father Kotaro (Jun Kunimura) may have a second, secret, family, the sisters’ bonds are put to the test as they struggle to uncover the truth. Asura is far more than a turgid family drama—it’s equal parts heartwarming and hilarious, capturing the complexities of the relationships between its quartet of protagonists. Keeping the 1970s setting of Kuniko Mukōda’s original novel allows Palme d’Or– winning director Hirokazu Kore-eda (Shoplifters) to craft a gorgeously shot period piece that still feels incredibly timely and modern.
Jentry Chau vs the Underworld
You know the drill—everyday teenager learns she has superpowers and is destined to fight the forces of darkness. Except Jentry Chau (voiced by Ali Wong) is not like any other teenage girl—she’s known about the supernatural her whole life (her uncontrollable fire powers were a giveaway) and spent a lifetime avoiding it. Sent to study in Korea for her own safety, Jentry is drawn back into the mystic world after being attacked in Seoul by a jiangshi named Ed (Bowen Yang). Brought back to her home in Texas by her great-aunt, Jentry has to survive not only the formidable mogui Mr. Cheng, who intends to drain her soul and powers, but the horrors of high school, culture shock, and the pain of her own past. Taking the “high school is hell” metaphor of Buffy the Vampire Slayer, adding a dash of Gravity Falls’ mystery, and rooting it all in Asian mythology, Jentry Chau vs the Underworld is one of Netflix’s freshest animated shows in years.
No Good Deed
Take Selling Sunset and add a grisly tragicomic twist and you just about have No Good Deed. A dark comedy from Liz Feldman, creator of Dead to Me, this eight-part series starts with Lydia and Paul Morgan (Lisa Kudrow and Ray Romano) putting their gorgeous home on the market, and descends into darker territory as prospective buyers go to ever more desperate attempts to get their hands on the house, nosy neighbors interfere, and the grisly history of the house itself threatens to come to light. Buoyed by a stellar cast including Teyonah Parris, Abbi Jacobson, Luke Wilson, and Denis Leary, this is a glossy, witty, and possibly only slightly exaggerated take on the brutality of the Los Angeles property market.
A Man on the Inside
The latest show from comedy mastermind Michael Schur (The Good Place, Parks and Recreation, Brooklyn Nine-Nine), A Man on the Inside features Ted Danson as Charles Nieuwendyk, a retired engineering professor who’s lost all direction since his wife passed. But when private investigator Julie Kovalenko (Lilah Richcreek Estrada) needs a man of his demographic to go undercover in a retirement community to investigate allegations of resident abuse, Charles may find an unlikely new lease on life—if he can figure out how to use his smartphone, that is. Reflecting on end-of-life realities as much as it plays up Charles’ fish-out-of-water situation, it’s a show that’s equal parts poignant, melancholic, and achingly funny—and it’s based on a true story, to boot.
Black Doves
Helen Webb (Keira Knightley) is wife to the UK defense secretary, mother to two children, and bored with her picture-perfect life. Spectacular cover then, since she’s actually a spy for the mercenary organization Black Doves, selling state secrets to the highest bidder. But when her real love Jason (Andrew Koji) is killed, Helen is determined to find out who killed him and why—and her pursuit of the truth threatens both her public and private lives. Paired with assassin and old friend Sam (Ben Whishaw, in a very different spy role to his turn in the James Bond films) at the behest of stern operator Mrs. Reed (Sarah Lancashire), Helen’s obsession could have led to a dour, gritty thriller, but Black Doves bucks the grim-dark trend to serve up a pulpy, colorful outing with enough heart to balance its violence. At only six episodes (with a second season already confirmed), it’s a brisk watch too.
Arcane
Animated series based on video games can run the gamut from cheap cash-ins to half-decent if forgettable tie-ins, inaccessible to anyone but hardcore devotees. Yet Arcane stood out by making its connections to Riot Games’ League of Legends almost optional. While its central figures, orphaned sisters Vi and Jinx, are playable characters in the game, this steampunk saga of class war, civil uprising, and the people caught in between is entirely accessible. The second and final season, released in a trio of movie-length blocks of three episodes apiece, escalates the conflict between the warring factions but never loses its central focus on the fractured relationship between sisters. With a gorgeous painterly art style, strong characters, and frequently shocking story beats, Arcane is one of the best animated series in years—and it has racked up plenty of awards, including a Primetime Emmy for Outstanding Animated Program, to prove it.
Cobra Kai
Picking up decades after Daniel LaRusso and Johnny Lawrence’s iconic fight at the end of the first Karate Kid movie, Cobra Kai initially follows a washed-up Johnny as he reopens the Cobra Kai karate dojo, finding new purpose after defending his young neighbor Miguel (Xolo Maridueña, Blue Beetle) in a fight. Over the course of six seasons, the stakes get higher—and frankly, increasingly, gloriously, ludicrous—as rival martial arts schools start cropping up all over California. Alliances are forged and broken with alarming regularity, and everything gears toward a global battle for karate supremacy. It’s all a little bit tongue-in-cheek, and with Ralph Macchio and William Zabka reprising their 1980s roles, the show is an unabashed love letter to the classic action flicks, but thanks to some seriously impressive fights and stunt work, it’s a retro-styled delight.
Heartstopper
One of the most joyful shows on Netflix returns for another school year of teen drama and heartfelt queer romance. In the long-awaited third season, things heat up between the central couple, with Charlie (Joe Locke) preparing to say three little words to Nick (Kit Connor) for the first time, while Elle (Yasmin Finney) and Tao (William Gao) try to have the perfect romantic summer before Elle starts art college. Heartstopper‘s return also sheds some of its earlier cloying tendencies, growing up alongside its talented young cast and giving them more serious material to work with, tackling more mature themes of sex, eating disorders, and gender dysphoria—all without losing the warmth and charm that made audiences fall in love with the show in the first place. The show younger LGBTQ+ viewers need now, older ones needed years ago, and one that everyone needs to watch, whatever their sexuality.
The Boyfriend
“Anyone can fall in love with anyone” is the opening narration to The Boyfriend, Japan’s first same-sex dating show—a bold and progressive statement that reflects the shifting tide of opinion in the country. Throwing nine single men together in an idyllic beach house for a summer and charging them with running a coffee truck, the over-arching concept is to see who’ll pair up, but the series is as interested in exploring the friendships that emerge between the cast as it is the romantic relationships. Unlike Western dating shows, there are no scandals, no dramatic twists, no betrayals, and the “challenges” are adorably focused on confessing feelings. The gentleness of it all adds an almost relaxing quality, with the men discussing their emotions—and the nature of being queer in Japan—earnestly. An absolutely joyful example of reality TV.
Kleo
If you’re pining for more Killing Eve, then this German thriller may be the next best thing. Set in the late 1980s and early 1990s, the series follows the eponymous Kleo (Jella Haase), a Stasi assassin imprisoned by her agency on false treason charges. Released after the fall of the Berlin Wall, she seeks revenge on her former handlers—but West German detective Sven (Dimitrij Schaad), the only witness to her last kill, may have something to say about that. As dark and violent as you’d expect given the period and the themes of betrayal and vengeance, Kleo is lightened by its oft-deranged sense of humor and a charismatic lead duo who brilliantly bounce off one another—chemistry that’s only heightened in the second season as Kleo’s pursuit of her old allies intensifies, attracting attention from international spy agencies in the aftermath of the Cold War.
Sweet Home
Based on the Korean webcomic by Kim Carnby and Hwang Young-chan, Sweet Home offers a very different vision of apocalyptic end times—rather than pandemics, disasters, or even zombies, this posits an end of the world brought about by people’s transformation into grotesque monsters, each unique and seemingly based on their deepest desires when they were human. The first season is a masterclass in claustrophobic horror, as the residents of an isolated, run-down apartment building—chiefly suicidal teen Cha Hyun-su (Song Kang), former firefighter Seo Yi-kyung (Lee Si-young), and Pyeon Sang-wook (Lee Jin-wook), who may be a brutal gangster—battle for survival. The second and third seasons explore what remains of the wider world, delving into the true nature of both monster and man—and if there’s any hope for what remains of humanity. With phenomenal effects work blending prosthetics, CGI, and even stop-motion animation for some disturbingly juddering creatures, this stands apart from the horror crowd.
Star Trek Prodigy
Paramount+’s loss remains Netflix’s gain, as the streamer’s license rescue of this great Star Trek spin-off warps into its second season. After escaping a distant prison planet and becoming Starfleet cadets under the watchful eye of Star Trek Voyager’s Admiral Janeway (voiced by the venerable Kate Mulgrew), the ragtag crew—led by aspiring captain Dal R’El and bolstered by astrolinguist Gwyndala, engineer Jankom Pog, energy being Zero, scientist Rok-Tahk, and indestructible, gelatinous Murf—find themselves cast through time on the most dangerous mission of their young lives. While aimed at younger audiences and intended as an intro to the wider Trek universe and its ethics, Prodigy packs in plenty for older Trekkers to appreciate, particularly with a slate of returning Star Trek legends voiced by their original actors. Prodigy is something of a sleeper hit, but one of the best Trek shows in years.
Supacell
One by one, five Black Londoners awaken to strange superpowers. Struggling father Andre (Eric Kofi-Abrefa) develops superstrength, nurse Sabrina (Nadine Mills) unleashes phenomenal telekinetic might, drug dealer Rodney (Calvin Demba) races at superspeed, and wannabe gang leader Tazer (Josh Tedeku) turns invisible. But it’s Michael (Tosin Cole, Doctor Who) who may be the most pivotal, realizing he can leap through time and space and learning he only has three months to save his fiancée’s life. Created by Andrew “Rapman” Onwubolu, Supacell is a show about superpowers, but not necessarily superheroes, with its fantastic cast offering up a far more realistic and human exploration of now-familiar ideas than anything you’ll find in the Marvel Cinematic Universe. And the mystery of why—and how—only Black people seem to be gaining powers builds up to a more powerful punch than an Asgardian god of thunder. A smart, modern, and refreshing take on the genre.
The Good Place
After suffering an improbable and humiliating death, Eleanor (Kristen Bell) finds herself in “The Good Place,” a perfect neighborhood inhabited by the world’s worthiest people. The only problem? She’s not meant to be there. Desperate to not be sent to “The Bad Place,” she tries to correct her behavior in the afterlife, with the help of her assigned soulmate, philosophy professor Chidi (William Jackson Harper). A twist at the end of the first season remains one of the best ever, while the show’s ability to sprinkle ethical and philosophical precepts into a sitcom format is frankly astounding. With a sensational cast rounded out by Manny Jacinto, Jameela Jamil, D’Arcy Carden, and Ted Danson, The Good Place more than earns its place in the good place of TV history.
3 Body Problem
In 1960s China, at the height of the Cultural Revolution, gifted scholar Wenjie Ye witnesses her physicist father being beaten to death for his research, only for her to be recruited to a secret project relying on that same knowledge. Fast-forward to the present day, and physics is broken: Particle accelerators around the world are delivering impossible data, while scientists are being plagued by countdowns only they can see. Meanwhile, strange VR headsets appear to be transporting players to an entirely different world—and humanity’s continued existence may rely on there being no “game over.” Game of Thrones’ creators D. B. Weiss and David Benioff and True Blood executive producer Alexander Woo reimagine Chinese author Cixin Liu’s acclaimed hard sci-fi trilogy of first contact and looming interplanetary conflict as a more global affair. Wildly ambitious, and boasting an international cast featuring the likes of Benedict Wong, Rosalind Chao, Eiza González, and GOT alum John Bradley, Netflix’s 3 Body Problem serves up the opening salvo in a richly detailed and staggeringly complex saga.
Ripley
Perhaps best known nowadays from 1999’s The Talented Mr. Ripley starring Matt Damon, novelist Patricia Highsmith’s inveterate criminal Tom Ripley has a longer, darker legacy in print and on the screen. For this limited series, creator Steven Zaillian goes back to Highsmith’s original text, presenting Ridley (a never-more-sinister Andrew Scott of All of Us Strangers) as a down-on-his-luck con man in 1950s New York who is recruited by a wealthy shipbuilder to travel to Italy and persuade the businessman’s spoiled son Dickie Greenleaf (Johnny Flynn) to return home. But once in Italy, Ripley finds himself enamored with Dickie’s lavish lifestyle—and will do anything to take it for himself. Shot in black and white to really sell its noir credentials, this is an instant contender for the finest interpretation of Highsmith’s works to date.
Beef
Ever been cut off in traffic? Ever had it happen when you’re having a really bad day? Ever just wanted to take the low road, chase the person down and make them pay?! Then—after a few deep breaths—Beef is the show for you. It’s a pressure valve for every petty grievance you’ve ever suffered, following rich Amy (Ali Wong) and struggling Danny (Steven Yeun) as they escalate a road rage encounter into a vengeance-fueled quest to destroy the other. Yet Beef is more than a city-wide revenge thriller—it’s a biting look at how crushing modern life can be, particularly in its LA setting, where extravagant wealth brushes up against inescapable poverty and seemingly no one is truly happy. Part dramedy, part therapy, Beef is a bad example of conflict resolution but a cathartic binge watch that clearly resonates—as evidenced by its growing clutch of awards, including the Golden Globe for Best Limited Series.
Loudermilk
Something of a sleeper hit for years—its first two seasons debuted on AT&T’s now-defunct pay TV channel Audience in 2017, before its third season appeared over on Amazon—all three seasons of this bleak comedy are now available on Netflix. Ron Livingston stars as Sam Loudermilk, a vitriolic former music critic and recovering alcoholic who proves almost pathologically incapable of holding his tongue when faced with life’s small frustrations—a personality type possibly ill-suited to leading others through addiction support groups. It’s dark in places, and its central character is deliberately unlikeable, but smart writing and smarter performances shape this into something of an acerbic anti-Frasier.
Scott Pilgrim Takes Off
Adapted from the beloved graphic novel series by Bryan Lee O’Malley, animated by one of the most exciting and dynamic studios in Japan, and voiced by the entire returning cast of director Edgar Wright’s 2010 live-action adaption, Scott Pilgrim Takes Off would have been cult gold even if it was a straight retelling of its eponymous slacker’s battles against lover Ramona Flowers’ seven evil exes. Yet somehow, in a world devoid of surprises, this packs in killer twists from the very first episode, making for a show that’s as fresh and exciting as ever. Saying anything else would ruin it—just watch.
Blue Eye Samurai
In the 17th Century, Japan enforced its “sakoku” isolationist foreign policy, effectively closing itself off from the world. Foreigners were few and far between—so when Mizu (voiced by Maya Erskine) is born with blue eyes, nine months after her mother was assaulted by one of the four white men in the country, it marks her as an outsider, regarded as less than human. Years later, after being trained by a blind sword master and now masquerading as a man, Mizu hunts down those four men, knowing that killing them all is the only way to guarantee her vengeance. Exquisitely animated—which makes its unabashed violence all the more graphic—and with a phenomenal voice cast bolstered by the likes of George Takei, Brenda Song, Cary-Hiroyuki Tagawa, and Kenneth Branagh, Blue Eye Samurai is one of the best adults-only animated series on Netflix.
Pending Train
Netflix: License one of Japan’s best SF dramas in years. Also Netflix: Do nothing, literally nothing, to promote it, not even create an English subbed trailer. Which is where WIRED comes in—Pending Train is a show you (and Netflix) shouldn’t sleep on. When a train carriage is mysteriously transported into a post-apocalyptic future, the disparate passengers’ first concern is simply survival. Between exploring their new surroundings and clashing with people from another stranded train car over scarce resources, one group—including hairdresser Naoya, firefighter Yuto, and teacher Sae—begins to realize that there may be a reason they’ve been catapulted through time: a chance to go back and avert the disaster that ruined the world. A tense, 10-episode journey, Pending Train offers a Japanese twist on Lost, but one with tighter pacing and showrunners who actually have a clue where they want the story to go.
One Piece
Mark one up for persistence: After numerous anime adaptations ranging from “awful” to “not too bad,” Netflix finally strikes gold with its live-action take on the global phenomenon One Piece. Despite fans’ fears, this spectacularly captures the charm, optimism, and glorious weirdness of Eiichiro Oda’s beloved manga, manifesting a fantasy world where people brandish outlandish powers and hunt for a legendary treasure in an Age of Piracy almost verbatim from the page. The perfectly cast Iñaki Godoy stars as Monkey D. Luffy, would-be King of the Pirates, bringing an almost elastic innate physicality to the role that brilliantly matches the characters rubber-based stretching powers, while the crew Luffy gathers over this first season—including swordsmaster Roronoa Zoro (Mackenyu), navigator and skilled thief Nami (Emily Rudd), sharpshooter Usopp (Jacob Romero Gibson), and martial artist chef Sanji (Taz Skylar)—all brilliantly embody their characters. A lot could have gone wrong bringing One Piece to life, but this is a voyage well worth taking.
The Chosen One
Based on the comic American Jesus by writer Mark Millar (Kick-Ass, Kingsman) and artist Peter Gross (Lucifer), The Chosen One follows 12-year-old Jodie (Bobby Luhnow), raised in Mexico by his mother Sarah (Dianna Agron). While the young boy would rather hang out with his friends, his life—and potentially the world—changes forever when he starts exhibiting miraculous powers, attracting dangerous attention from sinister forces. While this could have been yet another formulaic entry in Netflix’s expansive library of supernatural teen dramas (the Stranger Things vibe is particularly strong), the decision to shoot on film and in a 4:3 aspect ratio make this a visual delight, unlike almost anything else on the streamer at present. There’s an English dub, but stick to the original Spanish with English subs for a better viewing experience. (Confusingly, there’s another show with the exact same title on Netflix, a 2019 Brazilian series following a trio of relief doctors in a village dominated by a cult leader—also worth a watch, but don’t get them confused!)
Tech
Give Your Back a Break With Our Favorite Office Chairs

How to Sit Properly at a Desk
It’s not just about finding a chair you like. We’ve rounded up several tips on how to set up your desk properly here, but here are a few highlights.
Sitting for too long in a day is not good for your health, no matter what chair you use. It increases the risk of type 2 diabetes, stroke, and heart disease. The best thing you can do is get up and move every half hour. If you can, a 40-minute walk per day can, according to a recent study, make a big difference in countering some effects of a sedentary lifestyle. You probably don’t need to bother with an active chair. Our recommendation? Try a smartwatch. Most have movement reminders that encourage you to stretch your legs. If you’re dealing with back pain, your first step is to consult your physician.
Make sure your chair’s armrests are adjustable. Your palms should be elevated over your desk, which should be elbow-level, and your wrists should be straight. If the bottom of your palm is resting on the desk or wrist rest, there’s a chance you’re putting too much pressure on your nerves, which could lead to issues like carpal tunnel syndrome. Talk to your physician if you’re feeling any kind of pain. A gaming mouse, often more ergonomic than a standard mouse, might be helpful; just make sure to find one that fits your palm size.
When you look forward, your eyes should align with the top of your monitor or laptop. That might mean finding a chair that can adjust up and down, elevating your laptop with a stand, or raising the height of your monitor. This puts less pressure on your neck and spine—you shouldn’t be craning your neck up or down.
What Should I Look for in an Office Chair?
A good rule of thumb is that the more adjustable a chair is, the better. Now, that doesn’t mean this chair is the absolute best, but it gives you the possibility to mold it to your body shape, which hopefully makes it a comfier and more supportive seat. Here’s what you can expect to adjust on a chair.
Armrests: Most chairs let you move the armrests side to side, up and down, forward and back. It’s even nicer when you’re able to lock the armrest into place so that they don’t slide around as your elbows rest on them. The armrest should naturally allow your palms to slightly hover over the desk. You’ll often see descriptors like “4D” and “5D adjustable armrests,” which denotes how many directions you can adjust the armrest.
Seat height: It’s worth checking a chair’s maximum and minimum height before you buy because they might not work for your current desk (unless you have a standing desk where you can adjust the height). This is usually a pneumatic lift lever under the chair—pull the lever and get off the seat to let the chair go up, then sit on it and pull the lever to bring it down to your preference. Your feet should be planted on the floor at a 90- or 100-degree angle. If your chair arrives and it doesn’t get as high as you’d like, don’t worry, there’s a very simple fix. Some office chair brands offer “tall cylinders” for not a lot of money, and if not, you can usually find third-party options on retailers like Amazon (make sure you buy for your specific chair!). Simply swap your existing cylinder with the tall version, and you’ll have a greater height range to work with. You may be able to choose this option before checking out, or reach out to the company to see if they can swap it for you.
Seat depth: Seat depth is important for taller folks. This is usually a mechanism that lets you pull the seat out so that your thighs get the proper support. There should be 1 to 2 inches between the front of the seat and the back of your knees. Taller people with longer legs may not get the best support if you can’t adjust the seat depth.
Seat tilt: This isn’t as common as the above adjustments but it’s designed to tilt the seat up or down. This can help posture and prevent back pain, though it can take some getting used to.
Lumbar support: Most office chairs offer lumbar support, which can look like a separate piece attached to the backrest that can slide up and down. This piece supports your lower back (the lumbar region!), specifically maintaining the curve of the spine to maintain good posture as you sit and, ideally, warding off back pain. Check your chair manufacturer’s assembly instructions to learn how to adjust the lumbar support, and place the support on the curve of your lower back. What I like to do is run my hand along my spine until I reach the natural dip, then I try to make sure the lumbar support sits at that exact location. Some chairs also let you adjust the depth of the lumbar support, pushing it further inward or outward. Make sure it feels natural and that it’s not digging in. Play around with this until it feels comfortable and natural. Your shoulders should align with your hips, and you shouldn’t feel like you’re leaning forward.
Recline: Almost every office chair lets you lock or unlock the recline, but some go a step further and let you tweak the tension of the recline. This allows you to use more or less force when you lean back, which comes down to how much resistance you want when you lean back.
How We Test Office Chairs
My home office is often filled with at least four or five chairs at any given time. It takes me a while to test them because I prefer to sit on these office chairs for more than two weeks at a bare minimum, though that often extends into a month. It’s hard to gauge the supportiveness of a chair by sitting on it for less than a week. I adjust it to my 6’4″ preferences, and sometimes have my 5’1″ wife sit on it for her two cents. I try out all the adjustments throughout the testing period, too. It’s not just about the chair; aesthetics are important, and I also research these companies, looking into their warranties, customer service, and overall reliability.
How Does WIRED Select Chairs to Be Reviewed?
I routinely look at the market to find new office chairs that have hit the scene, whether it’s from a newcomer or an established brand like Herman Miller. I typically reach out to these companies to ask for the product, but I do not promise any kind of editorial coverage—that goes against WIRED’s editorial polcies. Yes, WIRED earns affiliate revenue if you purchase an office chair using our link, but this is not factored into the decision process.
As much as I’d like to test and review every single chair, it’s just not feasible with our resources. You may find some notable missing options in this guide, like the Steelcase Leap. I’ll be testing it in the future, and will gradually try to evaluate all the top options in the market.
After I’ve finished testing a chair, I typically donate it to a local Goodwill. I keep a handful of top recommendations on hand so that I can reevaluate them or compare them to other newer options, like the Branch Ergonomic Chair Pro, Herman Miller Embody, and Anthros V2.
Accessories for Your Chair
Replace Your Casters
The wheels on the bottom of your chair are among the easiest parts to replace. If your current casters don’t roll smoothly or are too loud, it might be worth replacing them instead of buying a whole new chair. I like these from Stealtho, a Ukrainian company. They’ll work with nearly every office chair, though the company notes they don’t work with Ikea products. The soft polyurethane material means these won’t scratch or chip hardwood floors, as some plastic casters do, plus it’ll feel like you’re silently gliding as you roll from your desk to the fridge (don’t judge).
Fair warning: Since these are more frictionless than normal casters, they can cause your chair to roll around sometimes, like when you stand up and walk away. Stealtho has locking casters if you’re worried about your chair rolling, and they don’t cost much more.
An Office Chair for Your Pet
Does your pet longingly look at your fast-typing fingers and wish for scritches? Get SeatMate’s Pet Office Chair if you don’t want to feel like a cruel, cruel pet owner. This faux fur seat gets high enough that you won’t have to bend down to pet your dog or cat when they inevitably enter your home office to distract you. Instead, they’ll sit at a reasonable height that allows you to have one hand running through their fur, while the other tries very hard to work a keyboard and mouse simultaneously. There’s a pull-out ramp that lets them clamber up, and my dog instantly took to it, though now he’s so used to it he jumps straight onto the seat. The back legs of the seat are on wheels, making it easier to move around a room.
You can choose different fabric materials and colors, and it’s easy to clean with a brush or hand vacuum. Just keep sizing in mind. My dog is 19 pounds and a little long, and it just fits him when he sleeps.
A Glass Chair Mat
Do you need a mat for your chair? Most likely not. However, casters can scuff up hard floors, which is why we recommend upgrading them to rollerblade wheels (see above). If you’re on a carpet, it can also be hard to move around. A mat can help with both of these issues. I sat on top of this glass one from Vitrazza for two years and was pleasantly surprised. (You can go for much cheaper mats made from other materials, too.) The safety glass is thick, and I did not see any notable scratches even after that time. It holds 1,000 pounds and doesn’t touch my hardwood floor, as you need to affix rubber bumpers to keep them apart. You can choose from several sizes, and Vitrazza sells various shapes too. It’s just a bit difficult to clean since you have to lift it up to get to all the dirt underneath.
Seat Cushions, Backrests, and Footrests
If you can’t upgrade your seat just yet, a cushion or backrest might help. Here are a few we like:
CushionLab Seat Cushion for $75: This memory foam seat is comfortable, and I had no problems sitting on it for hours on end. It’s best paired with an adjustable chair, as it adds a decent amount of height to your seat, which might make typing on a keyboard awkward. It does a great job of keeping out bad odors, and you can also wash the cover. Just know that it’s rarely sold for its full price of $85, which means it isn’t really on “sale.”
LoveHome Memory Foam Lumbar Support for $22: If you slouch in your seat, this comfortable memory foam pillow can help. It keeps your back straight and supported, and as it’s affordable, it’s a great option to try before shelling out hundreds for a new chair. It’s good to use in a car or a wheelchair, too. The cover is washable, and it has two adjustable straps (plus an extension strap) that go around your seat to keep it in the position you need.
Secretlab Premium Footrest for $89: I have tried a handful of footrests, and Secretlab’s Premium Footrest is easily the best—I have been using mine for more than three years. Ideally, your feet are planted on the ground as you sit, but it’s nice to be able to prop them up on something soft every so often. Not only is the PlushCell memory foam material soft and cushy for my feet, but it also stays remarkably clean. I have a tiny dog, and his hair gets everywhere except the quilted fabric cover. (You can handwash this cover to get dirt out.) The patterned silicone base does a good job of keeping it in place, too.
Other Office Chairs to Consider
Not every pick is a winner. Here are a few others we like enough to recommend, but they’re not as good as our top picks above.
Photograph: Julian Chokkattu
Hon Altern Chair for $295: It’s hard to find a good office chair under $300. Most people will be better served with the Branch Ergonomic Chair pick above, which has dipped close to $300 during sale events, but the Hon Altern is a decent alternative. The best part about it is that the seat is wide and soft, so your butt will feel fairly comfortable, and the seat depth adjustment accommodates a larger group of people. However, the back support is lackluster. I want it to be more upright, but the chair forces me to lean backward. The armrests can only move up and down—I wish I could move them inward a bit more. Its design is also generic. Still, I sat on the Altern for a month, and it does the job. If your budget is tight, it’s far and away better than many of the options you’ll find at this price on Amazon. It includes a headrest, too, which is typically an extra add-on for many chairs.
Autonomous ErgoChair Ultra 2 for $399: I’ve now sat on Autonomous’s 3D-printed ErgoChair Ultra 2 for over a month, and I’m pleasantly surprised. It’s a big improvement over the original Chair Ultra, which had a flat and hard seat. The Ultra V2’s seat is still not as cushy as some chairs, but it doesn’t feel like I’m sitting on concrete. It has all of the adjustments you’d want, from seat depth to a recline lock, and I didn’t encounter any back pain. The all-mesh design offers good airflow, and the backrest is wide enough and doesn’t dig into my shoulders. The only flaw? Sometimes when I put too much pressure on the armrest (like when I’m getting up or shifting my weight), it goes down with a loud crack despite being locked in place. Also, Autonomous has a pretty lackluster two-year warranty despite the high price.
Haworth Fern for $1,242: I think the Haworth Fern is best for shorter people (aka anyone not above 6 feet, like me). It’s adjustable to the nth degree—you can even tilt the seat for a more upright sitting position!—but the seat itself was just wide enough for me, though it’s plenty soft and pillowy. When I pulled out the seat depth to the max, it created a gap between the seat and the backrest, and I didn’t love this feeling. The backrest is nice and soft, but I’d argue the lumbar support is quite aggressive. My back just felt like something was there all the time, and it felt distracting. I don’t think you’d have these issues if you are shorter and narrower, and it’s otherwise one of the softest office chairs I’ve sat on.
Autonomous ErgoChair Pro for $399: Our top pick, the Branch Ergonomic Chair Pro, is a better buy, but if you need a headrest and want a wide seat, consider the Autonomous ErgoChair Pro. I sat on it for a month with no major problems, except that the box it came in was massive and barely fit through my front door. The levers also aren’t super intuitive—I highly recommend checking out this video from the company when you first set it up to dial in your preferences. All the standard adjustments are present, from seat depth and lumbar support to fine-tuning the recline. What surprised me more was the ability to tilt the seat so it’s angled down—you don’t see that in many chairs. The overall build quality has been solid, and I even enjoyed the headrest when kicking back to watch House reruns during lunch. The only woes? I wish the arms stayed locked, as they can slide back and forth. While the foam seat is quite comfy, it can get warm in a toasty room (though the mesh back helps keep things cool). It’s a shame this company has an abysmal warranty period.
Staples Hyken for $145: The humble Hyken is frequently available for just $140 during big sale events, making it one of the most affordable good chairs out there. It reclines, has a breathable mesh fabric on the back and seat, and it’s sturdy. You even get a headrest and lumbar support. After five years of continuous sitting, WIRED reviewers say the Hyken’s mesh has compressed a bit, but it’s still comfy. The Staples Dexley is slightly wider, so get it if you need a wider seat.
Nouhaus Ergo3D for $350: This is another all-mesh chair. The ElastoMesh seat isn’t as comfy as the Steelcase Karman (it’ll feel worse on the skin if you, uh, tend to sit at your desk without pants), but it’s otherwise quite adjustable and roomy, plus it even comes with two sets of wheels (casters or rollerblades) so you can choose which works best for you and your flooring. If you’re in a particularly hot environment, it won’t trap heat and will keep your whole body cool for a fraction of the price.
Haworth Breck for $419: I like Haworth’s newest chair, the Breck. After sitting on it for a month, I didn’t have problems (no back pain!), though I can safely say it’s better suited for shorter people (roughly under 5’8″). That’s because the Breck’s seat is short, and the seat depth only extends an extra 2 inches. The weight-activated recline requires some push on your end, more than you might expect—it wasn’t too hard for me, but lighter-weight people may find it problematic. The seat padding is thin, but I didn’t see this as an issue even after hours of sitting. The best part is how amazingly simple it is to set up—no tools required! But my main gripe? Simply getting up from the seat causes the gas spring cylinder to loudly lift. This, and the fact that it tends to make some noises when I fidget around, makes it feel a little cheap.
Branch Verve for $599: The Verve used to be a top pick above, but I think the Ergonomic Chair Pro is a better value considering they’re similar in price. It is elegant (especially in the lovely Coral and Cobalt colors), it keeps my back straight, and it’s quite comfy. It can make nearly the same adjustments, but there’s no seat tilt, and the armrests are much more limited. I also wouldn’t have minded if the seat was a smidge wider—folks who need a wider seat may want to look elsewhere. I try to sit on these chairs for several weeks, if not months, but I rarely can sit on one for years, as I have so many to test. However, I have a colleague who owns the Verve who said that after more than two years, the seat started to sink whenever he sat on it. Thankfully, he says Branch’s customer service was very responsive and promptly sent him a new cylinder.
Eureka Ergonomic Royal Chair for $450: Some folks chase that executive aesthetic—you know, plush leather and a high back so you can swivel around and reveal a cat in your lap as you laugh maniacally. This chair from Eureka fits the bill without costing a fortune, and it’s been an OK chair for the month I’ve sat in it. The setup was quick, and the seat and back are soft and a little bouncy. I found my back sweaty after a few hours of sitting because there was just nowhere for body heat to go. The lumbar support isn’t great, as prolonged sitting has left me with some sensations in my lower back. Not pain, just my back telling me I ought to get up. There’s not much to adjust, but the recline and headrest. Also, if you need a wide seat, this is not the chair for you, as the armrests will feel like they’re boxing you in (it just fits me, and I’m 6’4″). I thought this chair would look pretty poor after a month, but it’s easy to clean with a damp cloth, and the fake leather has held up. Too bad about the two-year warranty.
Secretlab Titan Evo for $549: Our review of the Secretlab Titan Evo gaming chair says it’s classy enough for the home office. It sets itself apart from similarly priced competitors with its durability and flexibility. It’s comfortable for marathon gaming sessions, thanks to the adjustability it offers (particularly the lumbar support). The headrest pillow is magnetic and stays attached to the chair, which is a nice touch. But the firm, cold cure foam molds to your body and may not suit everyone. It will also make you feel sweaty.
Allsteel O6 for $1,279: While this chair is eye-searingly expensive, every part—from the casters and the adjustments to the design—is incredibly refined. The adjustable lumbar support provided shockingly good support even for hours of work. My only complaint is that the armrest adjustments are a bit stiff, but besides that, this is an exceptional chair that’s comfortable and intuitive enough for me to completely forget about once I sit down and start working. Fair warning: The 06 comes fully assembled, which is nice, but the box is massive. —Henri Robbins
Hinomi X1 for $649: Hinomi’s X1 mesh chair has a trick up its sleeve—a built-in footrest! Just extend and flip out the footrest; voilà, your feet are now propped up. This might not be very practical for fellow tall people, as my legs often hit the wall behind my desk, but it’s quite comfy. I also just didn’t end up using the footrest as much as I thought. The chair is otherwise well-built. I like the lumbar support here, and there’s a good amount of adjustments you can make. The seat itself is a bit firm, but I got used to it after some time. Hinomi offers a 12-year warranty.
Odinlake Ergo Max747 for $899: The Ergo Max747 is, all around, a great seat to sit in. The three-piece back provides great back support and comfort, and the easy-access paddles on either side of the seat make most adjustments quick and simple. Even sitting for hours, I never felt uncomfortable, whether I was sitting up or reclining (this chair reclines incredibly far, from 90 to 135 degrees). The bag holder in the back (which I typically used to hold a hat or small backpack) was a surprisingly nice touch, and the mesh backing and seat are breathable, preventing overheating during prolonged use. I still don’t know how I feel about the polished metal frame, and the inclusion of gloves for assembly makes me worry about how easily this seat will pick up smudges over the years, but the polished finish itself is spotless and well-executed. At 6’3″, I had to max out the back height to comfortably sit in the chair. The secondary adjustments (back height, lumbar support, and headrest height) were awkward to adjust due to complicated ratcheting mechanisms keeping them in place. However, the comfort and breathability of this chair make it a compelling choice. —Henri Robbins
Vari Task Chair for $399: Vari’s Task Chair is surprisingly comfy given its relatively simple construction. Former WIRED reviewer Medea Giordano tested it and asked her husband to use it during his long gaming sessions. They agreed that the angled back provides ample lumbar support to make those sessions comfortable. It also takes very little time to construct. You can recline a bit, but even at the lowest tension, it pushes you back up, and there’s no head support. It’s more for rocking than actually leaning. Her biggest gripe is that the armrests are quite hard. A little more padding would be a huge improvement.
Branch Softside for $299: I tested the high-back version of the Softside and like it a lot. It’s different from all the other chairs in this guide, but comfy and cushiony. If you need a wider seat, this might not be the option for you, as the armrests do box you in. There’s not much to adjust, but my back didn’t have any issues after weeks of sitting for full workdays. The build quality overall is OK. Considering it starts at $299, the overall seating experience, and the lovely design in fun colors, this is a pretty good value if you are after a soft and cushiony experience.
BodyBilt Midcelli for $949: BodyBilt’s chair looks quite average, but the seat pad is plushy and soft, and it’s contoured to your butt and legs, which I liked more than I expected. The mesh back has some give to it, so it doesn’t feel rigid, and there are all the usual points of adjustment, including moving the seat forward and back. I wish the arms could lock to a position. It has a lifetime warranty on select parts, while other chair areas are covered for 12, seven, five, or three years. There are more customization options on BodyBilt’s website—with the option to get a consultation—but I just think it’s overpriced.
Razer Fujin Pro for $1,050: Razer is asking Herman Miller and Steelcase prices despite offering a measly five-year warranty on this $1,000-plus chair. Still, my former colleague Eric Ravenscraft liked the Fujin Pro (8/10 WIRED Recommends). There are a good number of adjustments you can make; the armrests are useful, and the mesh is breathable. Oh, and it doesn’t have the overused gaming chair race-car seat aesthetic.
Tempur-Pedic Tempur-Lumbar Support Office Chair for $352: I think this is a nice alternative to the Branch Ergonomic Chair above. The Tempur seat cushion is, perhaps unsurprisingly, wonderfully comfy to sit on for hours at a time. And most chairs that have a thick lumbar cushion end up causing me back pain, but not here—I’ve had no issues sitting on it for a month. The mesh back is nice for airflow, too. The arms tend to move around a bit, though, and the mechanism to adjust them is not elegant. Installation wasn’t too hard, but the instructions weren’t as simple as Branch’s, and the overall build quality feels cheap.
Knoll Newson for $1,424: This minimalist chair looks best in the graphite and petal colors; it’s a bit drab in black and umber. It’s nice that I didn’t have to fuss with any levers or knobs much—it’s comfy out of the box and decently adjustable if you need to make some tweaks—and it feels especially nice when you recline. (The red knob adjusts the tension of the recline, but you need to twist it for five rotations, and I found it hard to turn sometimes.) The Newson didn’t give me trouble in the two months I sat in it. I’m just not a huge fan of how the elastomer mesh backrest distorts, depending on how you sit. It feels lumpy. This seat also doesn’t let me sit as upright as I’d like, but maybe you’re fine with a bit of give. Ultimately, it’s the price that pulls it out of our top recommendations, but you do get a 12-year warranty.
Kelly Clarkson Home Louise Velvet Task Chair for $165: There’s absolutely nothing you can adjust on this chair except its height, but it’s cute, and the seat is comfy. The velvet polyester was surprisingly durable and looked nice even after several weeks of sitting on this chair. The gold finish on the frame and legs chipped off in one area when I was unboxing it—it’s frequently under $200, OK? But my biggest issue is that it is not compatible with tall or larger people. My wide shoulders caused my arms to stick out of this chair, making it difficult to type. However, I asked my 5’1″ wife to try it, and it suited her narrower frame well. She didn’t find it hard to use her computer. With a 30-day warranty, you get what you pay for, but this chair is more about aesthetics than anything else. Oh, and Kelly Clarkson, because she hand-picked this product for Wayfair.
X-Chair X2 K-Sport Management Chair for $969: This used to be our top mesh chair pick, but it has been supplanted by the Steelcase Karman. Sitting in the X-Chair feels like lounging in a hammock. Every part of my body feels well supported, and you can adjust nearly everything on the chair. Pull the seat up and push the armrests up, down, and side to side, or angle them in or out. The lumbar support feels like a cushion, and it adjusts as you move in your seat. If you want to rest your head, you can pay extra for the headrest. It has held up extremely well after three years of near-continuous sitting, but I don’t like how bulky it is. X-Chair has several models to choose from. I tested the X-2 K-Sport with the wide seat, and it fits my 6’4″ frame well, but it was too wide for my partner, who is 5’1″. Most people should be fine with the standard X1.
Ikea Markus for $300: The Markus is a perfectly fine office chair. It’s not the most comfortable, but it’s far from the worst. The mesh design keeps you cool, and the tall back lets you fully lean into it. It’s rather thin and isn’t obtrusive in a small home office or bedroom. It was annoying to put together (lol, Ikea), and you might need someone to hold up the back of the chair while you properly attach the seat. Unfortunately, if you often sit with at least one leg up or with your legs crossed, the width between the arms will make you uncomfortable.
X-Chair X-Tech Executive Chair for $1,845: Functionally, the X-Tech is similar to the X-Chair above. In this version, the M-Foam cooling gel seat is indeed wonderful to sit on, though it’s not as heat-wicking as the all-mesh versions. It’s the Brisa Soft Touch material that impresses the most—it’s ridiculously soft. I recommend you stick with the standard armrests instead of the FS 360 armrests, which tend to move about too much. But my biggest gripe with this model is the price. Why on earth does it cost that much?
Mavix M7 for $777: If it looks strangely similar to the X-Chair (see above), that’s because both are owned by the same company. WIRED reviewer Louryn Strampe ran into some issues with assembly, but customer service was able to exchange the model without much effort. The M7 has similarly adjustable armrests and seat angles, but you get wheels that lock. The mesh back and wide seat construction keep you cool and comfortable during sweaty League of Legends sessions, and the lumbar support does the job. If you’re short, contact customer support while ordering—Mavix offers shorter cylinders so your feet touch the ground.
Hon Ignition 2.0 for $477: The Ignition 2.0 is easy to set up and looks great, but it gave me really bad back pain, which is why I originally placed it in our “Avoid” section. I thought it was perhaps the long hours I was working, so I switched back to the Knoll Newson Task chair, and my pain quickly began to ease. Sometime later, I gave it a shot again. After a few hours, the pain came back, and switching to another seat dissipated it. Color me confused, because this chair has positive reviews around the web. I then asked a friend who is around 5’4″ to try it for a few weeks, and she has had zero issues. This seems to be the answer. It’s possible the Ignition doesn’t work for my 6’4″ self and is better suited for smaller folks.
Pipersong Meditation Chair for $359: Have a problem sitting in a traditional chair? If your legs need to be bent and twisted for you to be comfortable, you’ll want to check this seat out. It has a 360-degree swiveling footstool that can accommodate pretty much any sitting position you want. I can go from kneeling to cross-legged to one leg up, one leg down. It’s possible to sit regularly too, with the footstool behind you and your feet flat on the floor. It’s the only chair I’ve found that’s designed for odd sitting habits. There are no armrests, which I didn’t mind because that’s what makes it possible to sit in many of these positions. The actual stool and chair back could stand to be bigger and taller, respectively. I had to use a pillow to keep my back comfy. —Medea Giordano
Avoid These Chairs
If you come across these models, I recommend you save your cash and go for one of the picks above.
TopJob Napa: The Napa should be $200 or $250 at best, nowhere near its $449 asking price (though it does seem to have a perpetual discount on TopJob’s website for $359). It looks attractive, especially in the amber vegan leather. My back surprisingly didn’t complain after more than a week of sitting in it for several hours a day. I wouldn’t say it’s comfy, there’s not much plush to the seat and backrest, but it’s not too uncomfortable. It doesn’t have many points of adjustments—you can adjust the armrest height, lock the recline at a few degrees, and adjust tilt tension. That’s it. Technically, you can adjust the headrest, but mine would not stay put at a specific height. You can pull out a footrest, but I found it more gimmicky than useful. The overall quality is a little cheap. You can do better at this price.
Humanscale World One: Despite hailing from the well-renowned Humanscale, this chair looks quite bland. The setup was fairly quick, and … interesting. You have to hammer two pegs to affix the backrest to the seat, which I’ve never before had to do, after testing dozens of office chairs. It just feels cheap and a little too plasticky. Like other Humanscale offerings, there are no adjustments to make as the chair will handle it all for you (you can adjust the seat and armrest height). I loved this on the pricier Humanscale Freedom, which felt like someone was cradling my body. But here, I find my body constantly shifting in the all-mesh World One, trying to find a comfy way to recline. The mesh material also feels like it digs in a bit. This could all be because I’m 6’4,” as the chair feels like it’s better suited for shorter people. However, I think you can do better at this price.
Herman Miller Vantum: Initially, I liked the Vantum. I liked how I could keep myself in a super upright position, which made me feel more engaged in what I was doing. The mesh backrest also disperses heat quite well. However, the overall build quality feels cheap and doesn’t scream Herman Miller (nor does the asking price, which has since dropped by $200). The headrest isn’t great either—I’ve nearly broken it trying to move it up and down. As I kept sitting, it was the back support that disappointed me the most. You can feel the lumbar support on your lower back, and not in a good way, almost like it’s digging in. At least it didn’t give me back pain.
Vilno Nobel Kneeling Chair: It’s a freakin’ kneeling chair! It was easy to put all the wood pieces together, and the seat cushion was surprisingly plump. This is what’s known as an active chair, meant to keep your body moving and keep your posture straight. It feels effective for the first few hours, but unfortunately, rocking in the seat tends to cause it to move around on the floor, so I frequently had to fix my position. Worse yet, my shins and knees grew fatigued, and I started feeling some pain after a few days. You can’t adjust its height, so it needs to be paired with a standing desk so that your palms don’t rest on your desk.
Flexispot C7: While this chair is simple to assemble and looks good, it feels flimsy. The entire back flexes and warps whenever you move, and the lumbar support is barely connected to the rest of the chair, meaning it audibly scratches against the main section of the back every time you adjust and hardly feels like it provides any actual support. The footrest bends whenever weight is put on it, and the foam seat cushion collects crazy amounts of pet hair. It feels like just a few extra screws and supports would have made this a good product, but in its current state, there isn’t enough material to make it feel sturdy. —Henri Robbins
Steelcase Series 1: WIRED reviewer Louryn Strampe says her biggest issue with the Series 1 is with the armrest—the tops slide back and forth and side to side, which could be a good thing, except she managed to pinch her arm every time she moved. There’s no way to lock them in place, so while she felt supported, her arms weren’t. The seat is also pretty curved, which can feel like you’re trapped in one position as you work throughout the day.
Sihoo Doro S300: Former WIRED reviewer Medea Giordano tested the Doro S300, which, in white, looks like it came straight out of the Space Force situation room. She found it comfortable. There are several adjustments you can personalize, like seat depth and recline angle. You can recline quite far, but she says she wishes there were a footrest to enjoy the lowest recline position. She typically prefers a cushy gaming chair, but she says she had no trouble sitting on this seat all day—the dual lumbar support helps too. However, the headrest is too low for her to lean against, even at its max height, and the arms move too easily. Simply placing her arms down pushes them out of position. It’s also squeaky and overpriced.
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Tech
Meet the Kindle Kids Will Want Most

When you set up kids mode, you’ll be prompted to put in your child’s name and their birthday, which allows Amazon to recommend books appropriate for their age. You can make multiple kid profiles, but you’ll need a PIN or passcode to switch off kids mode and return to regular Kindle mode. I set up my son’s profile with his nickname and his birthday, and since he’s only 3 years old, his recommendations in the “Books You Might Like” section were colorful picture books like Polar Bear, Polar Bear, What Do You Hear? and First 100 Animals. I was able to download both immediately with the Kids+ subscription.
Photograph: Nena Farrell
You buy books on a Kindle, but the Kids interface has a Store option that allows your kid to browse books and request them, which will then alert the parent account about the desired book. It replaces the store feature in regular mode that allows you to purchase a book directly. It’s a nice way to still give kids an option to look for a new book and choose it themselves, without giving them free-for-all access to your credit card on file. (But if you were going to give your kids free rein on spending, books are a great place for it.)
An Ideal Pair
Photograph: Nena Farrell
While you can access kids mode on any Kindle, a Colorsoft certainly feels like a great fit for kids of all ages. Colorful covers and pages are a great way to entice kids to read, and it’s certainly much more fun to look at a library of books on a Colorsoft model than it is on a black-and-white-only e-reader. The full year of Kids+ content is a great bonus, too.
While upgrading to a color Kindle is a fun option, most of my adult books won’t be able to take advantage. Kids have more illustrated book options to actually take advantage of the color feature, and it’s a nice choice for developing readers who might lean on art more to understand a book.
You’ll pay quite a bit more for this Kindle than the other Kids options, but it’s an e-reader that can grow with your kid and take them through all kinds of phases of reading. Plus, it’s a Kindle you can borrow from them to get a little color for your books, even if it’s just the covers.
Tech
Study examines whether policy intervention could combat ransomware

As ransomware attacks become more common and complex—and costly to the crimes’ targets—a University of Texas at Dallas researcher is examining how policymakers might combat cybercriminals.
Dr. Atanu Lahiri, an associate professor of information systems at the Naveen Jindal School of Management, said ransomware has become one of the top cybersecurity threats facing organizations worldwide. Spread primarily through email phishing scams and exploitation of unpatched software bugs, ransomware robs a user’s access to computer files until a ransom is paid.
“The data is still on your computer,” he said. “It’s locked up, and the criminals have the key.”
In a study published in Information Systems Research, Lahiri and a colleague examined whether and under what circumstances policy intervention could help deter this type of cyberattack. He found that effective response solutions might depend on factors such as the value of compromised information, the nature of the ransom demand, and who or what organization is most affected.
Although paying ransom often seems preferable to facing business disruptions, payments also embolden the attackers and encourage them to come back for more. This ripple effect, or externality, which is driven by extortion, creates a unique problem dubbed “extortionality” by the authors.
“There are two questions: When do we care, and what do we do?” Lahiri said. “Should ransom payments be banned or even penalized?”
The disruptions caused by ransomware attacks can be crippling for businesses. In 2024, the FBI’s Internet Crime Complaint Center received more than 3,000 ransomware complaints. Victims paid over $800 million to attackers, according to research by Chainalysis, although the impact is likely much higher because many incidents and payments go unreported.
The illegal breaches have hit targets ranging from Fortune 500 companies to police departments to government and university systems.
Lahiri was inspired to explore potential solutions as federal and state lawmakers grapple with laws to restrict government entities and other companies from paying ransoms to regain access to their data. He found that fighting these threats through legislation is tricky because a ban on ransom payments or other penalties could negatively affect the victim, whose goal is simply to recover compromised information quickly and with minimal disruption.
For example, outright bans on ransom payment are particularly problematic for hospitals, where lives are at stake and critical lifesaving information can’t be accessed.
On the other hand, paying ransom rewards criminal behavior, encourages more breaches and elevates the risk of additional attacks, the researchers found.
Through mathematical models and simulations, Lahiri determined that an ideal scenario in many cases would be for companies not to give in to an attacker’s ransom demand. In practice, however, this solution is not so clear-cut.
“It relies on you trusting the other guy, in this case other organizations, not to pay up either,” he said. “It would be better if nobody paid, but if someone does, it would raise the risk for everybody.”
“You have to be careful when you impose a ban, though,” said Lahiri, who teaches the graduate class Cybersecurity Fundamentals at UT Dallas, serves as director of the cybersecurity systems certificate program, and chairs the University Information Security Advisory Committee. “A more reasoned approach might be to first try incentives or a penalty to deter ransom payments.”
If the attackers are not strategic in choosing their ransom asks—and do not demand different sums from the victims depending on their ability to pay—Lahiri recommends that policymakers impose fines or taxes on companies that pay ransoms.
“When imposing a ban, policymakers should be mindful,” he said. “In particular, hospitals and critical infrastructure firms should be exempted to avoid excessive collateral damage from business disruption.
“In some cases, you wouldn’t even have to impose the ban, but if you talk a lot about a ban, ransom payers would take notice. Even the specter of a ban might do the trick and make organizations invest in backup technologies that can help them recover without having to pay the attackers.”
The best offense, Lahiri said, is a good defense, and the best defense is simply more redundancy. Backing up data and practicing drills on recovering information is a strong way to avoid paying the attacker. Policymakers could incentivize redundancy measures, he said, by subsidizing backup technology, practice drills and awareness campaigns.
“One of the biggest problems is that people don’t invest in backups,” Lahiri said. “They don’t conduct drills, like fire drills. Security is always seen as a hassle.
“If we had great backups and we could recover from the attacks, we would not be paying the ransom in the first place. And we would not be talking about extortionality.”
Dr. Debabrata Dey, Davis Professor and area director of analytics, information and operations at the University of Kansas, is a co-author of the study.
More information:
Debabrata Dey et al, “Extortionality” in Ransomware Attacks: A Microeconomic Study of Extortion and Externality, Information Systems Research (2025). DOI: 10.1287/isre.2024.1160
Citation:
Study examines whether policy intervention could combat ransomware (2025, August 28)
retrieved 28 August 2025
from https://techxplore.com/news/2025-08-policy-intervention-combat-ransomware.html
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