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Zach Bryan slams Kid Rock’s Turning Point USA Halftime Show

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Zach Bryan slams Kid Rock’s Turning Point USA Halftime Show


Zach Bryan slams Kid Rock’s Turning Point USA Halftime Show

Zach Bryan has sparked fresh debate around Super Bowl halftime politics after publicly criticising Kid Rock’s alternative show organised by Turning Point USA, calling it “embarrassing” and “cringe” before deleting the posts.

The country singer shared his reaction shortly after the 2026 Apple Music Super Bowl LX Halftime Show on Sunday, Feb. 8, which was headlined by Bad Bunny. 

While the official halftime performance aired, Turning Point USA promoted its own All-American Halftime Show, led by Kid Rock. 

Bryan, 29, mocked the idea in a now-deleted Instagram Story, posting a snap of someone watching Kid Rock’s performance on a phone while physically blocking Bad Bunny’s show on screen.

“What kid rock actually thinks is happening across America,” Bryan wrote over the picture, according to a screenshot later shared on X.

The post quickly drew backlash. 

In a follow-up Story, also later deleted, Bryan shared a direct message he received from a social media user accusing him of selling out. 

“You were my favorite artist. Now you are nothing but another dumba– out of touch elitist,” the message read.

Bryan responded bluntly, making his stance clear regardless of political alignment. 

“I don’t care what side you’re on, a bunch of adults throwing temper tantrums and their own halftime show is embarrassing as hell and the most cringe s— on the planet,” he wrote over the screenshot.

Turning Point USA had advertised its event as a “family-friendly, values-driven” alternative aimed at viewers looking for “uplifting, patriotic entertainment.” 

Kid Rock, a vocal supporter of Donald Trump, performed alongside country artists Lee Brice, Brantley Gilbert and Gabby Barrett.

The performance later drew criticism of its own, with viewers accusing Kid Rock of lip-syncing during Bawitdaba from his Devil Without a Cause album. 

The 55-year-old musician, born Robert James Ritchie, addressed the claims during a Feb. 10 appearance on Fox News’ The Ingraham Angle.

“It was out of sync,” Kid Rock said, rejecting the accusation. He added that if the performance had been pre-recorded, “It would’ve been super easy to sync it up if it was prerecorded.” 

Explaining further, he said, “I’m jumping around the stage like a rabid monkey, rapping my song, and I’m taking breaths, and my DJ is filling in the other parts of it… I even told them when I saw the rough cut, I was like, ‘You guys got to work on that sync. It’s off.’” 

He later described it as a technical issue, saying production had tried to fix it but found it difficult.

Bryan was not the only artist to weigh in after the Super Bowl. 

Kacey Musgraves also praised Bad Bunny’s halftime performance while taking a pointed swipe at Kid Rock. 

“Well. That made me feel more proudly American than anything Kid Rock has ever done,” she wrote on X.

While Bryan has since removed his posts, the reaction highlights how this year’s Super Bowl halftime programming extended beyond music, reigniting conversations about politics, patriotism and how artists choose to respond when entertainment and ideology collide.





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Why Cher never reported her teenage assault at a friend’s home

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Why Cher never reported her teenage assault at a friend’s home


Why Cher never reported her teenage assault at a friend’s home

Cher has shared a painful memory from her teenage years in her new memoir, speaking about it now with a calm mindset than before.

The music legend writes that the incident happened when she was just 17 years old and still very young in life.

At that time, she was in a relationship with Sonny Bono, whom she got married later in October 27, 1964.

On this one very quiet evening, while Sonny was busy working and was away, Cher stayed over at friend’s apartment.

The night stay at her old pal’s house became very scary for her that it left her shaken and with a deep impact on her life which she never talked about before.

In her book, Cher explained that she woke up feeling unsafe and confused while she quickly ran to her friend for help.

“A few hours later I was aware of somebody lying next to me with their hand in my underpants. Half-asleep, I thought I was home and then suddenly remembered that I wasn’t.

It was dark and all I could see was the outline of a man. Frozen, I lay there, my heart racing, until he moved slightly away.”

Her friend reacted right away and made sure that Cher was protected. The fear, however, from that night stayed with her long after it was over.

The I Got You Babe singer also talked about why she never told Sonny about what happened back then, writing: “It took me the rest of the night to calm down and I didn’t dare breathe a word to Sonny for fear he’d murder the guy.”

The music icon shared that writing her memoir gave her the strength to finally speak about things she which kept quiet for many years.

Cher also got real about how young she was at that time when this terrifying incident happened and how difficult it was to talk about.





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Two boys stabbed at Kingsbury High School London: Here are key details

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Two boys stabbed at Kingsbury High School London: Here are key details


Two boys stabbed at Kingsbury High School London: Here are key details

Police are conducting an immediate search for a teenage suspect following a double stabbing at Kingsbury High School in Brent, northwest London, this afternoon.

The victims are identified as 12-year-old and 13-year-old boys. The Metropolitan Police were called to the school on Bacon Lane around 12:40 p.m.

The London Ambulance Service treated both victims at the scene, which dispatched multiple crews, incident response officers, and a trauma team from London’s Air Ambulance.

One victim is taken to a major trauma centre on a priority basis, while the other has been transported to the hospital.

There’s no current update on their health till now.

The police team led by Detective Chief Superintendent Luke Williams stated: “We recognise that this incident will cause considerable concern within the community.”

He asserted “significant resources” have been deployed to locate the suspect, described only as a teenage boy.

The school officials affirmed a “serious incident” has occurred and that the situation was “now under control.”

The school’s territory is locked down with no one permitted to enter or leave the site while the police investigation continues.

The school’s authorities have spoken to the parents of the affected students directly.

Till now, the motive of the attack has not been identified. 





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BBC’s ‘Lord of the Flies’ adaptation divides fans

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BBC’s ‘Lord of the Flies’ adaptation divides fans


BBC’s ‘Lord of the Flies’ adaptation divides fans

The BBC’s new adaptation of Lord of the Flies has sparked a wave of strong reactions with many fans hailing it as “a masterpiece” while others criticizing its bold cinematography choices.

Adapted by Adolescence co-creator Jack Thorne, the four-part series reimagines William Golding’s 1954 novel about schoolboys stranded on an island after a plane crash.

Daily Mail reported that viewers flooded social media with praise for the performances, calling the acting “absolutely impeccable” and “exceptional.”

One fan wrote, “Haunted me when we read it at school in the 70s, this series is stunning, beautifully shot and absolutely impeccable acting…”

Another added, “…this is what the BBC does brilliantly.”

Many admitted they watched all four episodes in one sitting, describing the adaptation as “the best drama they have seen on the BBC for years.”

The series’ pacing and emotional depth were highlighted as standout qualities.

Not all feedback was glowing.

Some viewers complained about the use of a fisheye lens, which created distorted, surreal visuals.

Critics on X (formerly Twitter) called the filmmaking style “horrific” and “unwatchable,” with one remarking, “Look at me screams the cinematographer—takes you out of the film.”

Others felt the vivid color grading and lens choices distracted from the story.

Despite the backlash, the adaptation has clearly struck a chord with audiences, reigniting the haunting themes of Golding’s novel for a new generation.

For many, the BBC’s bold approach has produced a series that is both unsettling and unforgettable.





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