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The 47 Best Shows on Netflix Right Now

Streaming services are known for having award-worthy series but also plenty of duds. Our guide to the best TV shows on Netflix is updated weekly to help you know which series you should move to the top of your queue. They aren’t all surefire winners—we love a good less-than-obvious gem—but they’re all worth your time, trust us.
Feel like you’ve already watched everything on this list that you want to see? Try our guide to the best movies on Netflix for more options. And if you’ve already completed Netflix and are in need of a new challenge, check out our picks for the best shows on Hulu and the best shows on Disney+. Don’t like our picks or want to offer suggestions of your own? Head to the comments below.
Wednesday
After spending the summer honing her psychic powers by tracking down serial killers, Wednesday Addams (Jenna Ortega) returns to Nevermore Academy—but this school year is more of an Addams Family reunion. With her mother, Morticia (Catherine Zeta-Jones), drawn into an onsite committee role by suspicious new principal Barry Dort (Steve Buscemi), brother Pugsley (Isaac Ordonez) joining the school after developing electric powers, and eccentric Grandmama (Joanna Lumley) turning up, Wednesday barely has a chance to investigate a new string of murders or a conspiracy surrounding a shady psychiatric hospital. The perils of the show’s protracted three-year gap between seasons is hard to overlook in places—Pugsley now towers over Wednesday, explained as a growth spurt, and you’ll almost certainly need to rewatch the first season to remember what’s going on—but this is a welcome return for Netflix’s spooky, ooky teen drama.
Love, Death + Robots
Developed by Deadpool director Tim Miller, Love, Death + Robots is one of Netflix’s most exciting animated offerings—an anthology series where the only common thread is each episode’s unique interpretation of that eponymous trio of themes. Now in its fourth season, viewers are treated to wild concepts that include psychic street gangs in a postapocalyptic future (400 Boys), a re-creation of the Red Hot Chili Peppers’ Live at Slane Castle performance of “Can’t Stop” in marionette form (directed by David Fincher, no less), and, in a rare hybrid of live action and CGI, a priest (played by Rhys Darby) meeting an alien envoy that thinks God has been reborn as an Earth dolphin. Wildly experimental, Love, Death + Robots constantly juggles animation styles and genres and practically vibrates off the screen with sheer visual energy. You never know what you’re going to get with this show—and that’s half the fun.
Sneaky Pete
Just released from prison, Marius (Giovanni Ribisi) steals the identity of former cellmate Pete Murphy in order to hide from the dangers of his old life. On the run from a vicious gangster played by Bryan Cranston (who also jointly created the show), Marius nestles in with Pete’s motley crew of estranged family. They’re delighted to be reunited with their long-lost relative, but he finds taking over another man’s life might be even more dangerous than the past he’s running from. Originally an Amazon Prime series, this three-season drama can now be binged in its entirety on Netflix.
Grace and Frankie
The brainchild of Friends cocreator Marta Kauffman, this sharp sitcom sees Jane Fonda and Lily Tomlin as the titular Grace and Frankie, longtime acquaintances forced into living together after their husbands leave them late in life—for each other. The show follows this contemporary odd couple as they deal with their ex-husbands’ coming out, their adult children’s drama, and each other’s maddening personalities, all while building a genuine friendship and trying to prove to themselves and the world that age is just a number. Taking cues from Arrested Development, Grace and Frankie‘s chief comedic currency is awkwardness, as their two extended families—the rich, business-minded Hansons and the borderline hippy Bergsteins—bring their neuroses and baggage to bear while navigating adult familial relationships. Think of it as a modern-day Golden Girls—just with more swearing and drug use.
Sakamoto Days
Taro Sakamoto used to be the worst of the worst, a hitman par excellence, his lethal skills making him a legendary figure in the criminal underworld. Then he fell in love, got married, and retired to run a convenience store with his wife Aoi and their daughter Hana. Unfortunately, he didn’t exactly leave his old job on the best of terms, and now a cadre of killers are out for the billion yen bounty on his head. Luckily, Sakamoto’s lost none of his skills—even though he’s let himself go in other areas—but can he protect his family without breaking Aoi’s strict “no killing” rule? Based on the manga by Yuto Suzuki, this comedy action anime is a blast. Now into its second season, with new episodes dropping each Monday, it’s appointment viewing you won’t want to miss.
Sweet Tooth
Based on the comic book by Jeff Lemire, Sweet Tooth kicks off 10 years after “The Sick,” a viral pandemic that killed most of the population and led—somehow—to babies being born with part-human, part-animal characteristics. The series follows Gus (Christian Convery), a half-deer hybrid boy who leaves the wilderness in search of his mother, and “Big Man” Tommy Jeppard (Nonso Anozie), a grizzled traveler who becomes his reluctant guide, protecting him from surviving humans who hate and fear the hybrids. Over the course of three seasons, Gus and Jeppard are drawn into conflict with scientist Aditya Singh (Adeel Akhtar), whose research into the origins of The Sick sees him take on an almost religious obsession with Gus, all while tensions mount between the increasingly diverged species of humans and hybrids. Part sci-fi, part fantasy, part mystery, Sweet Tooth offers viewers a postapocalyptic dystopia unlike any other.
Squid Game
The Korean sensation that became a global phenomenon, Squid Game’s blend of Hunger Games’ shocking elimination battles and Parasite’s condemnation of exploitative capitalism turned it into one of Netflix’s biggest-ever hits. It started off simply enough—hundreds of desperate people recruited to compete in a series of playground games with a deadly twist, the survivor winning a ₩45.6 billion ($35.8 million) jackpot. But now, with its third and final season, the stakes are higher than ever, and even perennial survivor Seong Gi-hun (Lee Jung-jae) might not be able to win this round. Intense, brutal, and frequently graphic, Squid Game remains gripping to the very end.
Trainwreck
Little else is as fascinating as a real-life disaster born of sheer hubris. The strange mix of “saw that one coming” and “get the popcorn,” as you watch events unfold makes for captivating viewing. That’s the special sauce for Trainwreck, Netflix’s series of documentaries exploring some of the biggest, well, train wrecks of recent history. From the crack-cocaine-fueled tenure of Toronto’s disgraced mayor Rob Ford to the avoidable errors that saw a luxury cruise liner turned into an infamous “poop cruise,” each installment is a fascinating exploration of how badly things can go wrong when the wrong people are in charge. Netflix oddly categorizes each Trainwreck as its own movie, but it’s really a loosely connected anthology, and while some cases require their own multi-episode arcs to excavate the wreckage (shoutout to Woodstock ’99), there’s no particular starting point—simply pick your favorite screw-up and just try to look away.
The Survivors
Years ago, Kieran Elliott (Charlie Vickers) survived a storm that trapped him in a sea cave, but his brother Finn and friend Toby died in the rescue attempt. Fifteen years later, he returns to his hometown with his partner Mia (Yerin Ha) and their baby Audrey for a memorial, finding that everyone from neighbors to his own mother still blame him for the tragedy. While those deaths still haunt the small town community, they may also have obscured another tragedy—teenager Gabby Birch went missing the same night. Now, out-of-town investigator Bronte (Shannon Berry), the only person who still cared about the long-cold case, has wound up dead herself, and everyone in Kieran’s life seems to be connected. Adapted from the novel by Jane Harper, this Australian murder mystery from Glitch creator Tony Ayres is a darkly compelling miniseries.
Glitch
To those in the northern hemisphere, this Australian supernatural drama might be one of the best-kept secrets of the past decade. Centered on a small town in Victoria, an entire community is shaken when seven people rise from their graves, seemingly in perfect health but with no memory of who they are or how they died. As police sergeant James Hayes (Patrick Brammall) and local doctor Elishia McKellar (Genevieve O’Reilly) try to contain and examine “The Risen,” Hayes’ world is rocked when he learns his own late wife Kate is among them. Over the course of three seasons and 18 episodes, the reasons for the dead’s return is teased out, starting with simply “how” and “why” but building up to something that questions the rules of reality. A fantastic ensemble cast and brilliant pacing make this a must-see.
Dept. Q
Edinburgh police detective Carl Morck (The Crown‘s Matthew Goode) used to be one of the best—until his arrogance got his partner paralyzed and a uniformed officer killed, and saw him narrowly survive a bullet through his own neck. After returning to work following a lengthy period of mandatory leave, Morck finds himself heading up the new Department Q—an underfunded, under-staffed operation in the precinct’s dank basement, dedicated to solving the iciest of cold cases. Gathering a team of misfits, including Rose (Leah Byrne), eager to please but recovering from a breakdown, Akram (Alexej Manvelov), a Syrian refugee, and Morck’s still-bedbound partner James (Jamie Sives), the department has a lot to prove—but solving the disappearance of Merritt Linguard (Chloe Pirrie) might be a good start. Based on the novels by Danish author Jussi Adler-Olsen, Dept. Q is a brilliant blend of Scandi noir and gritty British crime drama.
Sirens
First The White Lotus, then The Perfect Couple, and now Sirens—Meghann Fahy is making a career out of starring in shows where we get to see awfully rich people doing awfully bad things to each other. Here, she plays down-on-her-luck Devon, drawn into the luxurious world her sister Simone (Milly Alcock, imminently Supergirl) inhabits by proxy, working as an assistant to billionaire’s wife Michaela (Julianne Moore). It’s never clear how willingly Simone got involved with the charismatic Michaela, who may be a mentor or cult leader or something else entirely, nor how overprotective or paranoid Devon is, but the hook of this glossy, dark comedy is in finding out.
The Eternaut
Juan Salvo (Ricardo Darín) was settling in for a card game with his friends. Then the snow started falling—unusual enough for Buenos Aires in the summer, and downright terrifying when everyone touched by the freak weather event drops dead. But as Salvo desperately tries to find his daughter and ex-wife among the few survivors, an even deeper horror emerges. Adapted from a beloved Argentinian comic book by Héctor Germán Oesterheld and Francisco Solano López, The Eternaut offers a unique piece of postapocalyptic drama, focusing on grounded, authentic characters before spinning off into wilder sci-fi directions.
Blood of Zeus
This adult animated take on Greek mythology returns for its third and final season, bringing the odyssey of demigod Heron—son of Zeus and mortal woman Electra—to a brutal conclusion. After years of manipulation, power plays, and betrayals, the season picks up with the Olympian gods and their Titan predecessors lined up against each other, the fate of the world hanging on the outcome of the ultimate family feud. Heron and his estranged brother Seraphim may be the only ones able to bring peace—so it’s rather inconvenient that Heron is dead. From start to finish, Blood of Zeus has impressed with smart writing that offers compelling twists on the classic myths, all brought to life with top-tier animation and phenomenal voice acting, and it doesn’t disappoint as it reaches its finale. One of Netflix’s best animated series.
You
Based on the novels of Caroline Kepnes, You is an often deeply disturbing series. During the first season, bookstore manager Joe Goldberg (Penn Badgley) falls in deranged-love-at-first-sight with aspiring author Guinevere Beck (Elizabeth Lail). In subsequent ones, he relocates to Los Angeles, where heiress Love Quinn (Victoria Pedretti) became the focus of his attention, and then to London, where he poses as an unassuming university professor before meeting his match in Kate Galvin (Charlotte Ritchie). At each turn, the globe-hopping saga of murderous obsession has become more and more unsettling. In the fifth and final season, Joe returns to New York with his new wife, Kate, but the darkness and brutality that’s followed him around the world is never far behind. Often shocking, You is a gripping thriller that hits the same sinister sweet spot as early (read: good) seasons of Dexter.
The Four Seasons
Three couples—lovebirds Kate and Jack (Tina Fey and Will Forte), glamorous Danny and Claude (Colman Domingo and Marco Calvani), and fraying Nick and Anne (Steve Carrell and Kerri Kenney-Silver)—have known each other since college, maintaining their decades-long friendship with a series of regular vacations together. But when Nick finally splits with Anne—who was about to surprise him with a vow renewal—the group’s dynamic completely changes. It sounds like the premise for a depressing drama, but The Four Seasons is instead a surprisingly life-affirming comedy, bolstered by fantastic performances across-the-board. A loose adaptation of the 1981 movie of the same name, this eight-episode miniseries—cocreated by Fey—sometimes takes things in more farcical, physical comedy directions, but maintains a charming sense of warmth and humanity throughout.
Black Mirror
Black Mirror returns with six new episodes that continue to explore humanity’s complicated relationship with technology. Although the new, seventh season includes a couple of rare sequels to previous Black Mirror episodes, the anthology format means every episode remains accessible. That means you can jump right in with the heartbreaking “Eulogy,” where Paul Giamatti’s Phillip dives through his own fractured memories of a lost lover. Or you can start with the sinister “Plaything,” in which a gaming journalist gets murderously obsessed with a strange life-sim game, partly inspired by series creator Charlie Brooker’s own background. (In a very meta twist, you can play the game for real.) Whether you’re a longtime fan or this is your first encounter with poignant tech dystopias, all of Black Mirror awaits your viewing.
North of North
Young Inuk woman Siaja (Anna Lambe, True Detective: Night Country) married straight out of high school, then spent years trapped in the shadow of her shallow, selfish husband, Ting—the golden boy of their small town of Ice Cove, nestled far in the Arctic Circle. A brush with death—and possibly the goddess Nuliajuk—gives her the push to make a fresh start, but an explosive breakup in a community of only 2,000 people means Siaja’s personal life is now everyone’s business. Netflix’s first Canadian original series, this sharp sitcom is packed with warmth and humor, while its on-location shooting in Iqaluit (the real-life capital of the Arctic Canadian territory of Nunavut) delivers breathtaking natural beauty along with the laughs.
Devil May Cry
Building on the success of Castlevania, Netflix’s take on Capcom’s Devil May Cry series continues the streamer’s strong track record of animated video game adaptations. For those who’ve never picked up a controller, the series follows half-demon devil hunter Dante, a stylish slayer with a penchant for slicing up hell’s worst offenders. This eight-episode spectacular sees Dante (voiced by Johnny Yong Bosch) clashing with the horrific White Rabbit (Hoon Lee), a twisted monster aiming to tear down the barrier between Earth and hell. Animation fans will also appreciate one of the final performances from the venerable, sadly-passed Kevin Conroy as the villainous US Vice President Baines. Devil May Cry may be unashamedly in love with its own early 2000s origins—as evidenced by a soundtrack filled with songs from the likes of Limp Bizkit and Papa Roach—but this slickly animated action masterpiece is a hellishly good time.
Adolescence
A quiet English town. 6 am. Police raid the house of Jamie Miller on suspicion of murdering an innocent girl. Jamie is 13 years old. A shocking mini-series, this isn’t a whodunit, but a whydunit. Its four episodes—each masterfully shot in a single real-time take—explore how boys are radicalized online to hate women, and the horrifying effects it has. The powerhouse cast includes cocreator and writer Stephen Graham (Bodies, A Thousand Blows) as Jamie’s father Eddie, Ashley Walters (Bulletproof) as Detective Boscombe, the arresting officer and investigator of Jamie’s crime, and Erin Doherty (The Crown) as the psychologist evaluating Jamie. Each brings this incredibly difficult material to life, but it’s newcomer Owen Cooper as Jamie who most astounds, turning from petrified to cheeky to vitriolic in a terrifying heartbeat. Adolescence is harrowing but important viewing.
Pantheon
Originally an AMC+ show, both seasons of Pantheon are now available on Netflix. Good timing too, since its nightmarish scenario of digitally uploaded human consciousnesses and exploration of the impact such technology would have on society feels worryingly prescient. With plot threads weaving between isolated Maddie Kim, whose dead father may have been reborn as an “Uploaded Intelligence,” Caspian Keyes, a genius teenager whose entire life is a Truman Show–style lie, and Vinod Chanda, an engineer investigating UI, this hard sci-fi outing—based on the short fiction of Ken Liu—offers a dark examination of virtual immortality. A uniquely brilliant adult animated series.
Zero Day
Cards on the table: A significant part of the appeal here is seeing the iconic Robert De Niro in his first major English-language TV role (he previously appeared in the Argentinian Nada, aka Nothing). He doesn’t disappoint with his performance as former US president George Mullen—pulled out of retirement to oversee a commission investigating a colossal cyberattack that left thousands of Americans dead and the terrifying warning that “this will happen again”—commanding the screen with his trademark gravitas. Director Lesli Linka Glatter wrings great drama from the whodunit of it all (Russians? hackers? hedge fund bros?), but with Mullen handed unprecedented powers to track down the culprits, the real nail-biting moments come from its suddenly timely explorations of abuses of power. With a powerhouse cast that includes Angela Bassett, Lizzy Caplan, and Jesse Plemons, Zero Day is an engaging political thriller, and at six episodes it makes for a great binge-watch.
Apple Cider Vinegar
Influencers have been known to hawk nonsense diets and spurious “wellness” regimens, but few have ever done it like Belle Gibson, the real-life Australian influencer who went as far as faking brain cancer for attention. And while she hailed alternative diets and whole foods for keeping her nonexistent illness at bay—launching an app and cookbook in the process—actual cancer sufferers paid the price for her extreme narcissism and greed. This dramatized limited series—“a true-ish story … based on a lie,” as Netflix puts it—makes for uncomfortably gripping viewing as it charts the rise and fall of Gibson (Kaitlyn Dever, with a flawless Aussie accent) and her rivalry with Milla Blake (Alycia Debnam-Cary), a fellow influencer and actual cancer patient. Better than doomscrolling reels on Instagram or TikTok, and a reminder that everyone should be a lot more skeptical of anything influencers are shilling on social media.
The Night Agent
Special agent Peter Sutherland (Gabriel Basso) is back, and the stakes have never been higher. While the first season of The Night Agent wove a compelling spy drama out of the idea of a mole at the heart of America’s intelligence services, the newly arrived second season takes a more global approach—Sutherland hunts down a stolen chemical weapon project, drawing him back into the orbit of tech savant and sometime love interest Rose Larkin (Luciane Buchanan), while Iranian diplomatic aide Noor Taheri (Arienne Mandi) offers secrets to the CIA in return for asylum, and a deposed Eastern European dictator aims to manipulate everything from behind bars. Sure, the show’s mix of politics and spook work won’t surprise genre diehards, but it weaves together its many influences—and many more plot threads—into a supremely entertaining thriller.
Asura
The four Takezawa sisters are close but have little in common. Eldest Tsunako (Rie Miyazawa) is already a widow; repressed Takiko (Yû Aoi) and rebellious Sakiko (Suzu Hirose) are always at each other’s throats; and second-born Makiko (Machiko Ono) tries to balance keeping the peace with being a housewife and mother to her own two children. Yet when Takiko learns that their father Kotaro (Jun Kunimura) may have a second, secret, family, the sisters’ bonds are put to the test as they struggle to uncover the truth. Asura is far more than a turgid family drama—it’s equal parts heartwarming and hilarious, capturing the complexities of the relationships between its quartet of protagonists. Keeping the 1970s setting of Kuniko Mukōda’s original novel allows Palme d’Or– winning director Hirokazu Kore-eda (Shoplifters) to craft a gorgeously shot period piece that still feels incredibly timely and modern.
Jentry Chau vs the Underworld
You know the drill—everyday teenager learns she has superpowers and is destined to fight the forces of darkness. Except Jentry Chau (voiced by Ali Wong) is not like any other teenage girl—she’s known about the supernatural her whole life (her uncontrollable fire powers were a giveaway) and spent a lifetime avoiding it. Sent to study in Korea for her own safety, Jentry is drawn back into the mystic world after being attacked in Seoul by a jiangshi named Ed (Bowen Yang). Brought back to her home in Texas by her great-aunt, Jentry has to survive not only the formidable mogui Mr. Cheng, who intends to drain her soul and powers, but the horrors of high school, culture shock, and the pain of her own past. Taking the “high school is hell” metaphor of Buffy the Vampire Slayer, adding a dash of Gravity Falls’ mystery, and rooting it all in Asian mythology, Jentry Chau vs the Underworld is one of Netflix’s freshest animated shows in years.
No Good Deed
Take Selling Sunset and add a grisly tragicomic twist and you just about have No Good Deed. A dark comedy from Liz Feldman, creator of Dead to Me, this eight-part series starts with Lydia and Paul Morgan (Lisa Kudrow and Ray Romano) putting their gorgeous home on the market, and descends into darker territory as prospective buyers go to ever more desperate attempts to get their hands on the house, nosy neighbors interfere, and the grisly history of the house itself threatens to come to light. Buoyed by a stellar cast including Teyonah Parris, Abbi Jacobson, Luke Wilson, and Denis Leary, this is a glossy, witty, and possibly only slightly exaggerated take on the brutality of the Los Angeles property market.
A Man on the Inside
The latest show from comedy mastermind Michael Schur (The Good Place, Parks and Recreation, Brooklyn Nine-Nine), A Man on the Inside features Ted Danson as Charles Nieuwendyk, a retired engineering professor who’s lost all direction since his wife passed. But when private investigator Julie Kovalenko (Lilah Richcreek Estrada) needs a man of his demographic to go undercover in a retirement community to investigate allegations of resident abuse, Charles may find an unlikely new lease on life—if he can figure out how to use his smartphone, that is. Reflecting on end-of-life realities as much as it plays up Charles’ fish-out-of-water situation, it’s a show that’s equal parts poignant, melancholic, and achingly funny—and it’s based on a true story, to boot.
Black Doves
Helen Webb (Keira Knightley) is wife to the UK defense secretary, mother to two children, and bored with her picture-perfect life. Spectacular cover then, since she’s actually a spy for the mercenary organization Black Doves, selling state secrets to the highest bidder. But when her real love Jason (Andrew Koji) is killed, Helen is determined to find out who killed him and why—and her pursuit of the truth threatens both her public and private lives. Paired with assassin and old friend Sam (Ben Whishaw, in a very different spy role to his turn in the James Bond films) at the behest of stern operator Mrs. Reed (Sarah Lancashire), Helen’s obsession could have led to a dour, gritty thriller, but Black Doves bucks the grim-dark trend to serve up a pulpy, colorful outing with enough heart to balance its violence. At only six episodes (with a second season already confirmed), it’s a brisk watch too.
Arcane
Animated series based on video games can run the gamut from cheap cash-ins to half-decent if forgettable tie-ins, inaccessible to anyone but hardcore devotees. Yet Arcane stood out by making its connections to Riot Games’ League of Legends almost optional. While its central figures, orphaned sisters Vi and Jinx, are playable characters in the game, this steampunk saga of class war, civil uprising, and the people caught in between is entirely accessible. The second and final season, released in a trio of movie-length blocks of three episodes apiece, escalates the conflict between the warring factions but never loses its central focus on the fractured relationship between sisters. With a gorgeous painterly art style, strong characters, and frequently shocking story beats, Arcane is one of the best animated series in years—and it has racked up plenty of awards, including a Primetime Emmy for Outstanding Animated Program, to prove it.
Cobra Kai
Picking up decades after Daniel LaRusso and Johnny Lawrence’s iconic fight at the end of the first Karate Kid movie, Cobra Kai initially follows a washed-up Johnny as he reopens the Cobra Kai karate dojo, finding new purpose after defending his young neighbor Miguel (Xolo Maridueña, Blue Beetle) in a fight. Over the course of six seasons, the stakes get higher—and frankly, increasingly, gloriously, ludicrous—as rival martial arts schools start cropping up all over California. Alliances are forged and broken with alarming regularity, and everything gears toward a global battle for karate supremacy. It’s all a little bit tongue-in-cheek, and with Ralph Macchio and William Zabka reprising their 1980s roles, the show is an unabashed love letter to the classic action flicks, but thanks to some seriously impressive fights and stunt work, it’s a retro-styled delight.
Heartstopper
One of the most joyful shows on Netflix returns for another school year of teen drama and heartfelt queer romance. In the long-awaited third season, things heat up between the central couple, with Charlie (Joe Locke) preparing to say three little words to Nick (Kit Connor) for the first time, while Elle (Yasmin Finney) and Tao (William Gao) try to have the perfect romantic summer before Elle starts art college. Heartstopper‘s return also sheds some of its earlier cloying tendencies, growing up alongside its talented young cast and giving them more serious material to work with, tackling more mature themes of sex, eating disorders, and gender dysphoria—all without losing the warmth and charm that made audiences fall in love with the show in the first place. The show younger LGBTQ+ viewers need now, older ones needed years ago, and one that everyone needs to watch, whatever their sexuality.
The Boyfriend
“Anyone can fall in love with anyone” is the opening narration to The Boyfriend, Japan’s first same-sex dating show—a bold and progressive statement that reflects the shifting tide of opinion in the country. Throwing nine single men together in an idyllic beach house for a summer and charging them with running a coffee truck, the over-arching concept is to see who’ll pair up, but the series is as interested in exploring the friendships that emerge between the cast as it is the romantic relationships. Unlike Western dating shows, there are no scandals, no dramatic twists, no betrayals, and the “challenges” are adorably focused on confessing feelings. The gentleness of it all adds an almost relaxing quality, with the men discussing their emotions—and the nature of being queer in Japan—earnestly. An absolutely joyful example of reality TV.
Kleo
If you’re pining for more Killing Eve, then this German thriller may be the next best thing. Set in the late 1980s and early 1990s, the series follows the eponymous Kleo (Jella Haase), a Stasi assassin imprisoned by her agency on false treason charges. Released after the fall of the Berlin Wall, she seeks revenge on her former handlers—but West German detective Sven (Dimitrij Schaad), the only witness to her last kill, may have something to say about that. As dark and violent as you’d expect given the period and the themes of betrayal and vengeance, Kleo is lightened by its oft-deranged sense of humor and a charismatic lead duo who brilliantly bounce off one another—chemistry that’s only heightened in the second season as Kleo’s pursuit of her old allies intensifies, attracting attention from international spy agencies in the aftermath of the Cold War.
Sweet Home
Based on the Korean webcomic by Kim Carnby and Hwang Young-chan, Sweet Home offers a very different vision of apocalyptic end times—rather than pandemics, disasters, or even zombies, this posits an end of the world brought about by people’s transformation into grotesque monsters, each unique and seemingly based on their deepest desires when they were human. The first season is a masterclass in claustrophobic horror, as the residents of an isolated, run-down apartment building—chiefly suicidal teen Cha Hyun-su (Song Kang), former firefighter Seo Yi-kyung (Lee Si-young), and Pyeon Sang-wook (Lee Jin-wook), who may be a brutal gangster—battle for survival. The second and third seasons explore what remains of the wider world, delving into the true nature of both monster and man—and if there’s any hope for what remains of humanity. With phenomenal effects work blending prosthetics, CGI, and even stop-motion animation for some disturbingly juddering creatures, this stands apart from the horror crowd.
Star Trek Prodigy
Paramount+’s loss remains Netflix’s gain, as the streamer’s license rescue of this great Star Trek spin-off warps into its second season. After escaping a distant prison planet and becoming Starfleet cadets under the watchful eye of Star Trek Voyager’s Admiral Janeway (voiced by the venerable Kate Mulgrew), the ragtag crew—led by aspiring captain Dal R’El and bolstered by astrolinguist Gwyndala, engineer Jankom Pog, energy being Zero, scientist Rok-Tahk, and indestructible, gelatinous Murf—find themselves cast through time on the most dangerous mission of their young lives. While aimed at younger audiences and intended as an intro to the wider Trek universe and its ethics, Prodigy packs in plenty for older Trekkers to appreciate, particularly with a slate of returning Star Trek legends voiced by their original actors. Prodigy is something of a sleeper hit, but one of the best Trek shows in years.
Supacell
One by one, five Black Londoners awaken to strange superpowers. Struggling father Andre (Eric Kofi-Abrefa) develops superstrength, nurse Sabrina (Nadine Mills) unleashes phenomenal telekinetic might, drug dealer Rodney (Calvin Demba) races at superspeed, and wannabe gang leader Tazer (Josh Tedeku) turns invisible. But it’s Michael (Tosin Cole, Doctor Who) who may be the most pivotal, realizing he can leap through time and space and learning he only has three months to save his fiancée’s life. Created by Andrew “Rapman” Onwubolu, Supacell is a show about superpowers, but not necessarily superheroes, with its fantastic cast offering up a far more realistic and human exploration of now-familiar ideas than anything you’ll find in the Marvel Cinematic Universe. And the mystery of why—and how—only Black people seem to be gaining powers builds up to a more powerful punch than an Asgardian god of thunder. A smart, modern, and refreshing take on the genre.
The Good Place
After suffering an improbable and humiliating death, Eleanor (Kristen Bell) finds herself in “The Good Place,” a perfect neighborhood inhabited by the world’s worthiest people. The only problem? She’s not meant to be there. Desperate to not be sent to “The Bad Place,” she tries to correct her behavior in the afterlife, with the help of her assigned soulmate, philosophy professor Chidi (William Jackson Harper). A twist at the end of the first season remains one of the best ever, while the show’s ability to sprinkle ethical and philosophical precepts into a sitcom format is frankly astounding. With a sensational cast rounded out by Manny Jacinto, Jameela Jamil, D’Arcy Carden, and Ted Danson, The Good Place more than earns its place in the good place of TV history.
3 Body Problem
In 1960s China, at the height of the Cultural Revolution, gifted scholar Wenjie Ye witnesses her physicist father being beaten to death for his research, only for her to be recruited to a secret project relying on that same knowledge. Fast-forward to the present day, and physics is broken: Particle accelerators around the world are delivering impossible data, while scientists are being plagued by countdowns only they can see. Meanwhile, strange VR headsets appear to be transporting players to an entirely different world—and humanity’s continued existence may rely on there being no “game over.” Game of Thrones’ creators D. B. Weiss and David Benioff and True Blood executive producer Alexander Woo reimagine Chinese author Cixin Liu’s acclaimed hard sci-fi trilogy of first contact and looming interplanetary conflict as a more global affair. Wildly ambitious, and boasting an international cast featuring the likes of Benedict Wong, Rosalind Chao, Eiza González, and GOT alum John Bradley, Netflix’s 3 Body Problem serves up the opening salvo in a richly detailed and staggeringly complex saga.
Ripley
Perhaps best known nowadays from 1999’s The Talented Mr. Ripley starring Matt Damon, novelist Patricia Highsmith’s inveterate criminal Tom Ripley has a longer, darker legacy in print and on the screen. For this limited series, creator Steven Zaillian goes back to Highsmith’s original text, presenting Ridley (a never-more-sinister Andrew Scott of All of Us Strangers) as a down-on-his-luck con man in 1950s New York who is recruited by a wealthy shipbuilder to travel to Italy and persuade the businessman’s spoiled son Dickie Greenleaf (Johnny Flynn) to return home. But once in Italy, Ripley finds himself enamored with Dickie’s lavish lifestyle—and will do anything to take it for himself. Shot in black and white to really sell its noir credentials, this is an instant contender for the finest interpretation of Highsmith’s works to date.
Beef
Ever been cut off in traffic? Ever had it happen when you’re having a really bad day? Ever just wanted to take the low road, chase the person down and make them pay?! Then—after a few deep breaths—Beef is the show for you. It’s a pressure valve for every petty grievance you’ve ever suffered, following rich Amy (Ali Wong) and struggling Danny (Steven Yeun) as they escalate a road rage encounter into a vengeance-fueled quest to destroy the other. Yet Beef is more than a city-wide revenge thriller—it’s a biting look at how crushing modern life can be, particularly in its LA setting, where extravagant wealth brushes up against inescapable poverty and seemingly no one is truly happy. Part dramedy, part therapy, Beef is a bad example of conflict resolution but a cathartic binge watch that clearly resonates—as evidenced by its growing clutch of awards, including the Golden Globe for Best Limited Series.
Loudermilk
Something of a sleeper hit for years—its first two seasons debuted on AT&T’s now-defunct pay TV channel Audience in 2017, before its third season appeared over on Amazon—all three seasons of this bleak comedy are now available on Netflix. Ron Livingston stars as Sam Loudermilk, a vitriolic former music critic and recovering alcoholic who proves almost pathologically incapable of holding his tongue when faced with life’s small frustrations—a personality type possibly ill-suited to leading others through addiction support groups. It’s dark in places, and its central character is deliberately unlikeable, but smart writing and smarter performances shape this into something of an acerbic anti-Frasier.
Scott Pilgrim Takes Off
Adapted from the beloved graphic novel series by Bryan Lee O’Malley, animated by one of the most exciting and dynamic studios in Japan, and voiced by the entire returning cast of director Edgar Wright’s 2010 live-action adaption, Scott Pilgrim Takes Off would have been cult gold even if it was a straight retelling of its eponymous slacker’s battles against lover Ramona Flowers’ seven evil exes. Yet somehow, in a world devoid of surprises, this packs in killer twists from the very first episode, making for a show that’s as fresh and exciting as ever. Saying anything else would ruin it—just watch.
Blue Eye Samurai
In the 17th Century, Japan enforced its “sakoku” isolationist foreign policy, effectively closing itself off from the world. Foreigners were few and far between—so when Mizu (voiced by Maya Erskine) is born with blue eyes, nine months after her mother was assaulted by one of the four white men in the country, it marks her as an outsider, regarded as less than human. Years later, after being trained by a blind sword master and now masquerading as a man, Mizu hunts down those four men, knowing that killing them all is the only way to guarantee her vengeance. Exquisitely animated—which makes its unabashed violence all the more graphic—and with a phenomenal voice cast bolstered by the likes of George Takei, Brenda Song, Cary-Hiroyuki Tagawa, and Kenneth Branagh, Blue Eye Samurai is one of the best adults-only animated series on Netflix.
Pending Train
Netflix: License one of Japan’s best SF dramas in years. Also Netflix: Do nothing, literally nothing, to promote it, not even create an English subbed trailer. Which is where WIRED comes in—Pending Train is a show you (and Netflix) shouldn’t sleep on. When a train carriage is mysteriously transported into a post-apocalyptic future, the disparate passengers’ first concern is simply survival. Between exploring their new surroundings and clashing with people from another stranded train car over scarce resources, one group—including hairdresser Naoya, firefighter Yuto, and teacher Sae—begins to realize that there may be a reason they’ve been catapulted through time: a chance to go back and avert the disaster that ruined the world. A tense, 10-episode journey, Pending Train offers a Japanese twist on Lost, but one with tighter pacing and showrunners who actually have a clue where they want the story to go.
One Piece
Mark one up for persistence: After numerous anime adaptations ranging from “awful” to “not too bad,” Netflix finally strikes gold with its live-action take on the global phenomenon One Piece. Despite fans’ fears, this spectacularly captures the charm, optimism, and glorious weirdness of Eiichiro Oda’s beloved manga, manifesting a fantasy world where people brandish outlandish powers and hunt for a legendary treasure in an Age of Piracy almost verbatim from the page. The perfectly cast Iñaki Godoy stars as Monkey D. Luffy, would-be King of the Pirates, bringing an almost elastic innate physicality to the role that brilliantly matches the characters rubber-based stretching powers, while the crew Luffy gathers over this first season—including swordsmaster Roronoa Zoro (Mackenyu), navigator and skilled thief Nami (Emily Rudd), sharpshooter Usopp (Jacob Romero Gibson), and martial artist chef Sanji (Taz Skylar)—all brilliantly embody their characters. A lot could have gone wrong bringing One Piece to life, but this is a voyage well worth taking.
The Chosen One
Based on the comic American Jesus by writer Mark Millar (Kick-Ass, Kingsman) and artist Peter Gross (Lucifer), The Chosen One follows 12-year-old Jodie (Bobby Luhnow), raised in Mexico by his mother Sarah (Dianna Agron). While the young boy would rather hang out with his friends, his life—and potentially the world—changes forever when he starts exhibiting miraculous powers, attracting dangerous attention from sinister forces. While this could have been yet another formulaic entry in Netflix’s expansive library of supernatural teen dramas (the Stranger Things vibe is particularly strong), the decision to shoot on film and in a 4:3 aspect ratio make this a visual delight, unlike almost anything else on the streamer at present. There’s an English dub, but stick to the original Spanish with English subs for a better viewing experience. (Confusingly, there’s another show with the exact same title on Netflix, a 2019 Brazilian series following a trio of relief doctors in a village dominated by a cult leader—also worth a watch, but don’t get them confused!)
Tech
Data visualization emerges a key driver of decision-making at organizational and community levels

Data visualization has emerged as a powerful tool for enabling data-driven decision-making across diverse domains, including business, medicine, and scientific research. However, no comprehensive analysis has previously addressed the types of decision-making problems supported by data visualization or how its role has evolved.
Researchers have conducted a systematic review of significant data visualization research over the past 16 years, classifying and analyzing the studies within a multidimensional decision-making framework. They determined that data visualization primarily facilitates decision-making at the organizational and community levels. Their study is published as part of the 2025 IEEE 18th Pacific Visualization Conference (PacificVis).
Although earlier efforts primarily addressed “evaluative” decision-making, recent trends indicate increasing support for a broader range of decision-making types, including “constructive” and “cognitive dominance” decision-making. Moreover, the structure of decision-making problems addressed by data visualization has expanded from “largely structured problems” to “semi-structured problems.”
The findings indicate that data visualization increasingly supports advanced decision-making by experts in fields such as business and public policy, particularly concerning semi-structured problems.
The findings of this study clarify the current scope of decision-making support provided by data visualization and offer insights to guide the development of new visualization techniques. They also highlight the need for further research into visualization methods capable of supporting individual-level decision-making and unstructured problems.
More information:
Midori Sugihara et al, Contribution of Data Visualization to Decision-Making: A Classification of Data Visualization Research Based on the Characteristics of Decision Problems, 2025 IEEE 18th Pacific Visualization Conference (PacificVis) (2025). DOI: 10.1109/PacificVis64226.2025.00033
Citation:
Data visualization emerges a key driver of decision-making at organizational and community levels (2025, August 28)
retrieved 28 August 2025
from https://techxplore.com/news/2025-08-visualization-emerges-key-driver-decision.html
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part may be reproduced without the written permission. The content is provided for information purposes only.
Tech
The Best Deals From REI’s 2025 Labor Day Sale

Isn’t it amazing how fast summer goes by? The kids are back in school, and it’s time for the annual REI Labor Day Sale. This year’s event kicks off today, August 22, and ends on Labor Day, September 2. Many items are up to 30 percent off, and REI Co-op members save 20 percent on any REI Outlet item. To get the member discount, add the promo code LABORDAY2025 at checkout.
We’ve rounded up the best deals on all our favorite tents, backpacks, sleeping bags, pads, cookware, outdoor apparel, and more. Many of the best REI deals are on the company’s house brand gear, but we’ve also pulled in deals from competing sales at Backcountry, Public Lands, and cottage industry retailers.
Updated Thursday, August 28: We’ve added new end of summer deals on Sea to Summit sleeping pads, MSR water filters, Zenbivy sleeping bags, a few new tents, a whole section of bikepacking deals, plenty of puffer jackets for winter, and more.
WIRED Featured Deals
Deals on Tents
REI tents are some of the best deals around, even more so during sales. If you’d like to learn more, see our guide to the best backpacking tents and best car camping tents.
Photograph: Scott Gilbertson
REI’s Base Camp tent is WIRED’s favorite car camping tent. It’s extremely well designed and proved plenty weatherproof in our testing. The traditional dome tent design, with two crossed poles and two side poles, holds up well in wind, and the tent floor is high-quality 150-denier (150D) polyester. There’s loads of storage pockets, double doors, great vents, and huge windows, making it comfortable even in summer heat.
The Wonderland 6 is REI’s replacement for the Kingdom 6 and looks to be, for the most part, very similar. We haven’t tested this one, but my almost 20-year-old Kingdom 6 is still going strong. For the most part, it’s made of the very same ripstop nylon used in the Wonderland. With plenty of mesh, this will have better ventilation than the Base Camp above, but the rainfly doesn’t come as low and the hoop design isn’t quite a strong. For summer camping, though, this is a great option.
The REI Half Dome 2 is the best budget two-person backpacking tent. We’ve toted it on many a backpacking trip and found it to be plenty sturdy, quick to set up, and capable of fitting two people and their gear. It even comes with a footprint (which I never bother with, but it’s nice to have it if you have to deal with prickers or pointy rocks). I really like the color options this year too, which blend in with its surroundings rather than stand out.
The Big Agnes Copper Spur series is our top pick for freestanding ultralight tents. This is a high-quality, well-designed tent that’s lightweight, easy to set up, and roomy enough to be liveable in the backcountry. The “awning” design (with trekking poles or sticks) is a nice extra and the mix of 15D nylon, and 20D ripstop, while to feels fragile, as held up well over time.
I’ve only spent two nights in this tent, but so far it’s my favorite solo freestanding tent. I like the generous amount of mesh at the top, which provides some nice ventilation on warm summer nights and is perfect for falling asleep under the stars when the weather permits. The Osmo fabric continues to live up to the hype, with much less water absorption than nylon tents in rainy weather, and there’s a good amount of room for storing all your stuff. The bikepacking friendly version, with shorter pole segments that fit better on a bike, is also on sale for $390 ($130 off).
Bikepacking is my favorite way to travel these days, and while you don’t have to have any special gear, bikepacking tents, with shorter pole sections, are easier to pack in panniers. They’re also nice when traveling by kayak or motorcycle, and they work just fine for backpacking too. The Sea to Summit Telos TR2 Bikepack tent is otherwise a clone of regular Telos 2-person tent. At 4lbs 9oz for the 2-person version it’s light enough and the floor area of 28.2 square feet is roomy enough for 2 with gear.
Deals on Day-Hiking Packs and Backpacks
Be sure to read through our guide to day-hiking packs. While we haven’t published our guide to ultralight backpacks yet, several of our picks are on sale right now and noted below.
Photography: Scott Gilbertson
I just started testing this pack this summer as part of an upcoming ultralight backpack guide. It’s very comfortable, carrying a 25-pound load without issue. I haven’t lived out of it for more than a night yet, but so far I like it, and it’s very reasonably priced. Interestingly, there’s a comment on REI saying that you’re better off going with the Flash 55 and just removing the top lid to save some weight. That’ll save you some cash right now, as the Flash 55 is also on sale for $139 ($50 off).
Nemo’s Resolve is a great pack that incorporates a low-waste footprint into the design. It uses solution-dyed fabrics, and eschews straps and buckles in favor of bungees and pull-tabs. This does make adjusting it fussier, but once you’re used to it and have the fit dialed in, it’s not an issue. The Resolve is a comfortable pack. While technically frameless, it feels like it has some structure. and it sits nice and high on your back. At 1 pound, 15 ounces, it’s also pretty light.
The Osprey Talon is perhaps the most tried-and-true day-hiking pack on the market, and for good reason. It’s light and comfortable, and the 33L capacity can swallow a ton of gear and haul it well. This 33L iteration weighs just 2 pounds, 12.5 ounces and sports 100D high-tenacity nylon that’s been coated with a non-PFAS DWR. Annoyingly, there’s no rain cover, but that omission aside, it’s a superb daypack.
Topo Designs makes some of our favorite bags, from the Mountain Cross, which Gear editor Jeremy White says is “best bag in the world”, to the Global Briefcase, which is on our list of the Best Messenger Bags. Neither of these bags, sadly, are currently in the 60 percent markdowns but many others are!
Sleeping Bag Deals
Whether you need a cheap car camping bag, or something more robust for fall and spring trips, we’ve got you covered. Be sure to read our best sleeping bags guide for even more options.
Photograph: Scott Gilbertson
REI’s Magma line of down gear are some of the best deals around. The Magma 15 sleeping bag has long been an affordable bag that’s perfect for shoulder season trips when the temp potentially swing lower than you’re expecting (the comfort rating is 21 F). There’s three lengths and three widths, making it easy to get something that’s perfect for your body, and the 850-fill-power goose down (bluesign-approved) packs down nice and small. If you don’t need the shoulder season coverage the Magma 30 is also on sale for $262 ($87 off), and makes a great summer sleeping bag.
I’ve just started testing this as a budget option for ultralight quilts. So far, I’ve been impressed. Like the sleeping bag version above, this is 95 percent of what you get from far more expensive bags. It’s light (20.3 ounces for the medium), packs down small, includes straps to keep it on your sleeping pad, can be completely unzipped and used like a comforter, or snapped up in a proper footbox on colder nights.
The Boost is a hybrid bag that would work for backpacking, but it can also be adjusted to a semi-retangular shape to make it more comfortable for car camping. There are arm holes, which makes reading in it a bit easier, and you can reach out to open or close the “WarmZip” center zipper, which cinches down the Boost to make it more like a traditional mummy bag.
Photograph: Scott Gilbertson
The “mummy” design of mummy bags is about optimizing for warmth, not comfort. But let’s face it, most of us are not sleeping in situations where our survival is at stake. Therm-a-Rest has addressed this with what it calls W.A.R.M. fit, which stands for “with additional room for multiple” positions. Indeed, this bag is very roomy for a mummy design. I was able to draw my legs up when side-sleeping and spread out considerably more than with most bags. If you toss and turn through the nights and don’t want a quilt-style bag, this would be my top pick.
The Siesta is our favorite sleeping bag for car camping. You really shouldn’t need to spend a lot of money on a sleeping bag for car camping. Should your best efforts to cocoon warmth around you fail, there is, after all, a car to retreat to. That’s why we love the REI Siesta Hooded 20—it’s plenty warm and affordable. The Siesta’s rectangular cut makes it a roomier, more comfortable bag, and the 20-degree rating makes it enough for three-season trips, and unlike most rectangular bags, the Siesta has a hood, which helps on those cold nights. We also like that you can zip two Siestas together.
The Zenbivy Bed (9/10, WIRED Recommends) is hands-down the most comfortable backcountry sleeping experience I’ve ever had. It wouldn’t be my top pick for extreme situations, but so long as your expected temperatures fit in Zenbivy’s range (the comfort rating is 35 degrees Fahrenheit), it doesn’t get more comfortable than this. The Zenbivy isn’t just a sleeping bag. It’s a sheet, hood, and quilt-style bag that can be combined in various ways.
Deals on Sleeping Pads
Good sleep in the backcountry can be frustratingly elusive, but one good place to start is with a quality sleeping pad. Whether you’re looking for the an ultralight, ultraminimal packing pad or a plush 4-inch-thick car-camping behemoth, there’s deals on both right now.
Courtesy of Nemo
This is our favorite all-around backpacking sleeping pad. The Tensor All-Season hits all the sweet spots. It weighs an acceptably light 18.2 ounces, provides a good 3 inches of padding, and has an R rating of 5.4. That works out to the best padding and R rating for the weight. It’s also mercifully quiet—none of that annoying crunching noise every time you roll over.
If you’re gearing up for a winter trip, this is a good deal on a great winter sleeping pad. The Tensor Extreme Conditions has the highest R value of any pad we’ve tested, yet somehow manages to pack down to about the size of a Nalgene water bottle and weighs just 21 ounces (587 g). It’s one thing to claim an R value in lab tests though—a subzero night on the snow in a Wisconsin winter was the real test. This pad performed extremely well. Paired with a Z-Rest (see below) and a –10F sleeping bag, it kept me toasty down to 4 degrees Fahrenheit.
Photograph: Thermarest
The Z-Lite Sol weighs next to nothing (10 ounces for the small), folds up small enough to lash to the outside of any pack, and can double as a chair, extra padding on cold nights, table, you name it. I am too old and too soft to be the sort of ultra-minimalist who gets by with just a Z-Lite for sleeping, but I still have one around on almost every backpacking trip I take.
Sea to Summit’s Ether Light XT is a 4-inch thick ultralight sleeping pad—the ever-popular Therm-a-rest X-Lite is only 3—making it the best ultralight option for side sleepers. I also like the baffle design better than the Therm-a-rest as well, and it seems to be a little more durable. Note that this is an REI Outlet deal; the XT has been replaced by a newer model.
The big fat camping pad that started the trend of big fat camping pads, the Megamat is a revelation. Trust me, you have no idea how comfortable tent camping can be until you sleep on a Megamat (or a MondoKing, see below). The 4-inch-thick Exped MegaMat is soft and surprisingly firm thanks to the closed-cell foam inside it, which relieves pressure and feels about as close to the mattress in your bedroom as you’re going to get in the woods.
When I sold my Jeep I had to give up my overlanding dreams and return to being a mere camper, but this Megamat, which cuts in to fit around the wheel wells of an SUV, has brought some of those overlanding dreams back to life. I throw this in the back of my wife’s Rav4, and while it’s not a perfect fit (check Exped to see which vehicles are supported), it’s close enough that I can get a good night’s sleep in the car.
If you get a Megamat, get this pump to go with it. I love this pump not so much for the inflating (though that is nice too, it speeds things up), but for the deflating. You can get all the air out and the mattress back in its stuff sack in no time with this thing. It’s well worth the money, especially on sale.
Deals on Stoves and Camp Gear
We’ve filtered through all the camping gear deals to highlight our favorite camp stoves, water filters, and more.
Photograph: Coleman
REI sales are the time to grab this upgrade stove. Sure, the basic version below gets the job done, but the cast iron burners of the Cascade are so much nicer and more durable. The griddle plate is also handy, perfect for cranking out pancakes. My only gripe is that I wish there were an option to get two griddles, as I find the grill not nearly as useful.
Walk around any campground in America and you’ll likely see dozens of these, for good reason. They’re easy to use, last a long time, and aren’t all that expensive. The 10,000-BTU burners are plenty to cook on just about any pan you have (I use cast iron pans on mine), and the electronic ignition means you don’t have to keep track of a lighter.
The MSR PocketRocket 2 is our top pick isopro backpacking stove for most people. It’s lightweight (2.6 ounces) but has wide enough arms to support just about any one- or two-person pot. It’s simple to use, even while wearing gloves, and it’s efficient—at sea level (OK, technically 947 feet), it boiled 1 liter of water in 3 minutes, 47 seconds. You can even get it to simmer, though the flame radius is small, so fancier cooking isn’t easy. See our next pick if that’s your goal.
If you want to cook in the backcountry, like legitimately cook with ingredients, not rehydrating food, the best stove I’ve tested is the Firebox Nano with the gas burner and diffusion plate. The Firebox Nano is a twig stove, so you have that option as well (I am fortunate to live somewhere I can use this feature), but with summer burn bans in many places, it’s really the gas burner and diffusion plate that are the centerpiece here. Together, they spread out the flame enough that cooking on a 10-inch pan is pretty much like cooking on my stove at home. This is a nearly miraculous achievement for a stove setup this small and light (8 ounces).
This is a backpacking must-have for me. It turns cleanup from a tedious chore to a couple of seconds’ work. I’ve even perfected cleaning burnt pans with it: Boil water in the pan to loosen the burnt bits and scrape them out. It’s not a massive savings, but you might as well grab one while it’s a couple bucks cheaper.
The word “ultralight” means different things to different people, and this pot may or may not qualify for you, but if you’re cooking for a group, this 3-liter pot is about as light as it gets. This is my go-to pot for family backpacking trips. The hard-anodized aluminum is sturdy and provides good heat transfer. The ceramic nonstick coating makes for easy cleanup (especially paired with the GSI scraper below). You can also nest the 2L version ($51) inside this one for more cooking options on the trail. If you want to go nuts with it, I haven’t tried it, but you can theoretically also nest the 1.3L version ($45) inside the 2L.
Photograph: Scott-Gilbertson
The MSR Gravity Aitoflow filter is a must-have for backpacking with a group. All you have to do with this filter is scoop up 10 liters of water in the dirty water bag, attach the hose, connect your water bottle, and sit back and relax. The filter is good enough to keep you safe from all the usual protozoa and bacteria, and the flow rate is a solid 1.5 liters per minute when the filter is clean.
The MSR Guardian is our pick for trips with sketchy water sources because it filters down to 0.02 microns, which will remove even viruses. It is heavy at 22 oz. (617 g), and may be overkill for trips in the US, but it’s a great option for overseas. I really like that it’s designed to be self-cleaning, which makes field maintenance incredibly easy, and that it screws right onto a Nalgene bottle. Also, because it’s a pump filter it’s very fast, you can crank out a couple of liters in hardly any time at all. The gravity fed version is also on sale for $232 ($78 off).
Photograph: Scott Gilbertson
If you want to bring a chair backpacking, this is the one to get. It’s just about the lightest on the market at 18 ounces, and it packs down nice and small. Nemo also solved the main problem with all pole chairs: The included base pad keeps it from sinking in soft ground.
The thing to keep in mind when you shop REI brand gear is the company’s basic proposition: you get 90 percent of the designer item, for 70 percent of the price. It’s a strategy that works quite well and has generated some really great, affordable gear. This chair is a good example of that. It’s not as nice as the Nemo above, but it’s still comfortable (it does wobble a little, side to side when you move) and nearly half the price.
This camp chair is the coziest way to hang out around the fire. It is somewhat huge, heavy, and awkward to fold up and carry, but so long as you have room for it in your vehicle, there’s no better way to relax under the stars with your loved ones.
I’ve noticed that, when trying to lighten their load with a smaller, lighterweight backpack, people then struggle to fit all their gear. The answer for sleeping bags and clothing is this compression stuff sack, which smashes anything soft down to about half the size of the same item in a regular stuff sack. This works well with sleeping bags and clothing, especially puffer jackets, but also fleece and merino wool.
Deals on Outdoor Apparel
Looking for Labor Day deals on new rain gear or hiking clothes? We’ve got you covered with guides to the best merino wool t-shirts and clothing, best rain jackets, and best puffer jackets.
Photograph: Patagonia
Patagonia’s Nano Puff series has been a hit since it launched years ago. If you want a technical midlayer that you can also wear around town, this is the jacket to get. The fill is synthetic, but it’s impressively warm and manages to stuff down almost like a down jacket.
Mammut’s 800-fill-power down Broad Peak IN hoodie stuffs down remarkably small (into its own pocket), weighs little for the warmth it provides, making it a good all-around puffer. The fill weight is 4 ounces, which I think is the perfect amount of down those active winter days with temps in the 20- to 30-degree range. It’s also light enough (13.5oz) to bring for cool evenings and mornings during shoulder season trips.
When the weather gets down well below freezing, and the wind makes your cheeks burn, this is the jacket I turn to. With a base layer at the bottom, wool sweater over that, then this jacket, I was toasty warm walking in the early morning chill of winter (usually –10 Fahrenheit in January). If you’re familiar with Rab (which is a much bigger brand in Europe), this replaces the Axion Pro. The shell is lightweight (20D) Pertex ripstop nylon that’s nicely windproof and water-resistant.
Courtesy of REI
The best budget rain jacket you can buy, REI’s Rainier Jacket is impressively waterproof and reasonably long-lasting for $70. The durable water repellent (DWR) is PFAS-free, but still pretty good. You also get taped seams and an adjustable hood, two nice features you generally don’t find in jackets this cheap.
Arc’teryx’s Beta AR rain jacket is one of the burliest rain jackets I’ve tested. The Beta AR uses 40D fabric for most of the face, with reinforced 80D patches in high wear areas, all of it with Gore-Tex Pro 3L membrane. It’s been the only Gore-Tex jacket I’ve tested that hasn’t wetted out yet, and the pit zips provide excellent ventilation. At 1 lb. 0.3 oz. it’s not the lightest jacket out there, but you’d be hard pressed to find anything else this durable at this weight.
REI’s Sahara Shade Hoodie offers UPF 50+ fabric (a polyester and spandex blend) to protect you from that high-altitude sun (or any sun). It’s soft and stretchy, so you have a good range of movement, and there are thumbholes in the sleeves to keep them from riding up and exposing your arms. The three-panel hood has a drawstring you can use the cinch it down and keep your neck covered as well.
Photograph: Darn Tough; Getty Images
You can’t go wrong with a pair of Darn Tough merino wool socks. There’s a bunch of styles and colors to choose from, but remember to go with more merino than not if you’re hoping to get several days out of them. Anything over 30 percent nylon starts to smell quickly in my testing.
The awesome wool shirt from Fjällräven is about as northwoods as it gets. It’s also nice and warm and soft, at least on the inside; my kids do not like the outside.
Paddleboard and Kayak Deals
Photograph: Scott Gilbertson
This is my favorite paddleboard for lazy days at the lake. The LowRider Aero is large and stable, making it great for beginners. It’s surprisingly nimble and easy to steer too, with very good tracking ability. I also love the two-in-one kayak/SUP hybrid design, which means you can turn it into a full fishing rig with Bote’s various add-ons.
Oru’s foldable kayaks are genius—all the boat, none of the size. The Lake is light, reasonably fast, and the cheapest way to get into the world of folding kayaks. As with all Oru’s offerings, the Lake folds origami-style into a roughly 30-inch square that’s just 15 inches deep—small enough to fit in a car trunk or hall closet.
Deals on Bikepacking Gear
If you’ve got backpacking gear, and a bike, you can go bikepacking. All you need is a way to strap your backpacking gear to your bike. Below are some deals on our favorite racks and panniers to help you get started bikepacking.
Courtesy of REI
This nearly universal rack is easy to get on and off thanks to the quick release system. Thanks to testing bike I probably move racks more than most people, but it’s still nice to have a rack that’s easy to take off when you don’t need it. I clips into M5 or M6 mounts, but you can add a Ortlieb Thru-Axle M6 Connector (also on sale) to mount it directly to the thru axle if you don’t have any other ways to attach it.
These waterproof panniers pair well with the Quick-Rack above, though they are small enough to mount on your forks if you aren’t doing anything too technical. These have a combined capacity of 29L though they are on the shallow side at about 13-inches deep (that’s where bikepacking tents with shorter pole section come in handy. These are rated IP64 which makes them dustproof and waterproof against splash water. If you want something bigger, and completely waterproof, Ortlieb’s justly popular 20L Back Roller Panniers are also on sale for $150 ($50 off) for a pair.
I’ll be honest, I’d love to have a pair of Tailfin’s 5L fork packs, but they’re out of my budget so I get by with these Ortlieb fork packs. They’re slightly bigger than the Tailfin bags, and haul my gear just as capably, so I don’t know why I want anything else. They’re waterproof, lightweight, and swallow an impressive amount of gear and food for a 5.8L bag.
Tech
The AI breakthrough that uses almost no power to create images

From creating art and writing code to drafting emails and designing new drugs, generative AI tools are becoming increasingly indispensable for both business and personal use. As demand increases, they will require even more computing power, memory and, therefore, energy. That’s got scientists looking for ways to reduce their energy consumption.
In a paper published in the journal Nature, Aydogan Ozcan, from the University of California Los Angeles, and his colleagues describe the development of an AI image generator that consumes almost no power.
AI image generators use a process called diffusion to generate images from text. First, they are trained on a large dataset of images and repeatedly add a statistical noise, a kind of digital static, until the image has disappeared.
Then, when you give AI a prompt such as “create an image of a house,” it starts with a screen full of static and then reverses the process, gradually removing the noise until the image appears. If you want to perform large-scale tasks, such as creating hundreds of millions of images, this process is slow and energy intensive.

A light-based approach
The new diffusion-based image generator works by first using a digital encoder (that has been trained on publicly available datasets) to create the static that will ultimately make the picture. This requires a small amount of energy. Then, a liquid crystal screen known as a spatial light modulator (SLM) imprints this pattern onto a laser beam. The beam is then passed through a second decoding SLM, which turns the pattern in the laser into the final image.
Unlike conventional AI, which relies on millions of computer calculations, this process uses light to do all the heavy lifting. Consequently, the system uses almost no power. “Our optical generative models can synthesize countless images with almost no computing power, offering a scalable and energy-efficient alternative to digital AI models,” said Shiqi Chen, lead author.
The researchers tested their system on various images used to train AI models, including those of celebrities and butterflies, as well as full-color pictures in the style of Dutch painter Vincent Van Gogh.
The results were comparable to those of conventional image generators, but were created with much less energy. This breakthrough has the potential to reduce the carbon footprint of AI-generated content significantly.
The technology could also find its way into a variety of applications. Because the system is so fast and requires minimal energy, it could be used for things like creating images and videos for virtual and augmented reality displays, or for small devices like a smartphone or wearable electronics, such as AI glasses.
Written for you by our author Paul Arnold, edited by Sadie Harley, and fact-checked and reviewed by Robert Egan—this article is the result of careful human work. We rely on readers like you to keep independent science journalism alive.
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please consider a donation (especially monthly).
You’ll get an ad-free account as a thank-you.
More information:
Shiqi Chen et al, Optical generative models, Nature (2025). DOI: 10.1038/s41586-025-09446-5
Daniel Brunner, Machine-learning model generates images using light, Nature (2025). DOI: 10.1038/d41586-025-02523-9
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