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Graffiti framework lets people personalize online social spaces while staying connected with others

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Graffiti framework lets people personalize online social spaces while staying connected with others


Interoperation between two applications built with Graffiti: The Glue Factory, an application operated by a venue to advertise their shows, and Glitter, a microblogging site. The show flyer visible in The Glue Factory is used with permission by the artist, Megan Levin. Credit: Proceedings of the 38th Annual ACM Symposium on User Interface Software and Technology (2025). DOI: 10.1145/3746059.3747627

Say a local concert venue wants to engage its community by giving social media followers an easy way to share and comment on new music from emerging artists. Rather than working within the constraints of existing social platforms, the venue might want to create its own social app with the functionality that would be best for its community. But building a new social app from scratch involves many complicated programming steps, and even if the venue can create a customized app, the organization’s followers may be unwilling to join the new platform because it could mean leaving their connections and data behind.

Now, researchers from MIT have launched a framework called Graffiti that makes building personalized social easier, while allowing users to migrate between multiple applications without losing their friends or data.

“We want to empower people to have control over their own designs rather than having them dictated from the top down,” says and computer science graduate student Theia Henderson.

Henderson and her colleagues designed Graffiti with a flexible structure so individuals have the freedom to create a variety of customized applications, from messenger apps like WhatsApp to microblogging platforms like X to location-based social networking sites like Nextdoor, all using only front-end development tools like HTML.

The protocol ensures all applications can interoperate, so content posted on one application can appear on any other application, even those with disparate designs or functionality. Importantly, Graffiti users retain control of their data, which is stored on a decentralized infrastructure rather than being held by a specific application.

While the pros and cons of implementing Graffiti at scale remain to be fully explored, the researchers hope this new approach can someday lead to healthier online interactions.

“We’ve shown that you can have a rich social ecosystem where everyone owns their own data and can use whatever applications they want to interact with whoever they want in whatever way they want. And they can have their own experiences without losing connection with the people they want to stay connected with,” says David Karger, professor of EECS and a member of the Computer Science and Artificial Intelligence Laboratory (CSAIL).

Henderson, the lead author, and Karger are joined by MIT Research Scientist David D. Clark on a paper about Graffiti, which will be presented at the ACM Symposium on User Interface Software and Technology.

Personalized, integrated applications

With Graffiti, the researchers had two main goals: to lower the barrier to creating personalized social applications and to enable those personalized applications to interoperate without requiring permission from developers.

To make the easier, they built a collective back-end infrastructure that all applications access to store and share content. This means developers don’t need to write any complex server code. Instead, designing a Graffiti application is more like making a website using popular tools like Vue.

Developers can also easily introduce new features and new types of content, giving them more freedom and fostering creativity.

“Graffiti is so straightforward that we used it as the infrastructure for the intro to web design class I teach, and students were able to write the front-end very easily to come up with all sorts of applications,” Karger says.

The open, interoperable nature of Graffiti means no one entity has the power to set a moderation policy for the entire platform. Instead, multiple competing and contradictory moderation services can operate, and people can choose the ones they like.

Graffiti uses the idea of “total reification,” where every action taken in Graffiti, such as liking, sharing, or blocking a post, is represented and stored as its own piece of data. A user can configure their social application to interpret or ignore those data using its own rules.

For instance, if an application is designed so a certain user is a moderator, posts blocked by that user won’t appear in the application. But for an application with different rules where that person isn’t considered a moderator, other users might just see a warning or no flag at all.

“Theia’s system lets each person pick their own moderators, avoiding the one-sized-fits-all approach to moderation taken by the major social platforms,” Karger says.

But at the same time, having no central moderator means there is no one to remove content from the platform that might be offensive or illegal.

“We need to do more research to understand if that is going to provide real, damaging consequences or if the kind of personal moderation we created can provide the protections people need,” he adds.

Empowering social media users

The researchers also had to overcome a problem known as context collapse, which conflicts with their goal of interoperation.

For instance, context collapse would occur if a person’s Tinder profile appeared on LinkedIn, or if a post intended for one group, like close friends, would create conflict with another group, such as family members. Context collapse can lead to anxiety and have social repercussions for the user and their different communities.

“We realize that interoperability can sometimes be a bad thing. People have boundaries between different social contexts, and we didn’t want to violate those,” Henderson says.

To avoid context collapse, the researchers designed Graffiti so all content is organized into distinct channels. Channels are flexible and can represent a variety of contexts, such as people, applications, locations, etc.

If a user’s post appears in an application channel but not their personal channel, others using that application will see the post, but those who only follow this user will not.

“Individuals should have the power to choose the audience for whatever they want to say,” Karger adds.

The researchers created multiple Graffiti applications to showcase personalization and interoperability, including a community-specific application for a local concert venue, a text-centric microblogging platform patterned off X, a Wikipedia-like application that enables collective editing, and a messaging app with multiple moderation schemes patterned off WhatsApp and Slack.

“It also leaves room to create so many social applications people haven’t thought of yet. I’m really excited to see what people come up with when they are given full creative freedom,” Henderson says.

In the future, she and her colleagues want to explore additional social applications they could build with Graffiti. They also intend to incorporate tools like graphical editors to simplify the design process. In addition, they want to strengthen Graffiti’s security and privacy.

And while there is still a long way to go before Graffiti could be implemented at scale, the researchers are currently running a user study as they explore the potential positive and the system could have on the social media landscape.

More information:
Theia Henderson et al, Graffiti: Enabling an Ecosystem of Personalized and Interoperable Social Applications, Proceedings of the 38th Annual ACM Symposium on User Interface Software and Technology (2025). DOI: 10.1145/3746059.3747627

This story is republished courtesy of MIT News (web.mit.edu/newsoffice/), a popular site that covers news about MIT research, innovation and teaching.

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A Single Strike Won’t Shut Off the Gulf’s Desalination System

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A Single Strike Won’t Shut Off the Gulf’s Desalination System


Across the region, facilities tied to water and power—including desalination plants—have been damaged or exposed to risk as Iranian strikes extend beyond traditional targets.

A single strike, however, is unlikely to shut off the gulf’s water supply. The system is designed to absorb isolated disruption, but sustained or multisite attacks would begin to strain supply far more quickly.

“In the Gulf, desalination is built with enough breathing room that losing one plant doesn’t immediately show up at the tap,” says Rabee Rustum, professor of water and environmental engineering at Heriot-Watt University Dubai.

In Kuwait, Iranian drone attacks have damaged two power and desalination facilities and ignited fires at two oil sites. Other sites, including Fujairah in the UAE, have been identified as potentially exposed.

“Striking desalination plants would be a strategic move, but it would also come very close to, and in some cases cross, a red line,” says Andreas Krieg, senior lecturer at the School of Security Studies at King’s College London.

Water infrastructure, Krieg explains, occupies a distinct category. “Water infrastructure is not just another utility. In places that depend on desalination, it underpins civilian survival, public health, hospital function, sanitation, and basic state legitimacy.”

Krieg notes that international humanitarian law gives special protection to civilian objects and to objects indispensable to the survival of the civilian population. “Which is precisely why attacks on water systems carry such grave legal and moral weight,” Krieg adds.

The incidents highlight a structural reality: Desalination is central to water supply in the gulf, and disruption carries immediate implications for daily life.

How the System Absorbs Disruption

At first glance, desalination appears vulnerable. Shut down a plant, and supply is reduced. In practice, the system is designed with layers of redundancy.

Plants operate across multiple locations, allowing output to be redistributed if one facility slows down. Water is also stored at different points across the network, including central reservoirs and building-level tanks, creating a buffer that delays disruption.

According to a statement to WIRED Middle East by Veolia, an environmental services provider whose technologies account for nearly 19 percent of desalination capacity in the region, “the region’s water supply is diversified thanks to a network of numerous facilities distributed along the coastline.”

The company adds that distribution systems are interconnected, allowing plants to “support and substitute for one another when necessary,” helping maintain continuity of service.

In the UAE, storage capacity typically covers around one week, while in other parts of the region it may be limited to two to three days, Veolia says.

In practice, this means the system can absorb disruption for a limited period. Once reserves are depleted, water supply depends on whether plants can continue producing enough water to meet demand.

The System That Produces Water

Unlike most regions, the Gulf does not rely on rivers or rainfall. It depends on a network of desalination plants along its coastline that convert seawater into potable water on a continuous basis.

Seawater is drawn into treatment facilities, filtered and processed either through reverse osmosis—forcing it through membranes to remove salt and impurities—or through thermal methods that evaporate and condense water. The resulting supply is distributed through pipelines, stored in reservoirs, and delivered to homes, hospitals, and industry.

This is not a flexible system. It is designed to operate continuously, producing water at a scale that sustains cities, industrial activity, and essential services. Gulf states produce roughly 40 percent of the world’s desalinated water, operating more than 400 plants across the region.

Dependence varies by country but is high everywhere. In the UAE, desalination accounts for 41 to 42 percent of total water supply, while in Kuwait, it provides around 90 percent of drinking water, and in Saudi Arabia, approximately 70 percent.

When Disruption Becomes Visible

For residents, disruption would not be felt immediately—water would continue to flow.

Rustum explains that buildings are supported by internal storage and pumping systems, meaning early changes in supply may not be apparent. In many cases, water pressure remains stable, even as the wider system adjusts.



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Border Patrol Agents Sold Challenge Coins With ‘Charlotte’s Web’ Characters in Riot Gear

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Border Patrol Agents Sold Challenge Coins With ‘Charlotte’s Web’ Characters in Riot Gear


US Border Patrol agents are raising money by selling coins that commemorate last year’s wave of immigration enforcement “operations” across the country, along with other merchandise. The funds are for nonprofit organizations that list Border Patrol buildings as their address in IRS paperwork. At least two of the organizations have dedicated US Customs and Border Protection email addresses.

The front side of one coin for sale reads, “NORTH AMERICAN TOUR 2025,” along with the acronyms for US Border Patrol and the acronym for “fuck around and find out”—a phrase that was initially popularized by the far-right group the Proud Boys and has been used by various Trump officials. In the center, the coin depicts a gas mask, a riot control smoke grenade, and a pepper ball launcher. On the other side, the coin appears to have a portrait of Border Patrol’s now retired commander-at-large, Gregory Bovino, with his arm raised in a salute, along with the text “COMING TO A CITY NEAR YOU!” It lists seven cities, many of which actually saw federal enforcement surges in 2025: Chicago, Los Angeles, Memphis, Phoenix, Portland, Charlotte, and Atlanta.

The coin is for sale by Willcox Morale Welfare and Recreation, a nonprofit that the IRS most recently declared tax-exempt during the Biden administration and whose address on IRS paperwork matches that of the Willcox Border Patrol Station in Arizona. A request for comment sent to Willcox MWR’s dedicated CBP email address went unanswered.

Employees of the Department of Homeland Security, the parent agency for Border Patrol, are allowed to start private, not-for-profit employee associations within DHS, so long as they get formally recognized by the agency and follow certain rules. According to DHS policies, officially recognized groups can fundraise using government property and create merchandise with the agency’s name and logos–but they have to receive advance approval from the agency.

Willcox MWR is just one of several groups across the country that cater to Border Patrol agents and refer to themselves as MWRs, a reference to the US military’s “morale, welfare and recreation” programs. The groups tend to throw holiday events and retirement parties, and sometimes raise money for the families of agents going through hard times, including those not getting paid during the current shutdown.

Many MWRs also sell customized medallions known as “challenge coins” that commemorate specific teams or events. While anyone, including CBP alumni, can design and sell coins, current DHS employees are not supposed to use government resources to sell ones that use the agency’s seals or logos without permission, or ones that the agency considers inappropriate or unprofessional.

CBP did not provide comment about its relationship to Willcox MWR or any other nonprofit mentioned in this story, nor whether the agency had green-lit the “North American Tour” coin design, ahead of publication.

Under Willcox MWR’s Facebook post about the “North American Tour” coin, someone named Juan Diego commented, “Sign up SDC BK5 MWR for 10.”

“Shoot us an email,” someone managing the Willcox MWR account replied, giving out what appeared to be a dedicated cbp.dhs.gov email address for the group.

SDC BK5 MWR, also a registered nonprofit, lists an address on its website that matches that of a government facility in Chula Vista, California. It says on its site that it was started by San Diego Sector Border Patrol agents and sells custom merchandise “designed to raise funds for morale and relief efforts.”

Diego did not respond to a request for comment.

The SDC BK5 MWR website has listings for over 200 different products in addition to the North American Tour coin. One of those listings was a “Chicago Midway Blitz” challenge coin in the shape of a gas mask that doubles as a bottle opener. Embossed around the edges of the coin are the names of several municipalities and neighborhoods caught up in DHS’s immigration enforcement surge of the same name last fall. Like the North American Tour coin, it features the US Border Patrol logo and the acronym for “fuck around and find out.” Opponents of the Trump administration’s immigration enforcement activity in Illinois are unamused.



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One of Our Favorite 360 Cams Is 35 Percent Off

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One of Our Favorite 360 Cams Is 35 Percent Off


Tired of taking your action camera on an adventure, only to get home and find out you missed the action with a bad angle? One option is to switch to a 360-degree action cam, so you can capture all of the action and then edit down to just the good stuff later. One of our favorite options, the DJI Osmo 360, is currently available for just $390 on Amazon, a $209 discount from its usual price, and it comes with a selfie stick and an extra battery.

The DJI Osmo 360 achieves its impressive all-around video quality by leveraging a pair of 1/1.1-inch sensors, larger than some other offerings, and by supporting 10-bit color. You can really see that in the camera’s output, with colors that are vivid and bold, to the point that you may need to dial them back a bit in post if you want something more natural. With support for up to 50 frames per second at 8K when recording in 360 degrees, or 120 fps at 4K when shooting with only one sensor, you’ll have plenty of material to work with. In our testing, it ran for just shy of two hours at 30 fps, which is also around the time the internal storage had filled up anyway.

If you plan on catching any serious discussions with your Osmo 360, you’ll be pleased to know it connects directly to DJI’s line of wireless lavalier microphones, including the excellent and frequently discounted DJI Mic 2 and Mic Mini. If you want to mount it to something other than the included 1.2-meter selfie stick, it has both DJI’s magnetic attachment system and a more traditional ¼”-20 tripod mount. The DJI Mimo app lets you control the camera and adjust any settings, and there’s even a simple editor for on-the-fly production. For desktop users, DJI Studio has even more in-depth settings and editing options, in case you don’t want to pay for Premiere.

The DJI Osmo 360 is one of our favorite action cameras, and is particularly appealing at the discounted price point, but make sure to check out our full review for more info, or head over to our full roundup to see what else is available.



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