Fashion
Milan Uomo Moda Jan 2026: Dolce & Gabbana’s portraits of many men
Published
January 17, 2026
Dolce & Gabbana entitled their latest menswear collection “The Portrait of Man”. Maybe they should have named it portraits of many, many men so wide-ranging and rambling was the result.
Presented on Saturday in their show space on Viale Piave in Milan, the collection certainly had plenty of great clothes. What it lacked was focus.
Even down to the order of show, where models suddenly leapt up from the audience, wandered about the set before finally cruising down the catwalk. Made of mock marble Formica even the runway jarred visually.
It didn’t help that the mood entering was sullen, as the thousands of fans that often crowd the sidewalks outside Dolce & Gabbana shows were absent due to the leaden sky and steady rain.
All that said, Domenico Dolce and Stefano Gabbana remain great tailors, and there were some sensational sartorial statements. Above all in the fabric of the moment, speckled Donegal tweed, made of blends of wool and cashmere. An opening pale stony gray suit with gangster silhouette jacket done with wickedly large lapels and wide pants was perfect. As was a three piece version, where the jacket was replaced by a black mohair sweater.
But then, just when we were in the middle of daywear, an oily haired lothario model beside me hopped onto the runway – attired in matelassé black smoking jacket paired with pajama pants and slippers. Shifting the portraits from gentlemanly chic to patrician dandy.
For colder nights, Domenico and Stefano whipped up all sorts of dramatic shearling coats for posh hippie dudes. While at home, the duo want guys to wear faux leopard skin dressing gowns – just perfect for the Mediterranean sensualist.
Add in military great coats, piped velvet jackets and the coolest of hussar’ jacket and there was something for everyone in this collection. Even a sporting moment – football jerseys reading Soccer Club or 84, the year the boys opened their brand.
“Each man is seen as self-contained universe of a passions, memories and inattentions. The runway becomes a contemporary gallery of a living portraits, where every look functions as a psychological and sartorial self-portrait,” intoned a British-accented announcer pre-show as a video showed scores of models in their looks.
It certainly made for a commercial collection, but perhaps not a great show. One could not help thinking of fellow Sicilian Luigi Pirandello’s classic play “Six Characters in Search of an Author”. This show felt likes scores of models in search of a common.
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Fashion
Italy’s inflation edges up to 1.7% in March: Istat
The increase was driven largely by energy prices, as declines in regulated and non-regulated energy products eased significantly. In contrast, inflation in services slowed, Istat said in a press release.
Italy’s inflation rose to 1.7 per cent year on year in March 2026, driven by higher energy, according to Istat. Monthly inflation stood at 0.5 per cent.
Core inflation eased to 1.9 per cent, while services inflation slowed.
The HICP increased 1.6 per cent annually, with lower-income households experiencing relatively smaller price rises than higher-spending groups.
Core inflation, which excludes energy and unprocessed food, moderated to 1.9 per cent from 2.4 per cent, while inflation excluding energy eased to 2.1 per cent.
On a yearly basis, goods prices rose 0.8 per cent compared with a slight decline in the previous month, while services inflation slowed to 2.8 per cent from 3.6 per cent. This narrowed the inflation gap between services and goods.
On a monthly basis, the rise in the index was mainly led by increases in regulated energy prices, up 8.5 per cent, and non-regulated energy prices, up 5 per cent, along with gains transport services.
The harmonised index of consumer prices (HICP) rose 1.7 per cent MoM and 1.6 per cent YoY, slightly above the earlier estimate. In the first quarter, inflation remained lower for households with weaker spending capacity compared with higher-spending households.
Fibre2Fashion News Desk (SG)
Fashion
Burkina Faso fully nationalises leading cotton firm Sofitex
The decision was taken during a meeting of the council of ministers that was chaired by the Transitional President Captain Ibrahim Traore.
Burkina Faso has announced the full nationalisation of Burkinabe Company of Textile Fibres (Sofitex), citing rising debt, declining production and inefficiencies.
Sofitex was a mixed-ownership firm, in which the state held a majority stake.
Full state ownership is expected to lead to tighter financial discipline, improved governance and a restructuring of operations to boost efficiency.
Sofitex was a mixed-ownership cotton company, in which the state held a controlling majority stake and private investors owned a minority share valued at about 75 billion CFA francs.
A 2025 valuation cited by the government places Sofitex’s total worth at 338.14 billion CFA francs (~$607 million), with the private stake valued at just over 75 billion CFA francs for 976,400 shares.
The company’s cotton production fell by 24-26 per cent to under 300,000 metric tonnes in the 2024-2025 season.
Full state ownership is expected to lead to tighter financial discipline, improved governance and a restructuring of operations to boost efficiency, according to a domestic media outlet.
Fibre2Fashion News Desk (DS)
Fashion
UK’ John Lewis appoints Jacqui Markham as new creative head of fashion
Markham joins from Whistles, where she served as Creative Director. She was previously Global Design Director at Topshop and Design Director at ASOS. She succeeds Queralt Ferrer who steps down after four years with the Partnership.
John Lewis has appointed Jacqui Markham as fashion creative director, overseeing own-brand womenswear, menswear and childrenswear.
She joins from Whistles and succeeds Queralt Ferrer.
The move strengthens investment in design, quality and relevance, alongside digital growth, Oxford Street refurbishments, exclusive collaborations and an expanded line-up of global fashion brands.
The appointment marks the next phase in John Lewis developing its own brand fashion, with clear creative direction and continued investment behind it.
Markham brings a strong track record of building distinctive, successful collections with a focus on design, quality and relevance for customers.
Her appointment comes alongside John Lewis’s continued investment in fashion, including upgrades to shops and digital, and the recent refurbishment of womenswear and menswear at the Oxford Street flagship store.
This month also sees the launch of the second John Lewis x Rejina Pyo collaboration, and a new 15-piece exclusive capsule collection from Amanda Wakeley. These will complement the expanded line-up of new brands including Samsoe Samsoe, MOTHER, St Agni, Patagonia, Belstaff, Missoma and Completedworks.
Rachel Morgans, John Lewis Director of Fashion, said: “I look forward to welcoming Jacqui to John Lewis at a defining moment for our fashion business. She brings a wealth of expertise and a proven ability to create exceptional design and will support our future creative vision.”
Jacqui Markham commented: “I am very excited to join the Partnership and to work together with all the teams toward a shared vision for the future of John Lewis. It feels like a seminal moment in the long history of the Partnership, and I cannot wait to get started to help shape that vision and bring our collective ideas to light.”
Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (RM)
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