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Misty Copeland says Timothée Chalamet “wouldn’t be an actor” if not for ballet, opera

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Misty Copeland says Timothée Chalamet “wouldn’t be an actor” if not for ballet, opera


Ballerina Misty Copeland says actor Timothée Chalamet “wouldn’t be an actor and have the opportunities he has as a movie star” if it were not for ballet or opera.

The first Black female principal dancer for the American Ballet Theater fired back at the actor’s recent comments made during a town hall last month with fellow actor Matthew McConaughey. The two were discussing keeping movie theaters alive when Chalamet appeared to dismiss the significance of ballet and opera, saying, “No one cares.”

“I don’t want to be working in ballet, or opera, or things where it’s like, ‘Hey, keep this thing alive, even though no one cares about this anymore.’ All respect to all the ballet and opera people out there. I just lost 14 cents in viewership.”

Copeland said the actor should be uplifting all art forms instead of comparing them.

“There’s a reason that the opera and ballet have been around over 400 years,” Copeland said. “And I think that when you have access, you have opportunity to be a part of something, it can change your life.”

She also noted the irony that she helped market Chalamet’s latest film, for which he is nominated for an Oscar, by posing in a “Marty Supreme” branded jacket.

“First, I have to say that it’s very interesting that he invited me to be a part of promoting ‘Marty Supreme’ with respect to my art form,” she said.

More backlash

Copeland isn’t the only one to slam Chalamet, with critics noting both his mother and sister studied at the School of American Ballet. 

The Metropolitan Opera posted a behind-the-scenes video of what goes into its productions with the caption, “This one’s for you @tchalamet.”

Last weekend, the Seattle Opera offered a 14% discount with the code “Timothee.”

Chalamet’s spokesperson did not return CBS News’ request for comment.



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Former NFL defensive end Josh Mauro dies at 35

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Former NFL defensive end Josh Mauro dies at 35


Former NFL defensive end Josh Mauro dies at 35

Former NFL defensive end Josh Mauro has died at the age of 35, his family and former teams announced on Tuesday.

His father, Greg Mauro, confirmed the news on Facebook. He wrote, “With many tears and broken hearts, yet anchored in the unshakable certainty that our precious Josh Mauro is now healed and made new — living in the presence of the Lord.”

Mauro’s cause of death has yet to be revealed.

Mauro began his NFL career with the Arizona Cardinals in 2014 and played for the franchise until 2018. He then went on to play for the New York Giants, Oakland Raiders and Jacksonville Jaguars between 2018 and 2020, before returning to the Cardinals for his final season in 2021.

Over his career, Mauro played 80 games, starting in 40, and recorded five career sacks and two forced fumbles.

The Cardinals said they were heartbroken by the news, extending their “deepest condolences to everyone grieving this loss.”

The Raiders also paid a heartfelt tribute to the athlete via a social media post. The team wrote, “The deepest condolences of the Raiders Family are with Josh’s family and friends at this time.”

Stanford University, where Mauro played college football, also remembered him: “A 2013 All-Pac-12 honorable mention selection, Mauro was an integral part of four bowl teams, helping lead Stanford to a pair of Rose Bowl Game appearances.”





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Zohran Mamdani asks King Charles to return Kohinoor to India

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Zohran Mamdani asks King Charles to return Kohinoor to India


Zohran Mamdani asks King Charles to return Kohinoor to India

New York City Mayor Zohran Mamdani has announced that he would ask King Charles, currently on an official visit to the United States (U.S.), to return the Koh-i-Noor diamond to India.

Replying to a question at a press conference on Wednesday, before the 9/11 ceremony, the Democratic Party’s socialist mayor said that if he were to speak to King Charles privately then “I would probably ask him to return the Kohinoor diamond.”

The diamond was taken during British colonial rule in India, which later gained independence and was partitioned into India and Pakistan.

The diamond has been a major bone of contention between the U.K. and India; however, Iran and Pakistan have also laid claims to the stone.

A spokesperson for the royal family declined to respond to Mamdani’s statement.

Mamdani is set to welcome King Charles and Queen Camilla for a 9/11 ceremony on Wednesday.

When asked about a particular message that he would like to send to the British royal family, the NYC mayor said, “I’ll be attending a wreath laying alongside other elected officials including Governor Hochul and Governor Sherrill.”

He continued, “The focus of that wreath laying is to honour the more than 3,000 New Yorkers who were killed in the horrific terror attacks of September 11. And that is really what I’m looking to do at that event.”





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Vanessa Williams reveals why she always plays negative roles

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Vanessa Williams reveals why she always plays negative roles


Vanessa Williams reveals why she always plays negative roles

Vanessa Williams has a very simple philosophy about why she keeps saying yes to the most deliciously difficult women in television and theatre, and it comes down to one thing: not being afraid.

The 63-year-old appeared on The Happy Grownup Podcast, where host Hal Rubenstein cut straight to it: “Why do you keep playing b–ches?”

Williams laughed and got straight to the point. 

“You know, I think you have to not be afraid, because some people are like, ‘Oh I want to be liked.’ Well, why have a career if you just take roles that you want to be liked in? That’s ridiculous.”

The list of formidable women she has inhabited is a long one. 

There was Wilhelmina Slater, the gloriously self-absorbed creative director of Mode on Ugly Betty

Then came Renee Perry, the devious troublemaker she played on Desperate Housewives

She is currently playing Miranda Priestly in The Devil Wears Prada musical on London’s West End. 

And she traces the trajectory back further, to the 2000 TV movie A Diva’s Christmas Carol, in which she played a gender-flipped Ebony Scrooge. 

A Diva’s Christmas Carol, that was the first one, probably,” she said.

Beyond the attitude, Williams says these characters give her something most roles simply cannot. 

“They have the most delicious lines, always. I mean, every day, I’ll read a script, I’m like ‘That’s hilarious. Oh, that’s really terrifying. I want to do that.’ It’s fun for me.” 

She also credits having the “chutzpah” and “gravitas” to pull these larger-than-life figures off. 

“I take risks. I think you have to put yourself out there when you’re playing somebody who’s larger than life and not afraid to step up to the plate and be a heavy hitter.”

Williams first came to public attention in 1984 as the first Black person to be named Miss America, before pivoting to a music career and earning 11 Grammy nominations, including song and record of the year for her 1992 number one hit Save the Best for Last

She made her Broadway debut in Kiss of the Spider Woman in 1994 and received a Tony nomination for The Witch in the 2002 revival of Into the Woods.





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